Korean Art and Antiques
Shin Eun Sook Granite Sculpture, Cosmos. Shin Eun Sook, Chairwoman of the Korean Sculpture Association, is famous for her monumental sculptures, some as tall as 13 meters (over 40 feet), that can be seen throughout Asia in public parks, university campuses, museums, and corporate headquarters. Her small-scale and affordable works like this one are rare. The third photo here is of the artist standing next to her bronze and granite work at Tsinghua University in Beijing, China. The remaining photos are a few examples of her famous public works. 14h x 11.5w inches, 35.5 x 29 cm.
Korean Art and Antiques
Shin Eun Sook Bronze Sculpture with Granite Base. The bronze characters form the written word 'good fortune', in Sino-Korean. Shin Eun Sook, Chairwoman of the Korean Sculpture Association, is famous for her monumental sculptures, some as tall as 13 meters (over 40 feet), that can be seen throughout Asia in public parks, university campuses, museums, and corporate headquarters. Her small-scale and affordable works like this one are rare. The third photo here is of the artist standing next to her bronze and granite work at Tsinghua University in Beijing, China. The remaining photos are a few examples of her famous public works. 11.5h x 8w inches, 29 x 20 cm.
Korean Art and Antiques
Bodhisattva by Choi Dae Shik aka Daniel Choi, Set of Ten Paper on Wood Sculpture, as featured in SOFA, Sculptural Objects and Functional Art, the premier gallery-presented art fair dedicated to three-dimensional art and design. Each one has a hook on the back, so they may also be displayed hanging on the wall. 10 inches (25.5 cm) tall.
Korean Art and Antiques
Joo Ji Wan's meditative groups of celadon cubes reference Korea’s ancient tradition of geometric patterns in a contemporary form. Her work was recently displayed at the Korea Society exhibition, Korean Contemporary Ceramics, and it was her work alone that was chosen for the cover of the exhibition catalogue. This fine set of 13 cubes is the very last set of cubes that Joo Ji Wan will offer for sale, as she is moving on to other projects, and there are no more cubes in her inventory or in the inventory of any gallery. She has saved this grand set of cubes, her very best, for last. Joo Ji Wan's work was also in From The Fire: Contemporary Korean Ceramics, an historic traveling exhibition of works by 54 of Korea’s best contemporary ceramic artists. It has traveled to major museums all over the world, and is the most important exhibition ever mounted on Korean contemporary ceramics. The artist given the very prestigious honor of having her work chosen for the front and back covers of the beautiful hardcover exhibition catalogue was Joo Ji Wan. In fact, her work alone was also chosen for the cover of all brochures and literature related to this most important exhibition, and so has become the symbol of contemporary Korean ceramics. Joo Ji Wan's work has been exhibited at a long list of major museums, including the Asian Art Museum of San Francisco, Yale University Art Gallery, Freer/Sackler Gallery of Art, Indianapolis Museum of Art, Museum of Fine Arts in Boston, Harvard University Art Museum, Detroit Institute of Arts, Saint Louis Museum of Art, Newark Museum, American Craft Museum, Portland Art Museum, Society for Contemporary Crafts, Museum of Fine Arts in Houston, Seattle Asian Art Museum, Vancouver Art Museum, Royal Ontario Museum, and many others. It is appropriate that Joo offers her work in sets that are described with musical terms, such as Duo, Trio, Quartet, Ensemble, etc. Musical metaphor is almost required in describing Joo’s inlaid celadon and porcelain cube sets. Consider the melodic interplay of the pieces within a set, the rhythm of the patterns that are inlaid in each piece, and the harmony of the set as a whole. Just as music is mathematical but should not be predictable, Joo’s forms are simple, mathematically fundamental cubes that are inlaid with labyrinthine surprises rooted in Korea’s ancient tradition of geometric patterns imbued with centuries of meaning. Artistic innovation deeply rooted in Korea’s long celadon tradition is what puts Joo Ji Wan at the vanguard of Korean art today. Each cube: 5.25 inches, 13.25 cm. Entire Display: 31w x 21d x 26.5h inches, 78.75w x 53.25d x 67.25h cm.
