Catalog (337)

Large 19th Century Painted Wood Sculpture of a Benevolent Scholar Administrator. Large-scale antique Korean wood sculpture is rare. This one is beautifully rendered with splendid attire and the compassionate face of the idealized scholar administrator. This is the type of sympathetic official written of in ancient fables and that one hoped to face when they had to plead their case. It is a wonderful example of emotion elicited from wood and paint by a talented anonymous artist. He is holding a peach which represents the abundant peach trees whose fruit provides longevity and sustenance in the Land of the Immortals who he calls upon for wisdom and guidance. The peach seed is an ancient symbol of benevolence. The word for kernel sounds the same as the word for benevolence or kind-heartedness, ideal qualities for a man in his position. 30.5 x 13.5 x 5.5 inches, 77.5 x 34 x 14 cm.

Painting of Peaches by the Last Korean Princess Yi Bangja, one of Korea's most revered artists and beloved humanitarians. The peach is an ancient longevity symbol in Korea. The fruit of the mythical Heavenly Peach tree ripens only once every three thousand years and is eaten by the immortals when they gather for their feast at Yao Lake at the the abode of Seowangmo, the Queen Mother of the West. You now have the rare opportunity to own a beautiful work of art and an important piece of Korean history created by the last member of the royal household to reside in Korea's royal palace. Princess Yi Bangja devoted her entire life to the education of mentally and physically handicapped people, and worked tirelessly to support them. She is the subject of television and stage dramas, operas, movies, and books, including her autobiography, "The World is One." Frame: 27.5 x 20.5 inches, 70 x 52 cm. Painting: 21 x 14 inches, 53.5 x 35.5 cm. The frame of this painting matches exactly the frame of the painting of camellias here by Yi Bangja (Stock #1575). That and their complementary meanings make the two paintings a perfect pair.

Painting of Camellias by the Last Korean Princess Yi Bangja, one of Korea's most revered artists and beloved humanitarians. The camellia is a symbol of faithfulness and, according to tradition, they have been used in Korean weddings since 1200 BC. The large rock in the painting is a longevity symbol. When the camellia is depicted with the rock the combination gives the ancient symbolic meaning of eternal adherence to principle and is a poetic representation of undying faithfulness. You now have the rare opportunity to own a beautiful work of art and an important piece of Korean history created by the last member of the royal household to reside in Korea's royal palace. Princess Yi Bangja devoted her entire life to the education of mentally and physically handicapped people, and worked tirelessly to support them. She is the subject of television and stage dramas, operas, movies, and books, including her autobiography, "The World is One." Frame: 25.5 x 23 inches, 62 x 58.5 cm. Painting: 18.5 x 16 inches, 47 x 40.5 cm. The frame of this painting matches exactly the frame of the painting of peaches here by Yi Bangja (Stock #1576). That and their complementary meanings make the two paintings a perfect pair.

Rare Calligraphy by the Last Korean Princess Yi Bangja. Here she renders in thick, vibrant brushstrokes the characters Ik and Su, which combine to give the meaning of "Peace of Mind means Long Life." Known for her painting and ceramics, this is a rare work of calligraphy created by one of Korea's most revered artists and beloved humanitarians. You now have the rare opportunity to own a beautiful work of art and an important piece of Korean history created by the last member of the royal household to reside in Korea's royal palace. Princess Yi Bangja devoted her entire life to the education of mentally and physically handicapped people, and worked tirelessly to support them. She is the subject of television and stage dramas, operas, movies, and books, including her autobiography, "The World is One." Frame: 25.75 x 16 inches, 65.5 x 40.5 cm. Calligraphy: 18 x 10 inches, 46 x 25.5 cm.

Rare Calligraphy by the Last Korean Princess Yi Bangja. Here she renders in dreamy, languorous strokes the character Han, which means Unhurried, or Relaxed. Known for her painting and ceramics, this is a rare work of calligraphy created by one of Korea's most revered artists and beloved humanitarians. You now have the rare opportunity to own a beautiful work of art and an important piece of Korean history created by the last member of the royal household to reside in Korea's royal palace. Princess Yi Bangja devoted her entire life to the education of mentally and physically handicapped people, and worked tirelessly to support them. She is the subject of television and stage dramas, operas, movies, and books, including her autobiography, "The World is One." Frame: 16.5 x 15.5 inches, 42 x 39.5 cm. Calligraphy: 10.5 x 9.5 inches, 26.5 x 24 cm.

