Catalog: Artists (107)

Lee Seung O's innovative paper assemblage, 36 x 26 inches, 91 x 66 cm. Lee's work is in the permanent collection of many major museums, including the National Museum of Contemporary Art in Seoul, and he has an excellent auction record, with not a single work going unsold in the many major auctions that have listed his work over the last several years, including Christie's. It is said of Lee Seung O that he is an old spirit with a young mind. While so many young Korean artists are looking to the West for guidance, Lee has found inspiration in the soulful symbolism of traditional Korean folk art. His work is a most inventive and unrestrained interpretation of this tradition, true to the creative spirit of Korean folk art. He has created an entirely new technique of stacking colored paper and wetting the stacks so that they will be stuck together when they dry, then cutting the stacks into strips, and then assembling 'painting-like' compositions that use the edge of the stacks of paper, creating exciting works of great textural density. His work uses an everyday material to make us look at objects (and the world) from a different viewpoint and in an entirely new way, reminding us that innovation and beauty shouldn’t be forced or contrived and needn’t be sought in unknown regions, but can be rooted in tradition and found naturally.

Buncheong Ceramic Wall Panel by Yoon Ja Eui. Artist signed wood box is included. 10.5 x 10.5 inches, 27 x 27 cm.

Shin Eun Sook Granite Sculpture, Cosmos. Shin Eun Sook, Chairwoman of the Korean Sculpture Association, is famous for her monumental sculptures, some as tall as 13 meters (over 40 feet), that can be seen throughout Asia in public parks, university campuses, museums, and corporate headquarters. Her small-scale and affordable works like this one are rare. The third photo here is of the artist standing next to her bronze and granite work at Tsinghua University in Beijing, China. The remaining photos are a few examples of her famous public works. 14h x 11.5w inches, 35.5 x 29 cm.

15 x 15 inches, 38 x 38 cm. Lee Heyung Bok has been featured on the covers of Korean art publications Ceramic Art Monthly and Craft & Art Review.

Kim Young Mi Unglazed Wood-Fired Stoneware. Kim Young Mi subjects these pieces to eight wood-firings, until the ash from the firing has performed all of its organic magic on the surfaces of these living, breathing works of art, giving incomparable texture and color to her nature-loving forms. Kim Young Mi renews the pristine artistic intention of humanity. She says, "My ceramic works are a form of meditation - my humble attempts to live in grace like an open vessel, empty and yet full, of giving and receiving." Kim Young Mi's ceramics, with her inner thoughts woven into the clay, are the end results of her meditation. They quietly stir the human heart. They transform ordinary clay into the extraordinary. This piece was recently displayed in the exhibition, Korean Contemporary Ceramics at the Korea Society. This was an historic exhibition, as it was the first group exhibition of Korean contemporary ceramics in New York. 20w x 11h inches, 51w x 28h cm.

Choi Sung Jae (born 1962) is the most widely exhibited Korean ceramic artist, in international galleries and in the permanent collections of major museums, such as the Victoria and Albert Museum, the Art Institute of Chicago, the Museum of Fine Art in Boston, the Peabody Essex Museum, and many others. He is a master of white slip buncheong ceramics, a style revered and imitated by Japanese artists for centuries. This lovely Pond with Geese and Reeds is a fine example of his work. This is an ancient subject in Korean art and is called "noando." The literal meaning of "noando" is reed and geese painting, but it is a play on words, as "no" is a homonym that can mean either "reed" or "old", and "an" is a homonym that means either "geese" or "comfort" ("do" means "painting"). So "noan" can mean either "reed and geese" or "old comfort", therefore a painting of geese and reeds symbolizes a wish for a comfortable and peaceful old age. 12.5 inches, 32 cm.

Korean Contemporary Buncheong Ceramic Art by Kim See Man. Buncheong is a unique and centuries-old style of ceramics characterized by a white slip surface that is usually decorated in a spontaneous and expressive manner. This has been imitated in Japan's mishima ware. Kim See Man's work has been exhibited at a long list of major museums, including the Asian Art Museum of San Francisco, Yale University Art Gallery, Freer/Sackler Gallery of Art, Indianapolis Museum of Art, Museum of Fine Arts in Boston, Harvard University Art Museum, Detroit Institute of Arts, Saint Louis Museum of Art, Newark Museum, American Craft Museum, Portland Art Museum, Society for Contemporary Crafts, Museum of Fine Arts in Houston, Seattle Asian Art Museum, Vancouver Art Museum, Royal Ontario Museum, and many others. Artist signed wood box is included. 10.75 x 8 x 7.5 inches, 27 x 20 x 19 cm.