All Items : Antiques : Regional Art : Asian : Korean : Paintings : Pre 1900 item #1287861 (stock #1189)
Orchids are an ancient Korean symbol of purity, modesty, and virtue. Talented painters of orchids were and still are held in the highest regard. Though Daewongun (Prince Yi Ha Eung) is often cited as the greatest painter of orchids, most scholars now agree that it was Kim Eung Won aka Soho (1855-1921) who was painting many of the paintings for which Daewongun took credit and which Daewongun signed. Daewongun was, of course, a great painter of orchids, but most agree now that Kim Eung Won may deserve the title of greatest. His paintings sell for a fraction of the price of Daewongun's paintings, at least for now. That can be expected to change as the general public catches up with the scholarship on the subject. Ink on paper. Scroll: 72 x 17.5 inches, 183 x 44.5 cm: Painting: 46.5 x 13 inches, 118 x 33 cm. (A much smaller Daewongun painting recently sold at Christie's for $12,500 on March 18, 2014).
All Items : Antiques : Regional Art : Asian : Korean : Paintings : Pre 1900 item #1280118 (stock #1187)
A very fine example of a Joseon Dynasty Korean tiger hunting painting, that makes use of the best quality pigments and finest silk, and is rendered with the highest level of artistry and skill, likely by a painter from the royal court. A similar painting recently sold at auction in Korea for $5500. Unique to Korea, almost all Korean hunting paintings depict hunters in Mongolian costume. In spite of the Mongols' brutal occupation of Korea in the 13th Century, Koreans maintained great admiration for Mongolian hunting and equestrian skills. This painting is one of a pair. The other painting is on this website (Stock #1186). Scroll: 50 x 17 inches (127 x 43 cm); Painting: 27 x 13 inches (68.5 x 33 cm).
All Items : Antiques : Regional Art : Asian : Korean : Paintings : Pre 1800 item #1280003 (stock #1185)
Very Rare Calligraphy by Kang Se Hwang aka Pyo Am (1713-1791), artist, calligrapher, art scholar and critic, and one of the most important figures and the most influential scholar-painter of 18th Century Korea. Calligraphy by Kang Se Hwang is so rare that the only other example that we know of in America is a very similar work in the Los Angeles County Museum of Art, illustrated on pages 172-173 of the recently published, Pathways to Korean Culture: Paintings of the Joseon Dynasty by Burglind Jungmann. The left and right margins bear the signed and sealed authentication of the most renowned expert on Korean calligraphy, Kim Sun Won aka Mae San, celebrated calligrapher and host of the television show Jin Pum Myung Pum, the Korean equivalent of the Antiques Road Show. Mae San's authentications are highly valued and can be found on pieces in museum collections throughout Korea. 25 x 11 inches, 63.5 x 28 cm.
All Items : Vintage Arts : Regional Art : Asian : Korean : Paintings : Pre 1980 item #1279997 (stock #1184)
Painting of Scholar Under Moonlit Plum Blossoms by Park No Soo aka Nam Jeong (1927-2013). Just the first page of a google search reveals both the renown that Park No Soo enjoyed internationally, and the adoration he received locally in Korea. His minimal style and palette is instantly recognizable, and this beautiful, contemplative painting is a fine example of his inimitable, expressive brushwork, from the silvery-blue sliver of a moon, to the unique rendering of orchids and rocks. The orchid is an ancient symbol of virtue, and the rocks symbolize eternity. The combination had great meaning to Korean scholars, as it symbolized eternal devotion to your principles. The plum blossoms are a symbol of courage, because they bloom early, before winter is finished. The Park No Soo Museum opened in 2013 in Seoul's Jongno District, Jongno's first public museum. Park No Soo was a student of Yi Sang Beom, who was a student of An Jung Sik, who was a student of Jang Seung Eop, the very best possible lineage of Korean art royalty. Watercolors on paper. Frame: 23 x 18.5 inches, 58.5 x 47 cm; Painting: 13.5 x 9 inches, 34.25 x 23 cm.