Refined Inlaid Celadon Tea Bowl by the Last Korean Princess, Yi Bangja (1901 - 1989), with the original signed box. The glaze has the same prized celadon color and precise inlaid technique as that achieved by 12th century Korean potters. A Chinese philosopher of that period described Korean celadons as "The first under Heaven." The interior of the bowl features cranes flying in clouds (both longevity symbols) around a chrysanthemum in full bloom. The chysanthemum with its many petals is a symbol of abundant good fortune. Lovely chrysanthemums inlaid in black and white slip adorn the exterior of the bowl, as well. Diameter: 5.25 inches, 13.5 cm. Height: 2.5 inches, 6.5 cm. Part of a special and stunning collection we have acquired of ceramics created by one of Korea's most revered artists and beloved humanitarians. You now have the rare opportunity to own a beautiful work of art and an important piece of Korean history created by the last member of the royal household to reside in Korea's royal palace. Princess Yi Bangja devoted her entire life to the education of mentally and physically handicapped people, and worked tirelessly to support them. She is the subject of television and stage dramas, operas, movies, and books, including her autobiography, "The World is One."

Exquisite Hagi Tea Bowl by the Last Korean Princess, Yi Bangja (1901 - 1989), with the original signed box. The glaze is the same prized biwa color and earthy texture as that achieved by 16th-17th century Korean Hagi potters living in Japan. The foot features the shrunken glaze that was used in those days. Diameter: 5.5 inches, 14 cm. Height: 3 inches, 7.5 cm. Part of a special and stunning collection we have acquired of ceramics created by one of Korea's most revered artists and beloved humanitarians. You now have the rare opportunity to own a beautiful work of art and an important piece of Korean history created by the last member of the royal household to reside in Korea's royal palace. Princess Yi Bangja devoted her entire life to the education of mentally and physically handicapped people, and worked tirelessly to support them. She is the subject of television and stage dramas, operas, movies, and books, including her autobiography, "The World is One."

Heartwarming Hagi Tea Bowl by the Last Korean Princess, Yi Bangja (1901 - 1989), with the original signed box. This bowl is a spectacular achievement in ceramic artistry and technique. The glaze is a pale biwa color that was highly prized by 16th-17th century Korean Hagi potters living in Japan. The foot features the shrunken glaze that was used in those days. Diameter: 5.5 inches, 14 cm. Height: 3 inches, 7.5 cm. Part of a special and stunning collection we have acquired of ceramics created by one of Korea's most revered artists and beloved humanitarians. You now have the rare opportunity to own a beautiful work of art and an important piece of Korean history created by the last member of the royal household to reside in Korea's royal palace. Princess Yi Bangja devoted her entire life to the education of mentally and physically handicapped people, and worked tirelessly to support them. She is the subject of television and stage dramas, operas, movies, and books, including her autobiography, "The World is One."

Pair of Hagi Tea Cups with Stylized Orchid Motifs by the Last Korean Princess, Yi Bangja (1901 - 1989), with a wonderful drip glaze. Includes the original signed box. Orchids are an ancient Korean symbol of purity, modesty, and virtue. Height: 3 inches, 7.5 cm. Width: 3 inches, 7.5 cm. Part of a special and stunning collection we have acquired of ceramics created by one of Korea's most revered artists and beloved humanitarians. You now have the rare opportunity to own a beautiful work of art and an important piece of Korean history created by the last member of the royal household to reside in Korea's royal palace. Princess Yi Bangja devoted her entire life to the education of mentally and physically handicapped people, and worked tirelessly to support them. She is the subject of television and stage dramas, operas, movies, and books, including her autobiography, "The World is One."

Bold Buncheong Tea Bowl by the Last Korean Princess, Yi Bangja (1901 - 1989), with the original signed box. The white slip is applied in powerful brushstrokes in the style of Joseon Dynasty potters. The chrysanthemums have their ancient symbolism for prosperity multiplied with the many flowers painted on the bottom of the bowl. Diameter: 5.5 inches, 14 cm. Height: 2.5 inches, 6 cm. Part of a special and stunning collection we have acquired of ceramics created by one of Korea's most revered artists and beloved humanitarians. You now have the rare opportunity to own a beautiful work of art and an important piece of Korean history created by the last member of the royal household to reside in Korea's royal palace. Princess Yi Bangja devoted her entire life to the education of mentally and physically handicapped people, and worked tirelessly to support them. She is the subject of television and stage dramas, operas, movies, and books, including her autobiography, "The World is One."

Masterpiece Ink Painting by Renowned Pioneering Korean Artist Don Ahn aka Ahn Dong Kuk (1937-2013). Painted in 1978. Ink on paper. Frame: 37 x 30 inches, 94 x 76 cm. Painting: 32.5 x 26 inches, 82.5 x 66 cm. We encourage you to research Don Ahn's sales record and market prices on sites such as Artsy, so you can appreciate what a great opportunity this is to purchase an original work of art by the master at a price well below the actual value. Don Ahn was a pioneer of Korean art in America. In the 1950s he was the first to move permanently to the US and receive recognition here, beginning with the 1952 exhibition of his work at the Kilbride Bradley Gallery in Minneapolis, the very first exhibition of Korean contemporary art in America. His work is in the permanent collection of the Museum of Modern Art in New York, and other major museums. There was recently an exhibition of Don Ahn's work at the Walter Wickiser Gallery in New York's Chelsea art district. See also preeminent art critic Holland Cotter's review of Don Ahn's work in the April 4, 1997 New York Times article, Of Asians Among the Abstractionists, where he describes Don's paintings as "Exuberant" and "Inspired by Zen brushwork".

