All Items : Antiques : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1900 item #1263082 (stock #1143)
Korean Art and Antiques
Beautifully Carved Indonesian Antique Inkline Carpenter's Tool for marking straight lines with ink. From the Irwin Hersey Collection of Indonesian Art. Irwin Hersey was the author of Indonesian Primitive Art. Catalog #ID288 from the Hersey Collection. 6 x 3.75 x 2.5 inches, 15.25 x 9.5 x 6.25 cm.
All Items : Antiques : Regional Art : Asian : Korean : Paintings : Pre 1920 item #1271654 (stock #1156)
Calligraphy by the Joseon Dynasty's Last Prime Minister, Lee Wan Yong aka Ildang (1858 - 1926). He was prime minister of Korea in 1906 - 1910. Lee is Korea's most infamous traitor, the "Benedict Arnold of Korea", for signing the Japan-Korea Annexation Treaty in 1910. Connoisseurs begrudgingly acknowledge his great talents as a calligrapher, but the disdain with which he is regarded keeps the demand, and thus the prices of his work very low. Mounted on sky blue silk. Scroll: 74.5 x 17.5 inches, 189 x 44.5 cm; Calligraphy: 51.5 x 12.75 inches, 131 x 32.5 cm.
All Items : Antiques : Regional Art : Americas : Eskimo : Sculpture : Pre 1900 item #1275041 (stock #1169)
Korean Art and Antiques
Old Greenland Inuit Figure. The second photo shows the superb face rendered on the attachment. From the collection of Irwin Hersey, renowned author on primitive art, and publisher of the Primitive Art Newsletter in the 1970s. Irwin Hersey was an advisor to museums and prominent collectors, and vetted pieces for many of the international tribal art fairs and Asian art fairs. 7 inches, 18 cm.
All Items : Antiques : Regional Art : Asian : Chinese : Furniture : Pre 1900 item #1275605 (stock #1172)
19th Century Chinese Personal Dining Table with Beautiful Grain and Color, and a Rare and Elegant Form. The original natural oil finish has been buffed to a clear beautiful shine over many decades of buffing and cleaning, and is so much more attractive than the waxy chemical finishes on today's furniture. 22 x 14 x 5 inches, 56 x 35.5 x 12.5 cm.
All Items : Antiques : Regional Art : Asian : Korean : Furniture : Pre 1900 item #1275606 (stock #1173)
Rare Type of Korean Antique Dining Table with Engraved Floral Scrolls and Calligraphy of Happiness and Long Life Characters. If you are interested, we can provide information on a very similar Korean table that recently sold at an auction in Korea for $4000. These types of tables are rare and much sought-after by collectors. The original natural oil finish has been buffed to a clear beautiful shine over many decades of buffing and cleaning, and is so much more attractive than the waxy chemical finishes on today's furniture. 36.5 x 20.5 x 11.5 inches, 92.75 x 52 x 29.25 cm.
All Items : Antiques : Regional Art : Asian : Korean : Furniture : Pre 1900 item #1275607 (stock #1174)
Very Rare Wide-Grained Korean Ash Wood Soban Personal Dining Table with Floral Crest. Purchased from Koreana Art and Antiques in the 1980's. The original price tag is still on the bottom of the table, as seen in the 3rd photograph here. This form is rare, and the floral crest is even more rare. Truly a beautiful, one-of-a-kind piece. The original natural oil finish has been buffed to a clear beautiful shine over many decades of buffing and cleaning, and is so much more attractive than the waxy chemical finishes on today's furniture. 14.5 x 13.25 x 4.25 inches, 37 x 33.5 x 10.75 cm.
