Catalog (317)

Passion of Korea 4. Silk Bojagi Korean Textile Art by renowned textile artist Hae Hong Chang. Chang's acclaimed bojagi have been exhibited in museums and galleries around the world. The Korean Art and Antiques website is the only online venue for her fine work. Hae Hong Chang is a Korea Bojagi Forum Recommended Artist. 22 x 20 inches, 55 x 50 cm.

Large 19th Century Painted Wood Sculpture of a Benevolent Scholar Administrator. Large-scale antique Korean wood sculpture is rare. This one is beautifully rendered with splendid attire and the compassionate face of the idealized scholar administrator. This is the type of sympathetic official written of in ancient fables and that one hoped to face when they had to plead their case. It is a wonderful example of emotion elicited from wood and paint by a talented anonymous artist. He is holding a peach which represents the abundant peach trees whose fruit provides longevity and sustenance in the Land of the Immortals who he calls upon for wisdom and guidance. The peach seed is an ancient symbol of benevolence. The word for kernel sounds the same as the word for benevolence or kind-heartedness, ideal qualities for a man in his position. 30.5 x 13.5 x 5.5 inches, 77.5 x 34 x 14 cm.

Rare 5th to 6th Century Silla Jar with Separate Single-Level Perforated Stand and Perforated Knobs. This type is so rare, only one other example has been published as far as we know. It appears in Volume 1 of Korea's Pottery Heritage by Edward B. Adams. While the perforated knobs here, utilized to run a cord through, do appear on other Silla ware on rare occasion, they are not on the similar example in Adams' book. This is the only jar with this combination of features. So if you are looking for a unique addition to your collection, you cannot do better than this one-of-kind and striking ancient jar. Silla ware is the most undervalued and underpriced of Korean antiquities. It preceded and influenced the Sue ware of Japan. Accidental ash glaze occurs throughout this example. The ridged neck here features an incised wave pattern created with a comb around the circumference. The tall neck helped to keep the contents from splashing out. The stand has been glued where it apparently once split in half. Jar Height: 10 inches, 25.5 cm. Jar Circumference: 29.5 inches, 75 cm. Stand Height: 4.25 inches, 10.75 cm.

The Famous Mad Monk Jung Kwang Sunim's Largest Zen Crane Painting. Ko Chang Nyul aka Jung Kwang Sunim aka the Mad Monk (1935-2002) of Jeju Island. This is the largest painting by Jung Kwang we have ever seen. The third photo here is from a prominent dealer's "sale" going on right now on Jung Kwang paintings, where you will see the prices are several times higher than mine for smaller paintings. This other gallery has been in business for over forty years and has sold to many of the major museums. A google search of Jung Kwang Mad Monk will reveal the fascinating life of this character, and you'll find this movie about him (http://www.piff.org/eng/html/archive/arc_search_view.asp?idx=1314&target=search&c_idx=18&m_entry_year=2002) and this exhibition at the Seoul Art Center (http://nwww.koreaherald.com/view.php?ud=20110807000244) and this book (http://www.amazon.com/The-Mad-Monk-Paintings-Lancaster-Miller/dp/0895810174) and more. He and his work have been featured on CNN, PBS, NHK, and other major broadcasters. He was a famous monk, artist, poet, and actor. His unique paintings are instantly recognizable by their zen approach to form and color. Please look closely at this painting to get a sense of the spiritual quality of the artist's brushwork. The crane is an ancient symbol of longevity. It has further symbolic meaning in Buddhism. The bodhisattvas change themselves into cranes so that they can fly all over the world visiting and helping people. The buyer of this fine painting will receive a PDF file compilation of Jung Kwang Sunim's poems, and a bio. You'll laugh and cry when you read "Zen Poems 1". The recent exhibition of Jung Kwang Sunim's work at the Zen Buddhist Temple in New York City was the most highly-attended exhibition ever presented by the Korean Art Society. At that exhibition, Jung Kwang Sunim's works of similar size and quality sold for multiples of the prices we are asking here. The fourth photo here shows a wall label from that exhibition with a price of $2500 for a painting of similar style and smaller size by Jung Kwang Sunim. Ink and color on paper. Frame: 37 x 36 inches (94 x 91.5 cm), Painting: 25.5 x 24 inches (65 x 61 cm).

