Catalog (335)

Rare Antique Korean Doll Couple with exact details in the costumes of that era (late 19th Century). These were used in rituals. This is an exceptional example, with very personal features, such as the woman's swollen cheek bones and pursed lips, and the man's introspective eyes, that go well with their bent postures from many years of living a full life. It is rare to find dolls from this era that are so artistically and beautifully rendered with so much heart-warming emotion. It is equally rare to find a man with an original walking stick. 8.5 inches, 21.5 cm.

Won Ju Seo's work is featured in the Spring 2013 issue of Fiber Art Now, and in the recently-published McGraw-Hill fine arts textbook, Art Talk. The work offered here is Color in My Surroundings 5 by Won Ju Seo. Frame: 13 x 11 inches (33 x 28 cm); Textile: 8.25 x 7.25 inches (21 x 18.5 cm). Hand-sewn with Korean silk and silk thread. The work of Korean textile artist, Won Ju Seo, is in major museums and prominent collections. She is renowned for her modern approach to the bojagi, the traditional Korean wrapping cloth that has been the subject of many museum exhibitions lately. The superiority of her breath-taking technique is matched by the artistry of her designs and the creative beauty of her palette. The dazzling juxtaposed geometrics are inspired by and pay tribute to the anonymous women who created bojagi for hundreds of years, while the gorgeous colors of Won Ju Seo's palette are unique to her modern creations.

Won Ju Seo's recent exhibition is featured in the December 3, 2015 New York Times, and she is featured in the Spring 2013 issue of Fiber Art Now, and in the recently-published McGraw-Hill fine arts textbook, Art Talk. The work offered here is Color in My Surroundings 18 by Won Ju Seo. Frame: 11 x 9 inches (28 x 23 cm); Textile: 5.5 x 3.5 inches (14 x 9 cm). Hand-sewn with Korean silk, silk thread, and beads. The work of Korean textile artist, Won Ju Seo, is in major museums and prominent collections. She is renowned for her modern approach to the bojagi, the traditional Korean wrapping cloth that has been the subject of many museum exhibitions lately. The superiority of her breath-taking technique is matched by the artistry of her designs and the creative beauty of her palette. The dazzling juxtaposed geometrics are inspired by and pay tribute to the anonymous women who created bojagi for hundreds of years, while the gorgeous colors of Won Ju Seo's palette are unique to her modern creations.

Won Ju Seo's recent exhibition is featured in the December 3, 2015 New York Times, and she is featured in the Spring 2013 issue of Fiber Art Now, and in the recently-published McGraw-Hill fine arts textbook, Art Talk. The work offered here is Bojagi Diary 2013-1 by Won Ju Seo. Frame: 10 x 10 inches (25.5 x 25.5 cm); Textile: 5.25 x 5.25 inches (13.5 x 13.5 cm). Handmade, sewn and embroidered with Korean silk, metallic cloth, silk thread, foam board, and pigment. The work of Korean textile artist, Won Ju Seo, is in major museums and prominent collections. She is renowned for her modern approach to the bojagi, the traditional Korean wrapping cloth that has been the subject of many museum exhibitions lately. The superiority of her breath-taking technique is matched by the artistry of her designs and the creative beauty of her palette. The dazzling juxtaposed geometrics are inspired by and pay tribute to the anonymous women who created bojagi for hundreds of years, while the gorgeous colors of Won Ju Seo's palette are unique to her modern creations.

Won Ju Seo's recent exhibition is featured in the December 3, 2015 New York Times, and she is featured in the Spring 2013 issue of Fiber Art Now, and in the recently-published McGraw-Hill fine arts textbook, Art Talk. The work offered here is Bojagi Diary 2013-2 by Won Ju Seo. Frame: 10 x 10 inches (25.5 x 25.5 cm); Textile: 5.25 x 5.25 inches (13.5 x 13.5 cm). Handmade, sewn and embroidered with Korean silk, metallic cloth, silk thread, foam board, and pigment. The work of Korean textile artist, Won Ju Seo, is in major museums and prominent collections. She is renowned for her modern approach to the bojagi, the traditional Korean wrapping cloth that has been the subject of many museum exhibitions lately. The superiority of her breath-taking technique is matched by the artistry of her designs and the creative beauty of her palette. The dazzling juxtaposed geometrics are inspired by and pay tribute to the anonymous women who created bojagi for hundreds of years, while the gorgeous colors of Won Ju Seo's palette are unique to her modern creations.

