Catalog (31)

A Fine and Old Painting of Dokseong, Korea's Hermit Saint in a most beautiful landscape. This gorgeous painting has a phenomenal dark patina that could only have developed through years of ritual use and adds greatly to the contemplative beauty and serenity of this very special work of art. Dokseong is pictured in an inspiring remote mountain forest, a Daoist style landscape where he seeks solitude and self-cultivation. His attire is that of a Buddhist monk. He is revered by Buddhists and Shamans. Paintings of Dokseong are the most constant companions of Sansin (Mountain God) paintings in the Sansin-gak Shrine of Buddhist temples in Korea. Some temples even give Dokseong his own shrine, the Dokseong-gak. There is an old inscription at the bottom of the painting. Frame: 34.75 x 26 inches (88 x 66 cm), Painting: 29.75 x 21 inches (75.5 x 53.5 cm).

Oil Painting by Jeon Joon Yeop. 29 x 21 inches, 73 x 53 cm. Jeon Joon Yeop (born 1953) is a well-known artist in South Korea, with numerous art reviews. He was the top-selling artist in last year’s Korea International Art Fair, Korea’s biggest art fair. Instead of finding comfort in his successes, Jeon accepts popularity as a challenge to further explore how to speak the ancient language of Korean landscape painting with a modern vocabulary of techniques, such as pouring, scratching, spreading, soaking, smudging, blowing, and densely recoating oil paint onto the canvas. Another seemingly modern technique that Jeon employs, the presentation of multiple viewpoints in a single painting, is actually an ancient technique in East Asian painting. Jeon even adds the viewpoint of the person in the painting, creating an attachment for the viewer of the painting so that the landscape is not objective and detached, thus keeping, and sharing, the Korean traditional subjective and harmonious view of nature.

Oil Painting by Jeon Joon Yeop. 36 x 25.5 inches, 91 x 65 cm. Jeon Joon Yeop (born 1953) is a well-known artist in South Korea, with numerous art reviews. He was the top-selling artist in last year’s Korea International Art Fair, Korea’s biggest art fair. Instead of finding comfort in his successes, Jeon accepts popularity as a challenge to further explore how to speak the ancient language of Korean landscape painting with a modern vocabulary of techniques, such as pouring, scratching, spreading, soaking, smudging, blowing, and densely recoating oil paint onto the canvas. Another seemingly modern technique that Jeon employs, the presentation of multiple viewpoints in a single painting, is actually an ancient technique in East Asian painting. Jeon even adds the viewpoint of the person in the painting, creating an attachment for the viewer of the painting so that the landscape is not objective and detached, thus keeping, and sharing, the Korean traditional subjective and harmonious view of nature.

Oil Painting by Jeon Joon Yeop. 46 x 32 inches, 117 x 81 cm. Jeon Joon Yeop (born 1953) is a well-known artist in South Korea, with numerous art reviews. He was the top-selling artist in last year’s Korea International Art Fair, Korea’s biggest art fair. Instead of finding comfort in his successes, Jeon accepts popularity as a challenge to further explore how to speak the ancient language of Korean landscape painting with a modern vocabulary of techniques, such as pouring, scratching, spreading, soaking, smudging, blowing, and densely recoating oil paint onto the canvas. Another seemingly modern technique that Jeon employs, the presentation of multiple viewpoints in a single painting, is actually an ancient technique in East Asian painting. Jeon even adds the viewpoint of the person in the painting, creating an attachment for the viewer of the painting so that the landscape is not objective and detached, thus keeping, and sharing, the Korean traditional subjective and harmonious view of nature.