Passion of Korea 3. Silk Bojagi Korean Textile Art by renowned textile artist Hae Hong Chang. Chang's acclaimed bojagi have been exhibited in museums and galleries around the world. The Korean Art and Antiques website is the only online venue for her fine work. Hae Hong Chang is a Korea Bojagi Forum Recommended Artist. 17.5 x 16 inches, 44 x 40 cm.

Passion of Korea 2. Bojagi Korean Textile Art by renowned textile artist Hae Hong Chang. Chang's acclaimed bojagi have been exhibited in museums and galleries around the world. The Korean Art and Antiques website is the only online venue for her fine work. Hae Hong Chang is a Korea Bojagi Forum Recommended Artist. 17.5 x 16 inches, 44 x 40 cm.

Burmese Bronze Sakyamuni Buddha, the Historical Buddha, making the earth-touching gesture with his right hand, and the meditating gesture with his left hand. From the Northern Shan state of Burma. Traces of gilding. 8.75 inches (22 cm) high.

Chinese Junyao bowl from the Yuan Dynasty. From the collection of Irwin Hersey, renowned author on Asian and primitive art, and publisher of the Primitive Art Newsletter in the 1970s. Irwin Hersey was an advisor to museums and prominent collectors, and vetted pieces for many of the international tribal art fairs and Asian art fairs. He purchased this bowl from PB Auction in 1975. 4.5w x 1.75h inches, 11.5w x 4.5 cm.

Dragon Skies set of 10 paintings created in 2004 by Renowned Korean Artist Don Ahn aka Ahn Dong Kuk (1937-2013). We encourage you to research Don Ahn's sales record and market prices on sites such as Artsy, so you can appreciate what a great opportunity this is to purchase an original work of art by the master at a price well below the actual value. The second photo here pairs the 10 paintings with the 10 Bodhisattvas by Choi Dae Shik that are on this website for $1500. Both sets may be purchased at the discounted price of $2000. Don Ahn was a pioneer of Korean art in America. In the 1950s he was the first to move permanently to the US and receive recognition here, beginning with the 1952 exhibition of his work at the Kilbride Bradley Gallery in Minneapolis, the very first exhibition of Korean contemporary art in America. His work is in the permanent collection of the Museum of Modern Art in New York, and other major museums. There was recently an exhibition of Don Ahn's work at the Walter Wickiser Gallery in New York's Chelsea art district. Acrylic on paper. Frames: from 14.25 x 11.25 to 8.5 x 8.25 inches (36 x 28.5 to 21.5 x 21 cm); Paintings: from 7 x 3 to 3 x 3 inches (18 x 7.5 to 7.5 x 7.5 cm). See also preeminent art critic Holland Cotter's review of Don Ahn's work in the April 4, 1997 New York Times article, Of Asians Among the Abstractionists, where he describes Don's paintings as "Exuberant" and "Inspired by Zen brushwork".

Antique Korean Coin Chest, Donkwe. 11h x 24w x 12.5d, 28h x 61w x 32d m. Coin chests are highly prized by collectors of Korean antiques. Paper money did not exist in Joseon Dynasty Korea, and the coins were of very small denominations. They had to be strung together in large, heavy quantities to have any worth, so a strong money box was a necessity. Mattie Ingold, an American missionary physician who worked in Jeonju, wrote: "If Korean money were proportionately as great in value as it is in weight and clumsiness, the Koreans would be a very wealthy people."

