Catalog: Antiques: Regional Art: Asian (179)

Rare and Fine 19th Century Korean Chaekjang Book Chest. You may never see another like this for under $10,000! 33w x 26.5h x 12d inches, 84w x 67.5h x 30.5d cm.

19th Century Korean Hat Box made entirely of Exotic Paulownia (Odong-namu) Wood. Paulownia is very desirable for collectors because of its beautiful wide grain, light weight, and fire and bug-resistant qualities. The paulownia used for this rare hat box is especially fine. (hat not included) 12 x 12 x 12 (height) inches, 31 x 31 x 31 cm.

Rare Old Korean Map with Beautiful Topographic Detail of Korea's many mountain ranges. The list of kings at the bottom ends with Sukjong, whose reign ended in 1720. It also has a list of distances from various places to the capital, and mileage charts of distances between various locations. Map: 42 x 24 inches, 106.5 x 61 cm; Frame: 59 x 30.25 inches, 150 x 77 cm.

This seven feet tall Antique Korean Trident is the only Joseon Dynasty Trident ever offered for sale. The few existing examples are all in museums in Korea. Only Korea has this type of trident with the small round iron cymbals under the fork for scaring off tigers and other wild animals. The shape of the fork is also uniquely Korean. The Chinese trident has much rounder corners. 82 inches (208 cm) tall, 8.5 inches (21.5 cm) wide.

Antique Korean Coin Chest, Donkwe. 11h x 24w x 12.5d, 28h x 61w x 32d m. Coin chests are highly prized by collectors of Korean antiques. Paper money did not exist in Joseon Dynasty Korea, and the coins were of very small denominations. They had to be strung together in large, heavy quantities to have any worth, so a strong money box was a necessity. Mattie Ingold, an American missionary physician who worked in Jeonju, wrote: "If Korean money were proportionately as great in value as it is in weight and clumsiness, the Koreans would be a very wealthy people."

19th Century Chinese Personal Dining Table with Beautiful Grain and Color, and a Rare and Elegant Form. The original natural oil finish has been buffed to a clear beautiful shine over many decades of buffing and cleaning, and is so much more attractive than the waxy chemical finishes on today's furniture. 22 x 14 x 5 inches, 56 x 35.5 x 12.5 cm.

Burmese Bronze Buddha with Movable Left Hand. 16.5 inches, 42 cm.

Rare 19th Century Korean Hyangsang Small Desk and Table with Drawer. Hyangsang were altar stands for the family home altar. Hyangsang (aka Hyangnosang or Hyangtak) are so scarce that this is the only one we have ever been able to acquire in our twenty years in business. 16w x 15.5h x 11.5d inches, 41w x 39h a 29d cm.

Rare and Important Work of Calligraphy by the man designated in every textbook in the East and West as the Pioneering Father of 20th Century Art in Korea, An Jung Sik (also spelled Ahn Jung Sik), 1861-1919 (pen name Simjeon), calligrapher, scholar, royal court painter (he painted the portraits of the last two kings of Korea), and co-founder of KOrea's first modern art school. Paintings by An Jung Sik are by law not allowed to leave Korea, so they are rare in the West. His works of calligraphy are even more rare. So it is with pride that we offer what may be the only An Jung Sik calligraphy ever offered for sale outside of Korea. Calligraphy is regarded as the highest art form throughout East Asia. An Jung Sik studied calligraphy in China and Korea, and helped establish the Seoul Calligraphy and Fine Arts School in 1911, and co-founded, along with O Se Chang, the Association of Painting and Calligraphy Artists in 1918. Kim Eun Ho, Yi Sang Beom, and Jang Seung Eop are just a few of his students who went on to fame as some of Korea's greatest artists. An Jung Sik himself studied under the man widely regarded as one of the most important 19th Century Korean artists, Jang Seung Eop (pen name Owon). This is a large piece at 61 x 22 inches, 155 x 56 cm. An Jung Sik's calligraphy is currently prominently featured in the Los Angeles County Museum of Art's exhibition on Korean calligraphy, Beyond Line: The Art of Korean Writing.