All Items : Vintage Arts : Regional Art : Asian : Korean : Paintings : Pre 1980 item #1279994 (stock #1183)
Korean Art and Antiques
Poem and Painting of Roses by Chang Woo Sung aka Weoljeon 1912-2005. There is a beautiful museum in Icheon, Korea dedicated to the art of Chang Woo Sung, the Woljeon Museum. This wonderful work of art is masterfully executed in the boneless technique of painting without outlines. This is a fine example of Woljeon's distinctive style and ability to make flora feel alive. You can actually feel the roses blooming and reaching out to you. Chang was an important, influential painter who modernized traditional Korean art, using brief yet powerful strokes and fresh, light colors. To our knowledge, this is the only example of Woljeon's painting that has been offered for sale in the United States, so this is a rare opportunity to own a great painting by one of the most revered masters of Korean painting. Watercolor on paper. Frame: 30.5 x 27 inches, 77.5 x 68.5 cm; Painting: 21 x 17.5 inches, 53.25 x 44.5 cm. A painting in the same style and size by Chang Soo Sung was estimated at $4000 - $6000 in the Christie's April 27, 1993, Sale of Korean Works of Art. The 5th photo here is of the Christie's painting, and the 6th photo is the description from the Christie's catalogue.
All Items : Antiques : Regional Art : Asian : Indian Subcontinent : Himalayas : Pre 1900 item #1279233 (stock #1182)
Dhyangro drums are usually separated from their phurba (ritual dagger) handles, and the handles are sold by themselves. This is a common occurrence with Nepali dealers. This is because the handles are easier to transport and sell. So it isn't very often that you see a completely intact, old Tibetan ritual drum. The drum is made of wood and animal hide, and has shaking balls inside for accenting the rhythms created by the shaman dancer. The handle is a wonderfully carved wood phurba (ritual dagger) with multiple faces. An old and beautiful piece that displays nicely. 26 x 15 x 5 inches, 66 x 38 x 13 cm.
Mid-20th Century Melanesian New Hebrides Islands (Vanuatu) Shield, with woven rattan attachments. 67 x 10 inches, 170 x 25.5 cm.
Asmat Tribe War Shield and Spirit Protecting Shield, made on the Dutch (Indonesian) side of New Guinea (Irian Jaya) by the Asmat people. It shows carving done by stone or shell tools, rather than more recent metal-carved examples. 74 x 20 inches, 188 x 51 cm.
Prehistoric Korean Stone Sword in excellent condition. A similar example is in the catalogue of the Musee Guimet's Korean art collection (where you can read that the best examples are the ones with the with the finest color and the best quality of veins running through the rock, as in the beautiful, museum-quality example that we offer here (see especially photo 2 here). The Musee Guimet catalogue further states that these stone swords have "a particularly pure aesthetic whose modernity cannot fail to enchant today's viewers". The last photo here is from a petroglyph at a prehistoric burial site (Orim-dong megalithic burial no. 5 in Yeosu-si, Jeollanam-do), depicting a similar weapon. Further References: Bale, Martin T.; Ko, Min-jung (2006), Craft Production and Social Change in Mumun Period Korea. Asian Perspectives 45 (2): 159-187. Park Je Gwang (2006), History of Steel in Eastern Asia. History of Korea through the Fall of Goguryeo, pages 9 - 10. Chosen Soukantoku Kanbo Soumukyoku Insatsu Jo (1912), Riou-ke Hakubutsu-kan Chozou-hin Shashin-chou Ge, (Prince Yi Household Museum Collection Picture Book Volume 2). Korea Army Museum's Journal #6 (1999), page 40. This sword is identical to the sword that is from the famous collection of Gukeun Lee Yang-sun that is now in the permanent collection of the Gyeongju National Museum and can be seen on page 82 of the museum catalog. These publications date this type of sword to 1500 - 1000 BCE. Another useful book on this subject is the 2002 publication, Collection of Korea Army Museum, that gives examples of the differences between Bronze Age and Iron Age Korean weapons. They are quite a bit different, and this is clearly a Bronze Age Korean sword. There are also numerous examples of early Korean weapons in the article on the subject by John Boots in the December 1934 Transactions of the Korea Branch of the Royal Asiatic Society. 12.75 inches, 32.5 cm.