Prehistoric Korean Stone Sword in excellent condition. A similar example is in the catalogue of the Musee Guimet's Korean art collection (where you can read that the best examples are the ones with the with the finest color and the best quality of veins running through the rock, as in the beautiful, museum-quality example that we offer here (see especially photo 2 here). The Musee Guimet catalogue further states that these stone swords have "a particularly pure aesthetic whose modernity cannot fail to enchant today's viewers". The last photo here is from a petroglyph at a prehistoric burial site (Orim-dong megalithic burial no. 5 in Yeosu-si, Jeollanam-do), depicting a similar weapon. Further References: Bale, Martin T.; Ko, Min-jung (2006), Craft Production and Social Change in Mumun Period Korea. Asian Perspectives 45 (2): 159-187. Park Je Gwang (2006), History of Steel in Eastern Asia. History of Korea through the Fall of Goguryeo, pages 9 - 10. Chosen Soukantoku Kanbo Soumukyoku Insatsu Jo (1912), Riou-ke Hakubutsu-kan Chozou-hin Shashin-chou Ge, (Prince Yi Household Museum Collection Picture Book Volume 2). Korea Army Museum's Journal #6 (1999), page 40. This sword is identical to the sword that is from the famous collection of Gukeun Lee Yang-sun that is now in the permanent collection of the Gyeongju National Museum and can be seen on page 82 of the museum catalog. These publications date this type of sword to 1500 - 1000 BCE. Another useful book on this subject is the 2002 publication, Collection of Korea Army Museum, that gives examples of the differences between Bronze Age and Iron Age Korean weapons. They are quite a bit different, and this is clearly a Bronze Age Korean sword. There are also numerous examples of early Korean weapons in the article on the subject by John Boots in the December 1934 Transactions of the Korea Branch of the Royal Asiatic Society. 12.75 inches, 32.5 cm.
All Items : Antiques : Regional Art : Asian : Indian Subcontinent : Himalayas : Pre 1900 item #1279233 (stock #1182)
Dhyangro drums are usually separated from their phurba (ritual dagger) handles, and the handles are sold by themselves. This is a common occurrence with Nepali dealers. This is because the handles are easier to transport and sell. So it isn't very often that you see a completely intact, old Tibetan ritual drum. The drum is made of wood and animal hide, and has shaking balls inside for accenting the rhythms created by the shaman dancer. The handle is a wonderfully carved wood phurba (ritual dagger) with multiple faces. An old and beautiful piece that displays nicely. From the collection of Sam Hilu, prominent collector and author on Asian and African art. 26 x 15 x 5 inches, 66 x 38 x 13 cm.
All Items : Antiques : Regional Art : Asian : Korean : Paintings : Pre 1800 item #1280003 (stock #1185)
Very Rare Calligraphy by Kang Se Hwang aka Pyo Am (1713-1791), artist, calligrapher, art scholar and critic, and one of the most important figures and the most influential scholar-painter of 18th Century Korea. Calligraphy by Kang Se Hwang is so rare that the only other example that we know of in America is a very similar work in the Los Angeles County Museum of Art, illustrated on pages 172-173 of the recently published, Pathways to Korean Culture: Paintings of the Joseon Dynasty by Burglind Jungmann. The left and right margins bear the signed and sealed authentication of the most renowned expert on Korean calligraphy, Kim Sun Won aka Mae San, celebrated calligrapher and host of the television show Jin Pum Myung Pum, the Korean equivalent of the Antiques Road Show. Mae San's authentications are highly valued and can be found on pieces in museum collections throughout Korea. 25 x 11 inches, 63.5 x 28 cm.
All Items : Antiques : Regional Art : Asian : Korean : Paintings : Pre 1900 item #1280118 (stock #1187)
A very fine example of a Joseon Dynasty Korean tiger hunting painting, that makes use of the best quality pigments and finest silk, and is rendered with the highest level of artistry and skill, likely by a painter from the royal court. A similar painting recently sold at auction in Korea for $5500. Unique to Korea, almost all Korean hunting paintings depict hunters in Mongolian costume. In spite of the Mongols' brutal occupation of Korea in the 13th Century, Koreans maintained great admiration for Mongolian hunting and equestrian skills. This painting is one of a pair. The other painting is on this website (Stock #1186). Scroll: 50 x 17 inches (127 x 43 cm); Painting: 27 x 13 inches (68.5 x 33 cm).
