Catalog (317)

Rare and Sublime Painted Porcelain Vase by Korean Buddhist Monk Su An Sunim (born 1940) depicting children. It has a warm, creamy slip-painted surface. This is the only ceramic art by Su An Sunim we have ever seen offered for sale. The recent exhibition of Su An Sunim's paintings at the Zen Buddhist Temple in New York City was the most highly-attended exhibition ever presented by the Korean Art Society. At that exhibition, Su An Sunim's more common works sold for higher prices than we are asking for this rare painting on porcelain by the internationally renowned master. Four wall labels with prices from that exhibition are posted here. Height: 15 inches, 38 cm.

Prominently displayed on the wall of the Sejong Room of Korea's Presidential Residence (The Blue House) is a painting by Lim Ok Sang (born 1950). The painting here from 2019 is large at 50 x 49 inches (127 x 124.5 cm), and the beautiful frame chosen by the artist is 56.5 x 55.5 inches (143.5 x 141 cm). Two similar examples of paintings in ink and soil can be seen in the catalogue of Lim Ok Sang's retrospective exhibition currently at the National Museum of Modern and Contemporary Art in Seoul. Lim Ok Sang (born 1950) graduated from École d’art d’Angoulême, Angoulême in France and taught for ten years at Jeonju University. He has had numerous solo exhibitions in Korea and America, and has been featured in many international shows, including the Venice Biennale. His work is in the collections of the Korea National Museum, Seoul Museum of Art, Samsung Museum, the Denver Art Museum, and other major museums. Lim Ok Sang is celebrated as one of the leading artists of the Minjung movement in Korea. He was one of the founders of the important critical journal, Reality and Utterance, that coincided with the beginning of the Minjung movement. Lim is an artist adept at poignant expression of the nature of mortality, the vulnerability and plight of the individual and humanity. The emphasis of his work has been not only to speak out against injustice and the forces of destruction, but to make one aware of the value of life and the importance of preserving and caring for the environment in which we live.

Very Rare Joseon Period Lacquered Bamboo Fan with the Korean Taegeuk National Symbol.The last photo here shows a similar fan in a recent Korean auction with an estimate of $3,000 to $5,000. You can see similar examples on page 475 of the catalogue of the Korean art collection of the Grassi Museum in Leipzig, Germany. The Taegeuk symbol has been used in Korea for thousands of years and is the center of the Korean flag. The three colors here, yellow, red, and a very light blue, represent balance in the universe, and Humanity, Earth, and Heaven, respectively. These fans very rarely come up for sale and are highly desired by collectors and museums. We offer this opportunity for one of our clients to make this rare acquisition of a sublime and contemplative 19th Century Korean meditative object at a generous price. 13 inches (33 cm) high x 9 inches (23 cm) wide.

Lovely 13th Century Korean Celadon Chrysanthemum and Bullocho Bowl. The chrysanthemum is a Korean symbol of plenty, as represented by its many petals. The mythical bullocho plant is an ancient symbol of longevity. 4.5 inches (11.5cm) wide by 1.5 inches (4cm) high.

Large Prehistoric Bronze Age Korean Arrowhead of a scarce type and size illustrated in the catalogue: The 29th United Association of the University Museums of Korea Exhibition - Korea's Bow and Arrow. There are also similar examples of early Korean arrowheads in the December 1934 Transactions of the Korea Branch of the Royal Asiatic Society. 1500 - 300 BCE. 6 inches (15 cm).

Exceedingly Scarce Set of Three Iron Age Korean Pots with Exquisite Color and Beautiful Form. 4th to 1st Century BC. You are unlikely to ever see another Iron Age Korean pot offered for sale, much less a set of three. The remaining examples are all in museums or tightly held private collections. These prehistoric pieces are finely potted and made from soft and sandy red clay. They are aesthetically striking in both color and form and are historically significant. This is a once-in-a-lifetime opportunity for the scholar/collector/art lover. Right Pot Dimensions: 16.25 inches (41cm) circumference, 3.25 inches (8.5cm) height. Middle Pot Dimensions: 18.25 inches (46.5cm) circumference, 4 inches (10cm) height. Left Pot Dimensions: 12.5 inches (32cm) circumference, 2.75 inches (7cm) height.

Rare and Ancient Celtic Stone Janus from the Published and Renowned Collection of Irwin Hersey, renowned author on primitive art, and publisher of the Primitive Art Newsletter in the 1970s. Irwin Hersey was an advisor to museums and prominent collectors, and vetted pieces for many of the international tribal art fairs. 4.5 inches wide, 3 inches high.

19th Century Korean Hat Box made entirely of Exotic Paulownia (Odong-namu) Wood, from the collection of a French diplomat stationed in Korea in the 1950s. Paulownia is very desirable for collectors because of its beautiful wide grain, light weight, and fire and bug-resistant qualities. The paulownia used for this rare hat box is especially fine. 9.5 x 9.5 x 8.5 (height) inches, 24 x 24 x 21.5 cm.