Oil Painting by Jeon Joon Yeop. 46 x 32 inches, 117 x 81 cm. Jeon Joon Yeop (born 1953) is a well-known artist in South Korea, with numerous art reviews. He was the top-selling artist in last year’s Korea International Art Fair, Korea’s biggest art fair. Instead of finding comfort in his successes, Jeon accepts popularity as a challenge to further explore how to speak the ancient language of Korean landscape painting with a modern vocabulary of techniques, such as pouring, scratching, spreading, soaking, smudging, blowing, and densely recoating oil paint onto the canvas. Another seemingly modern technique that Jeon employs, the presentation of multiple viewpoints in a single painting, is actually an ancient technique in East Asian painting. Jeon even adds the viewpoint of the person in the painting, creating an attachment for the viewer of the painting so that the landscape is not objective and detached, thus keeping, and sharing, the Korean traditional subjective and harmonious view of nature.

Oil Painting by Jeon Joon Yeop. 64 x 38 inches, 162 x 97 cm. Jeon Joon Yeop (born 1953) is a well-known artist in South Korea, with numerous art reviews. He was the top-selling artist in last year’s Korea International Art Fair, Korea’s biggest art fair. Instead of finding comfort in his successes, Jeon accepts popularity as a challenge to further explore how to speak the ancient language of Korean landscape painting with a modern vocabulary of techniques, such as pouring, scratching, spreading, soaking, smudging, blowing, and densely recoating oil paint onto the canvas. Another seemingly modern technique that Jeon employs, the presentation of multiple viewpoints in a single painting, is actually an ancient technique in East Asian painting. Jeon even adds the viewpoint of the person in the painting, creating an attachment for the viewer of the painting so that the landscape is not objective and detached, thus keeping, and sharing, the Korean traditional subjective and harmonious view of nature.

Oil Painting by Jeon Joon Yeop. 29 x 21 inches, 73 x 53 cm. Jeon Joon Yeop (born 1953) is a well-known artist in South Korea, with numerous art reviews. He was the top-selling artist in last year’s Korea International Art Fair, Korea’s biggest art fair. Instead of finding comfort in his successes, Jeon accepts popularity as a challenge to further explore how to speak the ancient language of Korean landscape painting with a modern vocabulary of techniques, such as pouring, scratching, spreading, soaking, smudging, blowing, and densely recoating oil paint onto the canvas. Another seemingly modern technique that Jeon employs, the presentation of multiple viewpoints in a single painting, is actually an ancient technique in East Asian painting. Jeon even adds the viewpoint of the person in the painting, creating an attachment for the viewer of the painting so that the landscape is not objective and detached, thus keeping, and sharing, the Korean traditional subjective and harmonious view of nature.

Oil Painting by Jeon Joon Yeop. 29 x 21 inches, 73 x 53 cm. Jeon Joon Yeop (born 1953) is a well-known artist in South Korea, with numerous art reviews. He was the top-selling artist in last year’s Korea International Art Fair, Korea’s biggest art fair. Instead of finding comfort in his successes, Jeon accepts popularity as a challenge to further explore how to speak the ancient language of Korean landscape painting with a modern vocabulary of techniques, such as pouring, scratching, spreading, soaking, smudging, blowing, and densely recoating oil paint onto the canvas. Another seemingly modern technique that Jeon employs, the presentation of multiple viewpoints in a single painting, is actually an ancient technique in East Asian painting. Jeon even adds the viewpoint of the person in the painting, creating an attachment for the viewer of the painting so that the landscape is not objective and detached, thus keeping, and sharing, the Korean traditional subjective and harmonious view of nature.

Oil Painting by Jeon Joon Yeop. 29 x 21 inches, 73 x 53 cm. Jeon Joon Yeop (born 1953) is a well-known artist in South Korea, with numerous art reviews. He was the top-selling artist in last year’s Korea International Art Fair, Korea’s biggest art fair. Instead of finding comfort in his successes, Jeon accepts popularity as a challenge to further explore how to speak the ancient language of Korean landscape painting with a modern vocabulary of techniques, such as pouring, scratching, spreading, soaking, smudging, blowing, and densely recoating oil paint onto the canvas. Another seemingly modern technique that Jeon employs, the presentation of multiple viewpoints in a single painting, is actually an ancient technique in East Asian painting. Jeon even adds the viewpoint of the person in the painting, creating an attachment for the viewer of the painting so that the landscape is not objective and detached, thus keeping, and sharing, the Korean traditional subjective and harmonious view of nature.