All Items : Antiques : Regional Art : Asian : Korean : Sculpture : Pre 1910 item #1275608 (stock #1175)
Bright and Colorful Antique Korean Wedding Goose. A very charming work of Korean folk art. This painted wooden goose was a gift from a groom to a bride many years ago. Because geese mate for life, the goose was a symbol of the groom's lifelong commitment to his bride. 11.5 x 5.5 x 3.5 inches, 29.25 x 14 x 9 cm.
All Items : Antiques : Regional Art : Asian : Korean : Furniture : Pre 1900 item #1275607 (stock #1174)
Korean Art and Antiques
Very Rare Wide-Grained Korean Ash Wood Soban Personal Dining Table with Floral Crest. Purchased from Koreana Art and Antiques in the 1980's. The original price tag is still on the bottom of the table, as seen in the 3rd photograph here. This form is rare, and the floral crest is even more rare. Truly a beautiful, one-of-a-kind piece. The original natural oil finish has been buffed to a clear beautiful shine over many decades of buffing and cleaning, and is so much more attractive than the waxy chemical finishes on today's furniture. 14.5 x 13.25 x 4.25 inches, 37 x 33.5 x 10.75 cm.
All Items : Antiques : Regional Art : Asian : Korean : Furniture : Pre 1900 item #1275606 (stock #1173)
Rare Type of Korean Antique Dining Table with Engraved Floral Scrolls and Calligraphy of Happiness and Long Life Characters. If you are interested, we can provide information on a very similar Korean table that recently sold at an auction in Korea for $4000. These types of tables are rare and much sought-after by collectors. The original natural oil finish has been buffed to a clear beautiful shine over many decades of buffing and cleaning, and is so much more attractive than the waxy chemical finishes on today's furniture. 36.5 x 20.5 x 11.5 inches, 92.75 x 52 x 29.25 cm.
All Items : Antiques : Regional Art : Asian : Chinese : Furniture : Pre 1900 item #1275605 (stock #1172)
19th Century Chinese Personal Dining Table with Beautiful Grain and Color, and a Rare and Elegant Form. The original natural oil finish has been buffed to a clear beautiful shine over many decades of buffing and cleaning, and is so much more attractive than the waxy chemical finishes on today's furniture. 22 x 14 x 5 inches, 56 x 35.5 x 12.5 cm.
All Items : Antiques : Regional Art : Asian : Korean : Folk Art : Pre 1910 item #1275413 (stock #1170)
Korean Art and Antiques
Antique Korean Box Painted with Butterfly and Flowers and Beautiful Rock, with Butterfly Handles. These types of boxes are very rare because they were made only during a very short period of time at the very end of the Joseon Dynasty, in the last decade of the 19th Century and first decade of the 20th Century (1890s and 1900s). The paintings are custom made for the boxes and are then mounted onto the boxes. Similar examples of painted boxes can be seen in the book, Korean Furniture and Culture (pages 85 and 86) by Yoon Bokcha, Chi Soon, and Park Youngsoon; and Korean Collection, University of Michigan Museum of Art (page 273). 18d x 13.5w x 3.5h inches, 45.75d x 34.25w x 9h cm.