Choi Sung Jae (born 1962) is the most widely exhibited Korean ceramic artist, in international galleries and in the permanent collections of major museums, such as the Victoria and Albert Museum, the Art Institute of Chicago, the Museum of Fine Art in Boston, the Peabody Essex Museum, and many others. He is a master of white slip buncheong ceramics, a style revered and imitated by Japanese artists for centuries. This lovely Pond with Geese and Reeds is a fine example of his work. This is an ancient subject in Korean art and is called "noando." The literal meaning of "noando" is reed and geese painting, but it is a play on words, as "no" is a homonym that can mean either "reed" or "old", and "an" is a homonym that means either "geese" or "comfort" ("do" means "painting"). So "noan" can mean either "reed and geese" or "old comfort", therefore a painting of geese and reeds symbolizes a wish for a comfortable and peaceful old age. 12.5 inches, 32 cm.

The three porcelain plates by Kim Ki Chang aka Unbo (1913 - 2001) that we offer here on our website are the only ceramics by the revered master that we have seen offered for sale. They were all acquired from the same collection and are sublime examples of his unique style. This one is on a tall attached porcelain pedestal. Don't miss this rare opportunity to acquire a piece in this lustrous medium by one of Korea's most famous artists. Rooster and Plum Blossoms: 13.5 inches (34.5 cm) wide, 5.5 inches (14 cm). The rooster is sacred in Korean culture. It is often featured in art and used as a good luck and guardian figure to bless and protect the home. Because it is believed the rooster's morning cry drove away the night's evil spirits, it is an important talisman. The rooster’s comb symbolizes intelligence; traditional officials’ hats are based on the comb. The claws represent strength. There is a museum in Seoul devoted entirely to chicken and rooster art. The beautiful plum blossoms here are a symbol of courage, because they bloom early, before winter is finished.

The three porcelain plates by Kim Ki Chang aka Unbo (1913 - 2001) that we offer here on our website are the only ceramics by the revered master that we have seen offered for sale. They were all acquired from the same collection and are sublime examples of his unique style. Don't miss this rare opportunity to acquire a piece in this lustrous medium by one of Korea's most famous artists. Lotus Blossoms, Ducks, and Fish: 14 inches (35.5 cm) wide, 2 inches (4 cm) deep with lipped rim. This image is filled with ancient and profound symbolism. The lotus represents purity and rebirth, because it rises above the muck of the pond to show its face to the Sun. The ducks symbolize eternal faithfulness, because it was believed ducks mated for life. The fish is a symbol of tireless dedication and constant vigilance, because fish never close their eyes, even when they are sleeping.

The three porcelain plates by Kim Ki Chang aka Unbo (1913 - 2001) that we offer here on our website are the only ceramics by the revered master that we have seen offered for sale. They were all acquired from the same collection and are sublime examples of his unique style. Don't miss this rare opportunity to acquire a piece in this lustrous medium by one of Korea's most famous artists. Village Along the Mountain River: 14 inches (35.5 cm) wide, 1.5 inches (4 cm) deep. In Korea, a rendering of a mountain and river (called Sansu in Korean) has for centuries been thought of as more than a beautiful landscape; it is also a profound philosophical and spiritual statement. Heaven, Earth, and Humanity are represented, by the mountain, river, and human figures, respectively.

Ming Dynasty Chinese Wood Sculpture of Emperor and Empress. Purchased from Askenasi in Paris in 1978 by Irwin Hersey, renowned author on Asian and primitive art, and publisher of the Primitive Art Newsletter in the 1970s. Irwin Hersey was an advisor to museums and prominent collectors, and vetted pieces for many of the international tribal art fairs and Asian art fairs. 8.5 x 5 x 2 inches, 21.5 x 12.5 x 5 cm.

Antique Stone and Metal Chinese Seal Chop from the published and renowned collection of Sam Hilu, a prominent author and adviser on traditional Asian art. 5 inches, 12.5 cm.

Antique Korean Coin Chest, Donkwe. 11h x 24w x 12.5d, 28h x 61w x 32d m. Coin chests are highly prized by collectors of Korean antiques. Paper money did not exist in Joseon Dynasty Korea, and the coins were of very small denominations. They had to be strung together in large, heavy quantities to have any worth, so a strong money box was a necessity. Mattie Ingold, an American missionary physician who worked in Jeonju, wrote: "If Korean money were proportionately as great in value as it is in weight and clumsiness, the Koreans would be a very wealthy people."

Large Artist's Proof of Munjado Calligraphy by the Famous Kim Ki Chang aka Unbo (1913 - 2001). Calligraphy has been the most revered field of art throughout Korean history. Despite being deaf, Unbo was one of Korea's most beloved 20th Century artists. His works are now sought by museums and collectors internationally. This is the original signed AP (Artist's Proof) of this large lithograph, where Unbo gives us a most creative rendering with anthropomorphic figures in the ancient style of figurative munjado calligraphy. 38.5 x 28.5 inches, 98 x 72.5 cm.

Fine 19th Century Korean Royal Court Painting of Children at Play. This genre of Korean paintings always displays children playing in imaginary Chinese court costumes, and is called Baekdongja-do in Korean. From the ground-breaking Auspicious Spirits, Korean Folk Paintings exhibition catalogue: "Depicting the children as court nobility expressed an auspicious desire that one's own children achieve success in life." This exceptional example was displayed in the room of a wife in the Korean royal court to inspire her to become pregnant and to have healthy, playful, and successful children. It was also displayed on the first birthday of each child. Ink and colors on silk. 40 x 14.5 inches, 101.5 x 37 cm.

Rare Pair of Boxes for Storing a Scholar's Name Seals, with Lovely Wood Grain and Metalwork. A scholar's name seals were among his most personal and treasured items. 6h x 5w x 5d inches, 15h x 12.5w x 12.5d cm.