Catalog: Antiques: Regional Art (183)

Beautiful and Rare 19th Century Korean Elm Wood Document Box from Gyeongsangnam-do, with a patina and grain of gorgeous color and texture and lovely floral metalwork with plum blossoms (a symbol of courage because the plum blossoms early, before winter is quite finished) and chrysanthemum (a symbol of plenty or fertility because of its many petals). For a similar example, see page 69 of Traditional Korean Furniture by Man Sill Pai and Edward Reynolds Wright. 13 x 13 x 7.5 inches, 33 x 33 x 19 cm.

Geese and Reeds Painting (Noando) mounted on luxurious gold silk by Yang Ki Hun aka Seokyeon (1843-1897) from Pyeongyang, signed Seokyeon. Yang Ki Hun's signature 'boneless' style (painting without outlines, using ink washes) beautifully captures light and shade. The literal meaning of 'noando' is reed and geese painting, but it is a play on words, as 'no' means both reed and old, and 'an' means both geese and comfort ('do' means painting). So 'noan' can mean 'reed and geese' or 'old comfort', and so a painting of geese and reeds symbolized a wish for a comfortable and peaceful old age. This particular painting has further meaning because it depicts two pair of geese. Geese were believed to mate for life, so this painting symbolizes eternal love, and the wish for a couple to grow old together in peace and comfort. Yang Ki Hun was a member of the Royal Academy of Painting in the 19th Century. He made a living by painting for the king and his court, and also by selling his paintings in Pyeongyang. Here are two great quotes from Yang Ki Hun's contemporary, the painter and calligrapher Chi Un Yeong (aka Paekryeon): "Yang Ki Hun's paintings stir up my jealousy because they seem completely freed from all ideas and restraints". And after Seokyeon (Yang Ki Hun) passed away, Chi Un Yeong wrote, "Seokyeon told me that when he stayed on Neungna Island for a few years some time ago, he often saw geese fly in and land on a reed field, so he was able to paint them in a realistic way. His words still linger vividly in my ears. I remember playing with him thirty years ago in the Taedong River, and it seems so far away and dream-like." Ink on paper. Silk Mounting: 67 x 16.5 inches, 170 x 42 cm; Painting: 48.75 x 12 inches, 124 x 30.5 cm. The third photo here shows the market price for Yang Ki Hun paintings, which is much higher than the attractive price at which we are offering this fine painting.

The last rare Joseon Dynasty Munjado-Chaekgeori combination screen offered for sale was a decade ago at auction. It will likely be at least that long until you see another, if you ever see one for sale again at all. Even most museums have been unable to find one to acquire. The Cleveland Museum has a fine example. This rare combination of Munjado and Chaekgeori was painted only in the Gangwon Province. Munjado screens have eight pictorial ideographs depicting the Eight Confucian Virtues: Hyo (Filial Piety), Je (Fraternity), Chung (Loyalty), Shin (Trust), Ye (Propriety), Ui (Justice), Yeom (Integrity), and Chi (Conscience). Unique to Korean munjado screens are paintings of various creatures that since ancient times have symbolized the virtue they accompany here. Confucian values were regarded as the cornerstones of Korean society and Munjado screen paintings representing them were used as daily reminders to observe the Eight Virtues. Chaekgeori screens feature scholarly accoutrements such as books and writing tables, brush pots and scrolls, fans, along with items that would adorn the scholar's study such as potted flowers and plants, and fruit in bowls. Within the Confucian society of the Joseon Dynasty (1392-1910), scholars were highly respected and Chaekgeori screens were typically displayed behind the desk in a study to convey an air of dignity, luxury, and a reverence for scholarship. These screens were also intended to instill these values in the children of the household. Ink and colors on paper. Total dimensions: 65 x 140 inches, 165 x 356 cm. Each painting: 65 x 17.5 inches, 165 x 44.5 cm.

Rare and Important Work of Calligraphy by the man designated in every textbook in the East and West as the Pioneering Father of 20th Century Art in Korea, An Jung Sik (also spelled Ahn Jung Sik), 1861-1919 (pen name Simjeon), calligrapher, scholar, royal court painter (he painted the portraits of the last two kings of Korea), and co-founder of KOrea's first modern art school. Paintings by An Jung Sik are by law not allowed to leave Korea, so they are rare in the West. His works of calligraphy are even more rare. So it is with pride that we offer what may be the only An Jung Sik calligraphy ever offered for sale outside of Korea. Calligraphy is regarded as the highest art form throughout East Asia. An Jung Sik studied calligraphy in China and Korea, and helped establish the Seoul Calligraphy and Fine Arts School in 1911, and co-founded, along with O Se Chang, the Association of Painting and Calligraphy Artists in 1918. Kim Eun Ho, Yi Sang Beom, and Jang Seung Eop are just a few of his students who went on to fame as some of Korea's greatest artists. An Jung Sik himself studied under the man widely regarded as one of the most important 19th Century Korean artists, Jang Seung Eop (pen name Owon). This is a large piece at 61 x 22 inches, 155 x 56 cm. An Jung Sik's calligraphy is currently prominently featured in the Los Angeles County Museum of Art's exhibition on Korean calligraphy, Beyond Line: The Art of Korean Writing.