All Items : Antiques : Regional Art : Asian : Korean : Textiles : Pre 1900 item #1293560 (stock #1198)
Deluxe Pair of Finely Embroidered 19th Century Korean Pillow Ends from the renowned, published, and exhibited Lea Sneider textiles collection, with Peonies (symbol of prosperity) and Mountains (symbol of longevity). Frames: 9.5 x 9.5 inches (23 x 23 cm); Pillow Ends: 6 x 6 inches (15 x 15 cm).
All Items : Antiques : Regional Art : Asian : Korean : Textiles : Pre 1900 item #1293561 (stock #1199)
Fine and Beautifully Embroidered 19th Century Korean Ironing Board from the renowned, published, and exhibited Lea Sneider textiles collection. This truly deluxe Korean ironing board is the finest example we have seen of an embroidered ironing board, and is filled with imaginatively rendered symbolism. It was believed that ducks mate for life, so ducks are an ancient symbol of fidelity, and the lotus are a symbol of purity and rebirth, because the lotus rises above the muck of the pond to show its face to the Sun. 22.5 x 6.5 inches (57 x 16.5 cm).
All Items : Antiques : Regional Art : Asian : Korean : Paintings : Pre 1900 item #1300937 (stock #1201)
Geese and Reeds Painting (Noando) by Yang Ki Hun aka Seokyeon (1843-1897) from Pyeongyang. Yang Ki Hun's signature 'boneless' style (painting without outlines, using ink washes) beautifully captures light and shade. The literal meaning of 'noando' is reed and geese painting, but it is a play on words, as 'no' means both reed and old, and 'an' means both geese and comfort ('do' means painting). So 'noan' can mean 'reed and geese' or 'old comfort', and so a painting of geese and reeds symbolized a wish for a comfortable and peaceful old age. This particular painting has further meaning because it depicts a pair of geese. Geese were believed to mate for life, so this painting symbolizes eternal love, and the wish for a couple to grow old together in peace and comfort. Yang Ki Hun was a member of the Royal Academy of Painting in the late 19th Century, toward the end of the Joseon Dynasty. He made a living by painting for the king and his court, and also by selling his paintings in Pyeongyang. He was the most well-known of the provincial painters who, because of the increase in the economic power of the provinces in the late 19th Century, and the accompanying demand for paintings, were able to make or supplement income by selling their paintings locally. Here are two great quotes from Yang Ki Hun's contemporary, the painter and calligrapher Chi Un Yeong (aka Paekryeon): "Yang Ki Hun's paintings stir up my jealousy because they seem completely freed from all ideas and restraints". And after Seokyeon (Yang Ki Hun) passed away, Chi Un Yeong wrote, "Seokyeon told me that when he stayed on Neungna Island for a few years some time ago, he often saw geese fly in and land on a reed field, so he was able to paint them in a realistic way. His words still linger vividly in my ears. I remember playing with him thirty years ago in the Taedong River, and it seems so far away and dream-like." Ink on silk. Silk Mounting: 85.5 x 17.75 inches, 217 x 45 cm; Painting: 52 x 12 inches, 132 x 30.5 cm.
All Items : Antiques : Regional Art : Asian : Korean : Paintings : Pre 1900 item #1303928 (stock #1207)
Korean Art and Antiques
Antique Korean Dragon Painting Exploding with Life and Personality, Chasing the Magic Pearl of Immortality. Korean dragons are not at all stereotypical. Each one has a unique personality. This fine and dynamic example is a marvelous rendering of Korea's most beloved ancient deity, the dragon rain god who brings both rain and good fortune. His face is delightful and his body writhes with energy, as he chases through the sky after the red flaming jewel of transcendent wisdom, symbolizing the pursuit of knowledge. Because he brings rain, which gives life and growth to all living things, the dragon is a symbol of creation, growth, and fertility. Therefore, the dragon god was the most important deity in the old agrarian Korean society. When Koreans prayed to the mighty dragon for rain and blessings, this is the type of dragon to which they hoped to be praying. This is truly Korean folk art at it's very best! Ink and colors on paper. Newly and Beautifully Framed and Silk-Mounted. Frame: 37 x 28 inches, 94 x 71 cm; Painting: 28 x 19.5 inches, 71 x 49.5 cm.