Rare Quadriptych Painting by the First Korean American Artist Don Ahn aka Ahn Dong Kuk (1937-2013). Acrylic on paper. Painted in 2006. Frame: 24 x 15 inches, 61 x 38 cm. We encourage you to research Don Ahn's sales record and market prices on sites such as Artsy, so you can appreciate what a great opportunity this is to purchase an original work of art by the master at a price well below the actual value. Don Ahn was a pioneer of Korean art in America. In the 1950s he was the first to move permanently to the US and receive recognition here, beginning with the 1952 exhibition of his work at the Kilbride Bradley Gallery in Minneapolis, the very first exhibition of Korean contemporary art in America. His work is in the permanent collection of the Museum of Modern Art in New York, and other major museums. There was recently an exhibition of Don Ahn's work at the Walter Wickiser Gallery in New York's Chelsea art district. See also preeminent art critic Holland Cotter's review of Don Ahn's work in the April 4, 1997 New York Times article, Of Asians Among the Abstractionists, where he describes Don's paintings as "Exuberant" and "Inspired by Zen brushwork".

The peony is an ancient symbol of love and prosperity in Korea. We have been trying since we opened 19 years ago to acquire a Kim Gyu Jin painting, but they are all either stored in museums or firmly entrenched in private collections. His works are in the collections of the world's biggest museums, including the Metropolitan Museum and the British Museum. There is just one other one on the market, as shown in the last photo here. It is also a floral painting and is being offered by a retiring gallery owner for a price reduced from $9000.00 to a "sale" price of $6500.00. So it is with great pride that we offer here a beautifully framed Peony Painting by Korean Joseon Dynasty Royal Court artist Kim Gyu Jin. This painting is a fine example of the range of Kim Gyu Jin's brushwork, from dynamic strokes to radiant ink washes. Kim Gyu Jin aka Haegang (1868-1933) had a tremendous influence on Korean art through his paintings, the art organization he founded (Seohwa Hyeophoe Calligraphy and Painting Association), and his textbooks that became canon in art studies. He taught painting and calligraphy to King Gojong and to the crown prince and he was commissioned by King Sukjong to paint the murals at Changdok Palace. Ink on paper. Frame: 67 x 20.5 inches, 170 x 52 cm. Painting: 55 x 13.25 inches, 140 x 33.5 cm.

Orchids and Rocks Painting by Kim Eung Won aka Soho (1855-1921), beautifully framed. Orchids are an ancient Korean symbol of purity, modesty, and virtue. The rock symbolizes eternity, so the combination of orchids and rock have the meaning of eternal adherence to principle. The orchid grows in remote places, but its fragrance spreads over the land, just as the scholar often works in isolation, but through their scholarly and ethical works their influence is felt throughout the land. Talented painters of orchids were and still are held in the highest regard. Though Daewongun (Prince Yi Ha Eung) is often cited as the greatest painter of orchids, most scholars now agree it was Kim Eung Won who was creating many of the paintings for which Prince Daewongun took credit and which Daewongun signed. Daewongun was, of course, a great painter of orchids, but most agree now that Kim Eung Won may deserve the title of greatest. His paintings sell for a fraction of the price of Daewongun's paintings, at least for now. That can be expected to change as the general public catches up with the scholarship on the subject. The last photo here is from a sale at another gallery where the prices on similar paintings by Kim Eung Won are several times higher than the price we are asking here for this fine painting. Ink on paper. Frame: 61.5 x 21 inches, 156 x 53 cm. Painting: 52 x 12.75 inches, 132 32.5 cm. (A much smaller Daewongun painting sold at Christie's for $12,500 on March 18, 2014).

