Yoon Kwang Cho had an acclaimed solo exhibition that started at the Philadelphia Museum and traveled to other major museums in America. He is widely recognized as the world's foremost practitioner of Korean Buncheong Art. This is an exemplary piece by one of Korea's most famous, most exhibited, and most collected ceramic artists. His work is in the permanent collections of many major museums around the world. He was selected by Korea's National Museum of Contemporary Art as Artist of The Year in 2004. 8.5 inches (21.5cm)h x 4.5 inches (11cm)w x 3.5 inches (9cm)d.
Korean Art and Antiques
$400.00
$400.00
Set of Four Wood-Fired Cups by Kim Young Mi. Dimensions of the largest cup: 6 inches wide x 3 inches high, (15cm wide x 7.5 cm high).
Lee Heyung Bok has been featured on the covers of Korean art publications Ceramic Art Monthly and Craft & Art Review.
Korean Art and Antiques
$1,500.00
$1,500.00
Choi Sung Jae (born 1962) is the most widely exhibited Korean ceramic artist, in international galleries and in the permanent collections of major museums, such as the Victoria and Albert Museum, the Art Institute of Chicago, the Museum of Fine Art in Boston, the Peabody Essex Museum, and many others. He is a master of white slip buncheong ceramics, a style revered and imitated by Japanese artists for centuries. This lovely Pond with Geese and Reeds is a fine example of his work. This is an ancient subject in Korean art and is called "noando." The literal meaning of "noando" is reed and geese painting, but it is a play on words, as "no" is a homonym that can mean either "reed" or "old", and "an" is a homonym that means either "geese" or "comfort" ("do" means "painting"). So "noan" can mean either "reed and geese" or "old comfort", therefore a painting of geese and reeds symbolizes a wish for a comfortable and peaceful old age. 12.5 inches, 32 cm.
15 x 15 inches, 38 x 38 cm. Lee Heyung Bok has been featured on the covers of Korean art publications Ceramic Art Monthly and Craft & Art Review.
Buncheong Ceramic Wall Panel by Yoon Ja Eui. Artist signed wood box is included. 10.5 x 10.5 inches, 27 x 27 cm.
Slip-Cast Sculpture by Kang Suk Young, Professor, Department of Ceramic Art, College of Art and Design, Ewha Womans University. Kang says, "I gain satisfaction and pleasure from the infinite colors created by the genuineness of white." Kang Suk Young is regarded as the pioneer of the slip-casting movement in Korean contemporary ceramics, and he continues to be in the forefront of introducing new ideas and creative expressions in contemporary Korean Ceramics. His work is in the permanent collection of the Brooklyn Museum, and is on display in their Korean gallery. 19.5h x 15w inches, 50 x 38 cm.
Buncheong Ceramic Wall Panel by Yoon Ja Eui. Artist signed wood box is included. 10.5 x 10.5 inches, 27 x 27 cm.
18 x 18 inches, 46 x 46 cm. Lee Heyung Bok has been featured on the covers of Korean art publications Ceramic Art Monthly and Craft & Art Review.
Korean Art and Antiques
$5000.00
$5000.00
This piece was just recently displayed at the Korea Society exhibition, Korean Contemporary Ceramics, the first exhibition on this subject in New York. Kang Jong Sook is easily the most ubiquitous Korean ceramic artist in America. She has been at the forefront of the contemporary ceramic art scene in New York for two decades now. Kang has had solo exhibitions at the Hammond Museum, Montclair State University Museum, Bratislava Museum, Dai Ichi Gallery, and Tong In Gallery, among others. She is a founding member of the biannual East & West Clay Works Exhibition. She is the owner of a successful ceramic studio and school. Height: 17 inches (43 cm), Width: 18 inches (45.75 cm).
Kang Jong Sook is an artist from Korea who has built a successful studio and school in New York. Mint Condition. h21"(53cm), w20"(51cm), d16"(41cm). We have more pieces by this vanguard Korean artist, so please let us know if you have any interest.
Buncheong Ceramic Wall Panel by Yoon Ja Eui. Artist signed wood box is included. 10.5 x 10.5 inches, 27 x 27 cm.
Joo Ji Wan's meditative groups of celadon cubes reference Korea’s ancient tradition of geometric patterns in a contemporary form. Her work was recently displayed at the Korea Society exhibition, Korean Contemporary Ceramics, and it was her work alone that was chosen for the cover of the exhibition catalogue. This fine set of 13 cubes is the very last set of cubes that Joo Ji Wan will offer for sale, as she is moving on to other projects, and there are no more cubes in her inventory or in the inventory of any gallery. She has saved this grand set of cubes, her very best, for last. Joo Ji Wan's work was also in From The Fire: Contemporary Korean Ceramics, an historic traveling exhibition of works by 54 of Korea’s best contemporary ceramic artists. It has traveled to major museums all over the world, and is the most important exhibition ever mounted on Korean contemporary ceramics. The artist given the very prestigious honor of having her work chosen for the front and back covers of the beautiful hardcover exhibition catalogue was Joo Ji Wan. In fact, her work alone was also chosen for the cover of all brochures and literature related to this most important exhibition, and so has become the symbol of contemporary Korean ceramics. Joo Ji Wan's work has been exhibited at a long list of major museums, including the Asian Art Museum of San Francisco, Yale University Art Gallery, Freer/Sackler Gallery of Art, Indianapolis Museum of Art, Museum of Fine Arts in Boston, Harvard University Art Museum, Detroit Institute of Arts, Saint Louis Museum of Art, Newark Museum, American Craft Museum, Portland Art Museum, Society for Contemporary Crafts, Museum of Fine Arts in Houston, Seattle Asian Art Museum, Vancouver Art Museum, Royal Ontario Museum, and many others. It is appropriate that Joo offers her work in sets that are described with musical terms, such as Duo, Trio, Quartet, Ensemble, etc. Musical metaphor is almost required in describing Joo’s inlaid celadon and porcelain cube sets. Consider the melodic interplay of the pieces within a set, the rhythm of the patterns that are inlaid in each piece, and the harmony of the set as a whole. Just as music is mathematical but should not be predictable, Joo’s forms are simple, mathematically fundamental cubes that are inlaid with labyrinthine surprises rooted in Korea’s ancient tradition of geometric patterns imbued with centuries of meaning. Artistic innovation deeply rooted in Korea’s long celadon tradition is what puts Joo Ji Wan at the vanguard of Korean art today. Each cube: 5.25 inches, 13.25 cm. Entire Display: 31w x 21d x 26.5h inches, 78.75w x 53.25d x 67.25h cm.
16h x 14w inches, 40.5 x 30.5 cm. Lee Heyung Bok has been featured on the covers of Korean art publications Ceramic Art Monthly and Craft & Art Review.
Buncheong Ceramic Wall Panel by Yoon Ja Eui. Artist signed wood box is included. 10.5 x 10.5 inches, 27 x 27 cm.