Pair of 19th Century Korean Hunting Paintings. Unique to Korea, hunting paintings always depict hunters in Mongolian attire. Koreans had great admiration for Mongolian archery and equestrian skills. Ink and colors on paper. Frame: 46 x 22 inches (171 x 56 cm), 34 x 16 inches (86 x 41 cm).

Antique Korean Coin Chest, Donkwe. 11h x 24w x 12.5d, 28h x 61w x 32d m. Coin chests are highly prized by collectors of Korean antiques. Paper money did not exist in Joseon Dynasty Korea, and the coins were of very small denominations. They had to be strung together in large, heavy quantities to have any worth, so a strong money box was a necessity. Mattie Ingold, an American missionary physician who worked in Jeonju, wrote: "If Korean money were proportionately as great in value as it is in weight and clumsiness, the Koreans would be a very wealthy people."

This is the only calligraphy by Kim Eung Won aka Soho (1855-1921) we have ever seen offered for sale. His skill was so revered that the prince Daewongun paid Kim Eung Won to paint many of the works for which the prince took credit. Ink on paper. Mount: 73 x 15 inches (185.5 x 38 cm), Calligraphy: 51 x 12 inches (130 x 30 cm).

Burmese Bronze Buddha with Movable Left Hand. 16.5 inches, 42 cm.

Very Fine and Rare Silver Inlaid Iron Brazier (a source of heating and light), hexagonal shape, beautifully rendered and in excellent condition. Each protuberant side is decorated with a keyfret-bordered roundel enclosing six different works of art: a crane and sea turtle in beautifully stylized clouds and waves beneath a silvery moon (symbols of longevity); one of the Eight Buddhist Emblems of an oversized conch shell; a leafy floral design symbolizing abundance; a leafy branch of pomegranates whose many seeds symbolize fertility; another leafy floral branch; and a deer couple at rest beneath a wonderfully curving pine tree that encircles and protects this gorgeous, idyllic scene blessed with symbolism of a long, healthy, happy and peaceful life filled with love. Each roundel is surrounded by a cell diaper pattern with a keyfret border on each side of the brazier. The decorated waisted neck supports a flat everted hexagonal rim decorated with a floral vignette on a cell diaper ground and a keyfret border, all resting on a keyfret-bordered base with six bracket feet decorated with lotus flowers and scrolls. The lotus is a Buddhist symbol of purity, because it rises above the muck to the surface of the pond to show its face to the sun, symbolizing hope and redemption. Height: 6.5 inches, 16.5 cm; Width: 8 inches, 20 cm.

19th Century Korean Sword with missing scabbard. Condition is good but slightly shaky. Overall length is 35 inches (89cm), blade is 26 inches (66cm).

Rare 19th Century Korean Kyeongsang Scholar's Study Desk with Persimmon Drawers. Simple and elegant in keeping with the scholar's aesthetic. The upturned ends keep scrolls and writing materials from rolling off the desk. 27 x 12 x 11 inches, 68.5 x 30.5 x 28 cm.

A Rare Tour-de-Force Masterpiece Ten-Panel Painting by the Renowned 19th Century Korean Royal Court Artist Yang Ki Hun aka Sukyeon (1843-1898). This is the first Yang Ki Hun screen painting offered for sale outside of Korea in many years, and it is arguably the best of them. We have here the most renowned of the 19th Century Korean royal court painters demonstrating his mastery and artistry in all of the most revered scholar's motifs. The few other screens of his we have seen in the market over the years were limited to one motif for the entire screen. Each of the ten paintings in this screen is a different motif, but the master brings unity to the entire composition as well with a consistent visual flow that naturally leads the eye from one masterpiece painting to the next. These paintings are unmounted and ready to be framed or mounted onto a screen or rolled up, stored and conserved for their artistic, historical, and cultural value. Each painting is 48.5 x 11.5 inches (123.5 x 29 cm). Ink on paper. The fourth photo here shows the market price for individual Yang Ki Hun paintings and should give you an idea of how very attractive the price is on this set of ten paintings.