Oil Painting by Jeon Joon Yeop. 64 x 38 inches, 162 x 97 cm. Jeon Joon Yeop (born 1953) is a well-known artist in South Korea, with numerous art reviews. He was the top-selling artist in last year’s Korea International Art Fair, Korea’s biggest art fair. Instead of finding comfort in his successes, Jeon accepts popularity as a challenge to further explore how to speak the ancient language of Korean landscape painting with a modern vocabulary of techniques, such as pouring, scratching, spreading, soaking, smudging, blowing, and densely recoating oil paint onto the canvas. Another seemingly modern technique that Jeon employs, the presentation of multiple viewpoints in a single painting, is actually an ancient technique in East Asian painting. Jeon even adds the viewpoint of the person in the painting, creating an attachment for the viewer of the painting so that the landscape is not objective and detached, thus keeping, and sharing, the Korean traditional subjective and harmonious view of nature.

Won Ju Seo's work is featured in the Spring 2013 issue of Fiber Art Now, and in the recently-published McGraw-Hill fine arts textbook, Art Talk. The work offered here is From Inside to Outside by Won Ju Seo. Hand made of Korean silk, organza, and silk thread. Frame: 20.5 x 20.5 inches, 52 x 52 cm; Textile: 11.5 x 11.5 inches, 29 x 29 cm. The work of Korean textile artist, Won Ju Seo, is in major museums and prominent collections. She is renowned for her modern approach to the bojagi, the traditional Korean wrapping cloth that has been the subject of many museum exhibitions lately. The superiority of her breath-taking technique is matched by the artistry of her designs and the creative beauty of her palette. The dazzling juxtaposed geometrics are inspired by and pay tribute to the anonymous women who created bojagi for hundreds of years, while the gorgeous colors of Won Ju Seo's palette are unique to her modern creations.

Kim Young Mi Celadon. The color of this organic form is stunning, and upholds a long tradition of beautiful Korean celadons. Kim Young Mi says, "My ceramic works are a form of meditation - my humble attempts to live in grace like an open vessel, empty and yet full, of giving and receiving." Kim Young Mi's ceramics, with her inner thoughts woven into the clay, are the end results of her meditation. They quietly stir the human heart. They transform ordinary clay into the extraordinary. This piece was recently displayed in the exhibition, Korean Contemporary Ceramics at the Korea Society. This was an historic exhibition, as it was the first group exhibition of Korean contemporary ceramics in New York. 12w x 9.5h inches, 30.5w x 24h cm.

Won Ju Seo's work is featured in the Spring 2013 issue of Fiber Art Now, and in the recently-published McGraw-Hill fine arts textbook, Art Talk. The work offered here is Bojagi Diary 3 by Won Ju Seo. Hand made with colored Korean silk and silk thread. Frame: 10.5 x 10.5 inches, 27 x 27 cm; Textile: 8.5 x 8.5 inches, 21.5 x 21.5 cm. The work of Korean textile artist, Won Ju Seo, is in major museums and prominent collections. She is renowned for her modern approach to the bojagi, the traditional Korean wrapping cloth that has been the subject of many museum exhibitions lately. The superiority of her breath-taking technique is matched by the artistry of her designs and the creative beauty of her palette. The dazzling juxtaposed geometrics are inspired by and pay tribute to the anonymous women who created bojagi for hundreds of years, while the gorgeous colors of Won Ju Seo's palette are unique to her modern creations.

Oil Painting by Jeon Joon Yeop. 46 x 32 inches, 117 x 81 cm. Jeon Joon Yeop (born 1953) is a well-known artist in South Korea, with numerous art reviews. He was the top-selling artist in last year’s Korea International Art Fair, Korea’s biggest art fair. Instead of finding comfort in his successes, Jeon accepts popularity as a challenge to further explore how to speak the ancient language of Korean landscape painting with a modern vocabulary of techniques, such as pouring, scratching, spreading, soaking, smudging, blowing, and densely recoating oil paint onto the canvas. Another seemingly modern technique that Jeon employs, the presentation of multiple viewpoints in a single painting, is actually an ancient technique in East Asian painting. Jeon even adds the viewpoint of the person in the painting, creating an attachment for the viewer of the painting so that the landscape is not objective and detached, thus keeping, and sharing, the Korean traditional subjective and harmonious view of nature.

Won Ju Seo's recent exhibition is featured in the December 3, 2015 New York Times, and she is featured in the Spring 2013 issue of Fiber Art Now, and in the recently-published McGraw-Hill fine arts textbook, Art Talk. The work offered here is Bojagi Diary 2013-1 by Won Ju Seo. Frame: 10 x 10 inches (25.5 x 25.5 cm); Textile: 5.25 x 5.25 inches (13.5 x 13.5 cm). Handmade, sewn and embroidered with Korean silk, metallic cloth, silk thread, foam board, and pigment. The work of Korean textile artist, Won Ju Seo, is in major museums and prominent collections. She is renowned for her modern approach to the bojagi, the traditional Korean wrapping cloth that has been the subject of many museum exhibitions lately. The superiority of her breath-taking technique is matched by the artistry of her designs and the creative beauty of her palette. The dazzling juxtaposed geometrics are inspired by and pay tribute to the anonymous women who created bojagi for hundreds of years, while the gorgeous colors of Won Ju Seo's palette are unique to her modern creations.