Rare and Fine 5th to 6th Century Silla Jar with Beautiful Form and Design. Silla ware is the most undervalued and underpriced of Korean antiquities. It preceded and influenced the Sue ware of Japan. This jar is a precursor of the round 19th Century Korean Moon Jars that now sell for hundreds of thousands and sometimes millions of dollars. The body is similarly constructed of two wheel-thrown halves, but adds a perforated attached pedestal and ridged tall neck and features incised wave patterns created with a comb around the circumference of the body and neck. The tall neck helped to keep the contents from splashing out. Traces of accidental ash glaze occur throughout. For a similar jar see Syracuse University Museum's Catalogue # 62-301 in the 1965 John R. Fox Collection of Korean Ceramics exhibition catalogue pages 6 and 29. Jars identical to this one are in the Great Tomb of Hwangnam, the largest Silla tomb. This dual King and Queen's tomb is shown in the last photo here. Height: 11.5 inches, 29 cm. Circumference: 31 inches, 79cm.

Very Rare Painted Wood 19th Century Korean Funerary Figure (Kkokdu). These are so rare that it has been twenty years since we last had one for sale. Kkokdu were guardian figures that were believed to accompany the deceased in the afterlife. They were burned after the funeral, so very few have survived. There are a couple of kkokdu museums in Korea that have acquired just about all of the remaining kkokdu. So don't miss this once-in-a-lifetime opportunity to own a vital piece of Korean Joseon Era culture. Height: 10.25 inches, 26 cm.

Zen Painting of Crane Under Moon by the Famous Korean Jeju Island Monk, Ko Chang Nyul aka Jung Kwang Sunim aka the Mad Monk (1935-2002). Mounted on a beautiful midnight blue silk scroll. The third photo here is from a prominent dealer's "sale" going on right now on Jung Kwang paintings, where you will see the prices are several times higher than mine. This other gallery has been in business for over forty years and has sold to many of the major museums. A google search of Jung Kwang Mad Monk will reveal the fascinating life of this character, and you'll find this movie about him (http://www.piff.org/eng/html/archive/arc_search_view.asp?idx=1314&target=search&c_idx=18&m_entry_year=2002) and this exhibition at the Seoul Art Center (http://nwww.koreaherald.com/view.php?ud=20110807000244) and this book (http://www.amazon.com/The-Mad-Monk-Paintings-Lancaster-Miller/dp/0895810174) and more. He and his work have been featured on CNN, PBS, NHK, and other major broadcasters. He was a famous monk, artist, poet, and actor. His unique paintings are instantly recognizable by their zen approach to form and color. Please look closely at this painting to get a sense of the spiritual quality of the artist's brushwork. The crane is an ancient symbol of longevity. It has further symbolic meaning in Buddhism. The bodhisattvas change themselves into cranes so that they can fly all over the world visiting and helping people. The moon is also an ancient symbol of longevity in Korea. The buyer of this fine painting will receive a PDF file compilation of Jung Kwang Sunim's poems, and a bio. You'll laugh and cry when you read "Zen Poems 1". The recent exhibition of Jung Kwang Sunim's work at the Zen Buddhist Temple in New York City was the most highly-attended exhibition ever presented by the Korean Art Society. At that exhibition, Jung Kwang Sunim's works of similar size and quality sold for multiples of the prices we are asking here. The fourth photo here shows a wall label from that exhibition with a price of $2500 for a painting of similar style and slightly smaller size by Jung Kwang Sunim. Ink and color on paper. Silk Scroll: 43 x 19.5 inches (109 x 49.5 cm), Painting: 24.5 x 13 inches (62 x 33 cm).

Rare 18th Century Burmese Wood Doll with Leather Skirt, Articulated Arms, and Painted Leather Hat Acquired by Irwin Hersey from Ohly's of London in 1976. 10 inches, 25.5 inches. From the collection of Irwin Hersey, renowned author on Asian and primitive art, and publisher of the Primitive Art Newsletter in the 1970s. Irwin Hersey was an advisor to museums and prominent collectors, and vetted pieces for many of the international tribal art fairs and Asian art fairs.

Rare 19th Century Korean Antique Men's Mirror Box of High Quality Zelkova and Burl Wood. 10 x 8 x 6 inches, 25 x 20 x 15 cm.