Oil Painting by Jeon Joon Yeop. 64 x 38 inches, 162 x 97 cm. Jeon Joon Yeop (born 1953) is a well-known artist in South Korea, with numerous art reviews. He was the top-selling artist in last year’s Korea International Art Fair, Korea’s biggest art fair. Instead of finding comfort in his successes, Jeon accepts popularity as a challenge to further explore how to speak the ancient language of Korean landscape painting with a modern vocabulary of techniques, such as pouring, scratching, spreading, soaking, smudging, blowing, and densely recoating oil paint onto the canvas. Another seemingly modern technique that Jeon employs, the presentation of multiple viewpoints in a single painting, is actually an ancient technique in East Asian painting. Jeon even adds the viewpoint of the person in the painting, creating an attachment for the viewer of the painting so that the landscape is not objective and detached, thus keeping, and sharing, the Korean traditional subjective and harmonious view of nature.

Oil Painting by Jeon Joon Yeop. 46 x 32 inches, 117 x 81 cm. Jeon Joon Yeop (born 1953) is a well-known artist in South Korea, with numerous art reviews. He was the top-selling artist in last year’s Korea International Art Fair, Korea’s biggest art fair. Instead of finding comfort in his successes, Jeon accepts popularity as a challenge to further explore how to speak the ancient language of Korean landscape painting with a modern vocabulary of techniques, such as pouring, scratching, spreading, soaking, smudging, blowing, and densely recoating oil paint onto the canvas. Another seemingly modern technique that Jeon employs, the presentation of multiple viewpoints in a single painting, is actually an ancient technique in East Asian painting. Jeon even adds the viewpoint of the person in the painting, creating an attachment for the viewer of the painting so that the landscape is not objective and detached, thus keeping, and sharing, the Korean traditional subjective and harmonious view of nature.

Oil Painting by Jeon Joon Yeop. 46 x 32 inches, 117 x 81 cm. Jeon Joon Yeop (born 1953) is a well-known artist in South Korea, with numerous art reviews. He was the top-selling artist in last year’s Korea International Art Fair, Korea’s biggest art fair. Instead of finding comfort in his successes, Jeon accepts popularity as a challenge to further explore how to speak the ancient language of Korean landscape painting with a modern vocabulary of techniques, such as pouring, scratching, spreading, soaking, smudging, blowing, and densely recoating oil paint onto the canvas. Another seemingly modern technique that Jeon employs, the presentation of multiple viewpoints in a single painting, is actually an ancient technique in East Asian painting. Jeon even adds the viewpoint of the person in the painting, creating an attachment for the viewer of the painting so that the landscape is not objective and detached, thus keeping, and sharing, the Korean traditional subjective and harmonious view of nature.

Oil Painting by Jeon Joon Yeop. 36 x 25.5 inches, 91 x 65 cm. Jeon Joon Yeop (born 1953) is a well-known artist in South Korea, with numerous art reviews. He was the top-selling artist in last year’s Korea International Art Fair, Korea’s biggest art fair. Instead of finding comfort in his successes, Jeon accepts popularity as a challenge to further explore how to speak the ancient language of Korean landscape painting with a modern vocabulary of techniques, such as pouring, scratching, spreading, soaking, smudging, blowing, and densely recoating oil paint onto the canvas. Another seemingly modern technique that Jeon employs, the presentation of multiple viewpoints in a single painting, is actually an ancient technique in East Asian painting. Jeon even adds the viewpoint of the person in the painting, creating an attachment for the viewer of the painting so that the landscape is not objective and detached, thus keeping, and sharing, the Korean traditional subjective and harmonious view of nature.