Won Ju Seo's exhibition is featured in the December 3, 2015 New York Times, and she is featured in the Spring 2013 issue of Fiber Art Now, and in the recently-published McGraw-Hill fine arts textbook, Art Talk. The work offered here is Looking Through My Window by Won Ju Seo. 17 x 13 inches, 43 x 33 cm. Hand made with Korean silk, organza, and ramie. The work of Korean textile artist, Won Ju Seo, is in major museums and prominent collections. She is renowned for her modern approach to the bojagi, the traditional Korean wrapping cloth that has been the subject of many museum exhibitions lately. The superiority of her breath-taking technique is matched by the artistry of her designs and the creative beauty of her palette. The dazzling juxtaposed geometrics are inspired by and pay tribute to the anonymous women who created bojagi for hundreds of years, while the gorgeous colors of Won Ju Seo's palette are unique to her modern creations.

Lee Seung O's innovative paper assemblage, 36 x 18.5 inches, 91 x 47 cm. Lee's work is in the permanent collection of many major museums, including the National Museum of Contemporary Art in Seoul, and he has an excellent auction record, with not a single work going unsold in the many major auctions that have listed his work over the last several years, including Christie's. It is said of Lee Seung O that he is an old spirit with a young mind. While so many young Korean artists are looking to the West for guidance, Lee has found inspiration in the soulful symbolism of traditional Korean folk art. His work is a most inventive and unrestrained interpretation of this tradition, true to the creative spirit of Korean folk art. He has created an entirely new technique of stacking colored paper and wetting the stacks so that they will be stuck together when they dry, then cutting the stacks into strips, and then assembling 'painting-like' compositions that use the edge of the stacks of paper, creating exciting works of great textural density. His work uses an everyday material to make us look at objects (and the world) from a different viewpoint and in an entirely new way, reminding us that innovation and beauty shouldn’t be forced or contrived and needn’t be sought in unknown regions, but can be rooted in tradition and found naturally.

Lee Seung O's innovative paper assemblage, 39 x 31.5 inches, 100 x 80 cm. Lee's work is in the permanent collection of many major museums, including the National Museum of Contemporary Art in Seoul, and he has an excellent auction record, with not a single work going unsold in the many major auctions that have listed his work over the last several years, including Christie's. It is said of Lee Seung O that he is an old spirit with a young mind. While so many young Korean artists are looking to the West for guidance, Lee has found inspiration in the soulful symbolism of traditional Korean folk art. His work is a most inventive and unrestrained interpretation of this tradition, true to the creative spirit of Korean folk art. He has created an entirely new technique of stacking colored paper and wetting the stacks so that they will be stuck together when they dry, then cutting the stacks into strips, and then assembling 'painting-like' compositions that use the edge of the stacks of paper, creating exciting works of great textural density. His work uses an everyday material to make us look at objects (and the world) from a different viewpoint and in an entirely new way, reminding us that innovation and beauty shouldn’t be forced or contrived and needn’t be sought in unknown regions, but can be rooted in tradition and found naturally.

Won Ju Seo's work is featured in the Spring 2013 issue of Fiber Art Now, and in the recently-published McGraw-Hill fine arts textbook, Art Talk. The work offered here is Joy 2 by Won Ju Seo. 13 x 13 inches, 33 x 33 cm. Hand made with Korean silk. The work of Korean textile artist, Won Ju Seo, is in major museums and prominent collections. She is renowned for her modern approach to the bojagi, the traditional Korean wrapping cloth that has been the subject of many museum exhibitions lately. The superiority of her breath-taking technique is matched by the artistry of her designs and the creative beauty of her palette. The dazzling juxtaposed geometrics are inspired by and pay tribute to the anonymous women who created bojagi for hundreds of years, while the gorgeous colors of Won Ju Seo's palette are unique to her modern creations.

Shin Eun Sook Bronze Sculpture with Granite Base. The bronze characters form the written word 'good fortune', in Sino-Korean. Shin Eun Sook, Chairwoman of the Korean Sculpture Association, is famous for her monumental sculptures, some as tall as 13 meters (over 40 feet), that can be seen throughout Asia in public parks, university campuses, museums, and corporate headquarters. Her small-scale and affordable works like this one are rare. The third photo here is of the artist standing next to her bronze and granite work at Tsinghua University in Beijing, China. The remaining photos are a few examples of her famous public works. 11.5h x 8w inches, 29 x 20 cm.