Fine and Rare Korean 19th Century Guardian Painting in Gold Leaf and Mineral Pigments on Silk in Excellent Condition with Vivid Colors. This would have hung on the door of a home to protect the household. This is the finest example of a door guardian painting we have ever seen. Frame: 22 x 10 inches, 56 x 25.5 cm; Painting: 19.5 x 7.5 inches, 50 x 19 cm.

The only authentic 19th Century Korean shaman paintings offered for sale. Sublimely rendered here is the spirit of divine response, Kameung Sillyeong. There are many 20th century reproductions of these types of paintings. Authentic Joseon Dynasty examples like this exist only in museums. And even in museums, a pair like this is very rare. You can discern them by the material and quality, such as fine hand-woven silk and mineral pigments that give warmth and depth and are vivid but not garish like modern chemical paints. The originals like this are valued not only for their superior artistry, but also for the connection they provide to the culture and spirituality of ancient authentic Korean shamanism. Much of modern Korean art and culture is rooted in shamanism. Its influence pervades Korean society, whether or not one is aware of it. This is art that is by and for the people and not art for art’s sake. Within the broad realm of Korean folk art, shaman art expresses the deepest desires of the Korean people. Shaman paintings are a fundamental part of shaman rituals to protect the home, heal the sick, divine the future, communicate with the deceased, bless and protect the crop, wedding, family, and newborn baby, and provide the people with a sense of well-being and purpose. While the court ordained official theology and commissioned art supportive of it, the commoners, from a life really lived, created and through the centuries have held onto a most syncretic belief system that borrows from Buddhism, Confucianism, Daoism, ancient animism, and elsewhere, and that engenders a strong connection to nature and its energy. Korean shamanism encourages a healthy defiance against official dogma, and an open-mindedness and sincerity that guides the creators and commissioners of these powerful works of art. That is why these wonderful creations by and for the people speak so directly to persons of all persuasions even today. Frame: 40 x 26 inches, 102 x 66 cm. Painting: 34.5 x 20.5 inches, 88 x 52 cm.

Fine 19th Century Perfectly Matched Pair of Oiled Paper on Wood Wedding Chests with a Beautiful Surface. Only very old oiled paper that has aged for many years can give you this warm, deep, dark hue. A rare perfect pair that is guaranteed to add warmth and beauty to any room. Dimensions of each chest: 30w x 17.5h x 14.75 inches, 76w x 44.5h x 37.5 cm.

Rare Large 19th Century Silver-Inlaid Iron Box with Exquisite Floral Design and Stylized Taeguk (Yin/Yang symbol) with Key Fret Border and Double Happiness Symbols. Silver-inlaid iron boxes are usually smaller than this rare large example. The floral design is also more detailed here than what we usually see, altogether making for a deluxe item. The condition is not perfect and is commensurate with the age of the item, and actually adds to the beauty and storied history of what must have been an extraordinary gift 150 years ago and a unique presentation item today. Perfectly proportioned at 6 x 4 x 4 inches, 15 x 10 x 10 cm.

Pair of Framed Korean Antique Embroidered Pillow Ends with a Happy Peacock Family and Flowers. Peacocks symbolize the 9 Virtues: a tidy face, clear voice, careful walk, appropriate behavior according to place and time, moderation in eating and drinking, knowing how to be content, existing together, not being obscene, and always returning. Eternity and continuity are symbolized by the lovely multi-colored repeating 'ryul' characters that are embroidered all around the borders. These are set in deep frames made of exotic paulownia wood, a wood prized for its beautiful wide grain. Eternity and continuity is implied through the lovely multi-colored repeating 'ryul' characters that are embroidered all around the borders. A charming, auspicious, and finely embroidered pair of Antique Korean Pillow Ends framed for display. Each Frame: 7.5 x 7 inches, 19 x 19 cm; Each Pillow End: 4.25 x 4.25 inches, 10.75 x 10.75 cm.

Rare and Collectible Small Wood Document Box. This rare type of box is highly valued by collectors. This is a fine and elegant example. 17 x 8.5 x 2.25 inches, 43 x 21.5 x 5.75 cm.