Oil Painting by Jeon Joon Yeop. 36 x 25.5 inches, 91 x 65 cm. Jeon Joon Yeop (born 1953) is a well-known artist in South Korea, with numerous art reviews. He was the top-selling artist in last year’s Korea International Art Fair, Korea’s biggest art fair. Instead of finding comfort in his successes, Jeon accepts popularity as a challenge to further explore how to speak the ancient language of Korean landscape painting with a modern vocabulary of techniques, such as pouring, scratching, spreading, soaking, smudging, blowing, and densely recoating oil paint onto the canvas. Another seemingly modern technique that Jeon employs, the presentation of multiple viewpoints in a single painting, is actually an ancient technique in East Asian painting. Jeon even adds the viewpoint of the person in the painting, creating an attachment for the viewer of the painting so that the landscape is not objective and detached, thus keeping, and sharing, the Korean traditional subjective and harmonious view of nature.

Oil Painting by Jeon Joon Yeop. 36 x 25.5 inches, 91 x 65 cm. Jeon Joon Yeop (born 1953) is a well-known artist in South Korea, with numerous art reviews. He was the top-selling artist in last year’s Korea International Art Fair, Korea’s biggest art fair. Instead of finding comfort in his successes, Jeon accepts popularity as a challenge to further explore how to speak the ancient language of Korean landscape painting with a modern vocabulary of techniques, such as pouring, scratching, spreading, soaking, smudging, blowing, and densely recoating oil paint onto the canvas. Another seemingly modern technique that Jeon employs, the presentation of multiple viewpoints in a single painting, is actually an ancient technique in East Asian painting. Jeon even adds the viewpoint of the person in the painting, creating an attachment for the viewer of the painting so that the landscape is not objective and detached, thus keeping, and sharing, the Korean traditional subjective and harmonious view of nature.

Dragon Skies set of 10 paintings created in 2004 by Renowned Korean Artist Don Ahn aka Ahn Dong Kuk (1937-2013). We encourage you to research Don Ahn's sales record and market prices on sites such as Artsy, so you can appreciate what a great opportunity this is to purchase an original work of art by the master at a price well below the actual value. The second photo here pairs the 10 paintings with the 10 Bodhisattvas by Choi Dae Shik that are on this website for $2500. Both sets may be purchased at the discounted price of $3000. Don Ahn was a pioneer of Korean art in America. In the 1950s he was the first to move permanently to the US and receive recognition here, beginning with the 1952 exhibition of his work at the Kilbride Bradley Gallery in Minneapolis, the very first exhibition of Korean contemporary art in America. His work is in the permanent collection of the Museum of Modern Art in New York, and other major museums. There was recently an exhibition of Don Ahn's work at the Walter Wickiser Gallery in New York's Chelsea art district. Acrylic on paper. Frames: from 14.25 x 11.25 to 8.5 x 8.25 inches (36 x 28.5 to 21.5 x 21 cm); Paintings: from 7 x 3 to 3 x 3 inches (18 x 7.5 to 7.5 x 7.5 cm). See also preeminent art critic Holland Cotter's review of Don Ahn's work in the April 4, 1997 New York Times article, Of Asians Among the Abstractionists, where he describes Don's paintings as "Exuberant" and "Inspired by Zen brushwork".

Bodhisattva by Choi Dae Shik aka Daniel Choi, Set of Ten Paper on Wood Sculpture, as featured in SOFA, Sculptural Objects and Functional Art, the premier gallery-presented art fair dedicated to three-dimensional art and design. Each one has a hook on the back, so they may also be displayed hanging on the wall. 10 inches (25.5 cm) tall.