You rarely see 19th Century Korean tiger paintings offered for sale anymore, especially in excellent condition like this one. The last time we had one was 15 years ago, and it will probably be at least that long until have another one to offer. When they do come up in auctions now, they sell for five figures. That's because there is nothing anywhere like Joseon Era Korean tiger folk paintings. Tigers in Korean paintings are not ferocious. They are humorous and full of personality. And each one is unique, like this fellow here with his quizzical and lovable face as he is being addressed by the magpies. This was a favorite symbol of the common folks and represented the people speaking truth to power. The pine tree is a symbol of longevity and wisdom. The azaleas symbolize beauty. This painting is very "Korean." It is painted in ink and colors on traditional and old hanji paper. Korean tiger folk paintings are never signed. Frame: 45 x 29 inches (114 x 74 cm), Painting: 38 x 22 inches (97 x 56 cm).

Pair of Framed Korean Antique Embroidered Pillow Ends with a Happy Peacock Family and Flowers. Peacocks symbolize the 9 Virtues: a tidy face, clear voice, careful walk, appropriate behavior according to place and time, moderation in eating and drinking, knowing how to be content, existing together, not being obscene, and always returning. Eternity and continuity are symbolized by the lovely multi-colored repeating 'ryul' characters that are embroidered all around the borders. These are set in deep frames made of exotic paulownia wood, a wood prized for its beautiful wide grain. Eternity and continuity is implied through the lovely multi-colored repeating 'ryul' characters that are embroidered all around the borders. A charming, auspicious, and finely embroidered pair of Antique Korean Pillow Ends framed for display. Each Frame: 7.5 x 7 inches, 19 x 19 cm; Each Pillow End: 4.25 x 4.25 inches, 10.75 x 10.75 cm.

19th Century Korean Hat Box made entirely of Exotic Paulownia (Odong-namu) Wood. Paulownia is very desirable for collectors because of its beautiful wide grain, light weight, and fire and bug-resistant qualities. The paulownia used for this rare hat box is especially fine. (hat not included) 12 x 12 x 12 (height) inches, 31 x 31 x 31 cm.

Rare 19th Century Korean Hyangsang Small Desk and Table with Drawer. Hyangsang were altar stands for the family home altar. Hyangsang (aka Hyangnosang or Hyangtak) are so scarce that this is the only one we have ever been able to acquire in our twenty years in business. 16w x 15.5h x 11.5d inches, 41w x 39h a 29d cm.

Fine, Rare Eight-Panel Painting by Revered Korean Artist Kim Eung Won aka Soho (1855-1921). Similar to the Kim Eung Won screen in the royal Changdeok Palace. Orchids are an ancient Korean symbol of purity, modesty, and virtue. The rock symbolizes eternity, so the combination of orchids and rock have the meaning of eternal adherence to principle. The orchid grows in remote places, but its fragrance spreads over the land, just as the scholar often works in isolation, but through their scholarly and ethical works their influence is felt throughout the land. Talented painters of orchids were and still are held in the highest regard. Though Daewongun (Prince Yi Ha Eung) is often cited as the greatest painter of orchids, most scholars now agree it was Kim Eung Won who was creating many of the paintings for which Prince Daewongun took credit and which Daewongun signed. Daewongun was, of course, a great painter of orchids, but most agree now that Kim Eung Won may deserve the title of greatest. His paintings sell for a fraction of the price of Daewongun's paintings, at least for now. That can be expected to change as the general public catches up with the scholarship on the subject. The last photo here is of the only other Kim Eung Won screen offered for sale. The "sale" price is more than double the price we are asking here. This is the only Kim Eung Won eight-panel painting we have ever offered in our 18 years in business. Ink on paper. 54 x 14 inches, 137.5 x 35.5 cm unmounted. (A much smaller and single Daewongun painting sold at Christie's for $12,500 on March 18, 2014).

Rare Red Lacquered Inkstone Box of Drawers adorned with ancient symbolism: bullocho (mythical longevity plant) lock plates, bat (symbol of happiness) drawer pulls, and swallowtail (symbol of beauty) braces. The inkstone box was a Korean scholar's most treasured item. He handled it every day, when he would take out the contents to write and paint. The lid opens to reveal the compartment for the inkstone. The drawers hold the brush, ink, and paper. Together these, with the inkstone, are the "scholar's four friends." An inkstone box in royal red lacquer is exceedingly scarce. 11.5 D x 9.75 H x 8.25 W.