The classic yongmok samcheung-jang (Korean zelkova root chest with three levels) is probably the most-widely imitated type of Korean antique chest among the reproductions that are all over the internet. This exquisite and genuine 19th Century Joseon Dynasty yongmok samcheung-jang will surely be the showcase piece in any collection. Yongmok is zelkova root, and literally translates to dragon burlwood, which describes the shapes of dragons that can be seen in the very fancy grain of the zelkova root. This chest is a particularly rare and fine example in exceptionally good condition. If you ever do see an old and fine Korean chest of zelkova, it is always just the panels that are of zelkova, while the frame is pine. This rare chest actually uses zelkova for both the panels and the frame, so that the entire front is zelkova. The effect is quite stunning. The other sides are constructed of a fine wide-grained paulownia wood. The stand is carved in the shape of a bat, an ancient Korean symbol of good fortune, because bat and good fortune share the same pronunciation. Other than the cheaply-made reproductions of these that you see all over the internet (most of which are dishonestly described as antiques and are not even made in Korea), it is unlikely that you will see another genuine Joseon Dynasty Dragon Burlwood Three-Level Chest for sale, other than in Korea, where it will sell for multiples of this price. We receive emails almost weekly from factories in China that sell the reproductions very cheaply. Unlike some other dealers, we have never accepted these offers. There's nothing like the look of rare and exotic zelkova root that has aged for over 100 years. Unlike the reproductions, this genuine article will last for generations and the beauty of the old wood will only deepen and increase with age, making it a fine heirloom for a proud family. 64h x 43w x 20.75d inches, 162.5h x 109w x 52.75d cm.

Rare Type of Korean Antique Dining Table with Engraved Floral Scrolls and Calligraphy of Happiness and Long Life Characters. If you are interested, we can provide information on a very similar Korean table that recently sold at an auction in Korea for $4000. These types of tables are rare and much sought-after by collectors. The original natural oil finish has been buffed to a clear beautiful shine over many decades of buffing and cleaning, and is so much more attractive than the waxy chemical finishes on today's furniture. 36.5 x 20.5 x 11.5 inches, 92.75 x 52 x 29.25 cm.

Geese and Reeds Painting (Noando) mounted on luxurious gold silk by Yang Ki Hun aka Seokyeon (1843-1897) from Pyeongyang, signed Seokyeon. Yang Ki Hun's signature 'boneless' style (painting without outlines, using ink washes) beautifully captures light and shade. The literal meaning of 'noando' is reed and geese painting, but it is a play on words, as 'no' means both reed and old, and 'an' means both geese and comfort ('do' means painting). So 'noan' can mean 'reed and geese' or 'old comfort', and so a painting of geese and reeds symbolized a wish for a comfortable and peaceful old age. This particular painting has further meaning because it depicts two pair of geese. Geese were believed to mate for life, so this painting symbolizes eternal love, and the wish for a couple to grow old together in peace and comfort. Yang Ki Hun was a member of the Royal Academy of Painting in the 19th Century. He made a living by painting for the king and his court, and also by selling his paintings in Pyeongyang. Here are two great quotes from Yang Ki Hun's contemporary, the painter and calligrapher Chi Un Yeong (aka Paekryeon): "Yang Ki Hun's paintings stir up my jealousy because they seem completely freed from all ideas and restraints". And after Seokyeon (Yang Ki Hun) passed away, Chi Un Yeong wrote, "Seokyeon told me that when he stayed on Neungna Island for a few years some time ago, he often saw geese fly in and land on a reed field, so he was able to paint them in a realistic way. His words still linger vividly in my ears. I remember playing with him thirty years ago in the Taedong River, and it seems so far away and dream-like." Ink on paper. Silk Mounting: 67 x 16.5 inches, 170 x 42 cm; Painting: 48.75 x 12 inches, 124 x 30.5 cm. The third photo here shows the market price for Yang Ki Hun paintings, which is much higher than the attractive price at which we are offering this fine painting.