All Items : Antiques : Regional Art : Asian : Korean : Furniture : Pre 1800 item #1307938 (stock #1211)
Korean Art and Antiques
Extremely Rare 18th Century Korean Coin Chest (Donkwe) with all six sides made of Zelkova Wood. With zelkova wood supplies dwindling at the end of the 18th Century, Koreans started making coin chests of zelkova on 4 sides, and pine on 2 sides. By the end of the 19th Century, coin chests were made either entirely of pine, or pine on 4 sides and zelkova on 2 sides. You will never find an older or more beautiful piece of Korean antique furniture. Coin chests are highly prized by collectors, as their purpose required that they be the heaviest and most well constructed piece of furniture in the home. Paper money did not exist in Joseon Dynasty Korea, and the coins were of very small denominations. They had to be strung together in large, heavy quantities to have any worth, so a strong money box was a necessity. Here's a funny quote from 1898 on Korean money by Mattie Ingold, an American missionary physician who worked in Jeonju: "If Korean money were proportionately as great in value as it is in weight and clumsiness, the Koreans would be a very wealthy people." This coin chest is likely the oldest one to be offered for sale. But it's not just old, it also has the most gorgeous wood grain. The iron lockplate is itself a work of art. It is in the shape of an inventively rendered swallowtail, and is adorned with the mythical longevity plant, bullocho, at the top of the lockplate and inside the lockplate. The swallow is an ancient Korean symbol of beauty and prosperity. The swallowtail shape is echoed in the other iron hardware on this amazing chest. 37w x 19d x 20.75h inches, 94w x 48.25 x 52.75 cm.
All Items : Antiques : Regional Art : Asian : Korean : Furniture : Pre 1900 item #1307950 (stock #1212)
Rare Persimmon Scholar's Stationery Chest (Mungap) with a beautiful grain and fine detailing. Old mungap are very rare, and persimmon wood, with its two-tone grain, is the wood that is most desired by collectors. 'Mun' means things pertaining to culture, and 'gap' means low chest. These chests were given this name because they were used as a repository for items related to cultural life, such as rolls of paper, brushes, ink sticks and ink stones. One door lifts out, and then other doors can slide over and lift out, to reveal an interior that is as beautiful as the exterior. This is the kind of design that influenced the creators of Art Deco. 43w x 16d x 17.5h inches, 109w x 40.5d x 44.5h cm.
All Items : Antiques : Regional Art : Asian : Korean : Paintings : Pre 1900 item #1314396 (stock #1227)
Korean Art and Antiques
19th Century Joseon Period Calligraphy by Yi Du Hwang aka Seolak (1858-1916). 48.25 x 13.5 inches, 122.5 x 34.25 cm.
All Items : Antiques : Regional Art : Asian : Korean : Ceramics : Pre 1900 item #1318181 (stock #1233)
Korean Art and Antiques
Exceptional Example of a Joseon Dysnasty Blue and White Painted Porcelain Bottle with a lovely design and form, exquisitely painted in the classic court style. The sensitive and skilled painter of this fine bottle began with a light blue ring around the neck and two darker rings at the foot under the Youi scroll design that encircles the bottom of the body. The Youi is a mushroom-shaped scepter or talisman. Having defined his canvas, he composed a most idyllic microcosm of butterflies, a Korean symbol of happiness, fluttering past peonies that spray in every direction, contrasting with the very small and quietly perched bird. The peony is a symbol of love and prosperity. The form itself is graceful and subtle and begins with a gently flared mouth atop a narrow neck that subtly and almost imperceptibly flares out to an elongated round body with a low hip that gently curves downward to the foot with a recessed base. The stone-like heft of the bottle and color of the pure white clay, along with the skilled painting make it certain that this fine blue and white porcelain bottle was made at the royal Kumsari kiln. There is a repair to the neck. Height: 10 inches (25.5cm); Circumference: 18.5 inches (47cm).