Oil Painting by Jeon Joon Yeop. 29 x 21 inches, 73 x 53 cm. Jeon Joon Yeop (born 1953) is a well-known artist in South Korea, with numerous art reviews. He was the top-selling artist in last year’s Korea International Art Fair, Korea’s biggest art fair. Instead of finding comfort in his successes, Jeon accepts popularity as a challenge to further explore how to speak the ancient language of Korean landscape painting with a modern vocabulary of techniques, such as pouring, scratching, spreading, soaking, smudging, blowing, and densely recoating oil paint onto the canvas. Another seemingly modern technique that Jeon employs, the presentation of multiple viewpoints in a single painting, is actually an ancient technique in East Asian painting. Jeon even adds the viewpoint of the person in the painting, creating an attachment for the viewer of the painting so that the landscape is not objective and detached, thus keeping, and sharing, the Korean traditional subjective and harmonious view of nature.

Woo Jong Taek (born 1973) paints with ink and watercolor on both sides of the paper, combining the ancient techniques of Goryeo Dynasty Buddhist painting with modern techniques to create compositions that are deeply contemplative meditations on our modern times, casting the 21st Century everyman as Bodhisattva, offering us a thoughtful way to see our world. Woo is in touch with Korea's ancient history while he is also informed by the modern minjung 'people's movement' in art. His paintings are a rare and paradoxical combination of bold brushwork and sensitive rendering, and characters that seem timid, but are confident in their compassion. They reward repeated viewing with a variety of emotions, ‘hope’ being chief among them. 67 x 54 inches, 170 x 136 cm.

Woo Jong Taek (born 1973) paints with ink and watercolor on both sides of the paper, combining the ancient techniques of Goryeo Dynasty Buddhist painting with modern techniques to create compositions that are deeply contemplative meditations on our modern times, casting the 21st Century everyman as Bodhisattva, offering us a thoughtful way to see our world. Woo is in touch with Korea's ancient history while he is also informed by the modern minjung 'people's movement' in art. His paintings are a rare and paradoxical combination of bold brushwork and sensitive rendering, and characters that seem timid, but are confident in their compassion. They reward repeated viewing with a variety of emotions, ‘hope’ being chief among them. 51 x 27 inches, 130 x 69 cm.

Very Rare 19th Century Korean Woven Bamboo and Willow Gori Basket and Lid with a beautiful dark patina and very creative use of the bamboo and willow, on both the exterior and interior of the basket. For a similar Korean Bamboo and Willow Gori Basket, please see page 106 of Korean Cultural Heritage 2, published in 2002. 12 x 3 inches, 30.5 x 7.5 cm.

Korean Antique Compartmented Inkstone Box and Old Brush. This box has a warm beauty that comes from its lovely form and beautiful patina that shows many years of devoted use by a Joseon Dynasty Korean scholar. 10 x 7 x 1.25 inches, 25.5 x 17.75 x 3 cm.

Rare and Collectible Small Wood Document Box. This rare type of box is highly valued by collectors. This is a fine and elegant example. 17 x 8.5 x 2.25 inches, 43 x 21.5 x 5.75 cm.

Antique Onggi Grain Jar from Chuncheong Province with charming finger-paintings of stylized orchids (nancho) and dragon (yong kurim) and hand-pinched 'dragon lines' (yong tti) and rings (son tti). The potter creates his free-hand and whimsical 'paintings' by running his finger (or thumb) through the still-wet glaze. The orchids are a symbol of modesty and purity, and the dragon is an ancient guardian, protecting the grain in the jar that will provide important nutrition to the family as a staple of the Korean diet. 16w x 17h inches, 40.5w x 43h cm. Onggi are the most 'Korean' of Korean pots. All words related to onggi are of pure Korean origin, not based on Chinese characters. They are a beautiful form of Korean folk art.

Antique Onggi Water Jar (Mul Tongi) from Gangwon Province with lovely finger-painted designs. The potter creates the whimsical designs by running his finger (or thumb) through the still-wet glaze. 14.5w x 14.5h inches, 37w x 37h cm (the width includes the handles). Onggi are the most 'Korean' of Korean pots. All words related to onggi are of pure Korean origin, not based on Chinese characters. They are a beautiful form of Korean folk art.

Antique Onggi Water Jar (Muldok) from Gyeongsang Province with a beautiful dark brown color. 15.5w x 9h inches, 39.5w x 23 cm. Onggi are the most 'Korean' of Korean pots. All words related to onggi are of pure Korean origin, not based on Chinese characters. They are a beautiful form of Korean folk art.