Rare Diptych Painting by the First Korean American Artist Don Ahn aka Ahn Dong Kuk (1937-2013). Acrylic on paper. Painted in 2006. Frame: 32 x 23 inches, 81 x 58.5 cm. We encourage you to research Don Ahn's sales record and market prices on sites such as Artsy, so you can appreciate what a great opportunity this is to purchase an original work of art by the master at a price well below the actual value. Don Ahn was a pioneer of Korean art in America. In the 1950s he was the first to move permanently to the US and receive recognition here, beginning with the 1952 exhibition of his work at the Kilbride Bradley Gallery in Minneapolis, the very first exhibition of Korean contemporary art in America. His work is in the permanent collection of the Museum of Modern Art in New York, and other major museums. There was recently an exhibition of Don Ahn's work at the Walter Wickiser Gallery in New York's Chelsea art district. See also preeminent art critic Holland Cotter's review of Don Ahn's work in the April 4, 1997 New York Times article, Of Asians Among the Abstractionists, where he describes Don's paintings as "Exuberant" and "Inspired by Zen brushwork".

Rare Quadriptych Painting by the First Korean American Artist Don Ahn aka Ahn Dong Kuk (1937-2013). Acrylic on paper. Painted in 2006. Frame: 24 x 15 inches, 61 x 38 cm. We encourage you to research Don Ahn's sales record and market prices on sites such as Artsy, so you can appreciate what a great opportunity this is to purchase an original work of art by the master at a price well below the actual value. Don Ahn was a pioneer of Korean art in America. In the 1950s he was the first to move permanently to the US and receive recognition here, beginning with the 1952 exhibition of his work at the Kilbride Bradley Gallery in Minneapolis, the very first exhibition of Korean contemporary art in America. His work is in the permanent collection of the Museum of Modern Art in New York, and other major museums. There was recently an exhibition of Don Ahn's work at the Walter Wickiser Gallery in New York's Chelsea art district. See also preeminent art critic Holland Cotter's review of Don Ahn's work in the April 4, 1997 New York Times article, Of Asians Among the Abstractionists, where he describes Don's paintings as "Exuberant" and "Inspired by Zen brushwork".

Landscape with Tree Painting by Renowned Korean Artist Don Ahn aka Ahn Dong Kuk (1937-2013). Acrylic on paper. Painted in 1994. Frame: 25.5 x 15 inches, 65 x 38 cm. Painting: 20 x 10 inches, 51 x 25.5 cm. We encourage you to research Don Ahn's sales record and market prices on sites such as Artsy, so you can appreciate what a great opportunity this is to purchase an original work of art by the master at a price well below the actual value. Don Ahn was a pioneer of Korean art in America. In the 1950s he was the first to move permanently to the US and receive recognition here, beginning with the 1952 exhibition of his work at the Kilbride Bradley Gallery in Minneapolis, the very first exhibition of Korean contemporary art in America. His work is in the permanent collection of the Museum of Modern Art in New York, and other major museums. There was recently an exhibition of Don Ahn's work at the Walter Wickiser Gallery in New York's Chelsea art district. See also preeminent art critic Holland Cotter's review of Don Ahn's work in the April 4, 1997 New York Times article, Of Asians Among the Abstractionists, where he describes Don's paintings as "Exuberant" and "Inspired by Zen brushwork".

Landscape with Tree Painting by Renowned Korean Artist Don Ahn aka Ahn Dong Kuk (1937-2013). Acrylic on paper. Painted in 1998. Frame: 33 x 14 inches, 84 x 35.5 cm. Painting: 29.5 x 10.5 inches, 75 x 27 cm. We encourage you to research Don Ahn's sales record and market prices on sites such as Artsy, so you can appreciate what a great opportunity this is to purchase an original work of art by the master at a price well below the actual value. Don Ahn was a pioneer of Korean art in America. In the 1950s he was the first to move permanently to the US and receive recognition here, beginning with the 1952 exhibition of his work at the Kilbride Bradley Gallery in Minneapolis, the very first exhibition of Korean contemporary art in America. His work is in the permanent collection of the Museum of Modern Art in New York, and other major museums. There was recently an exhibition of Don Ahn's work at the Walter Wickiser Gallery in New York's Chelsea art district. See also preeminent art critic Holland Cotter's review of Don Ahn's work in the April 4, 1997 New York Times article, Of Asians Among the Abstractionists, where he describes Don's paintings as "Exuberant" and "Inspired by Zen brushwork".

Twisting Dragon painted in 2002 by Renowned Korean Artist Don Ahn aka Ahn Dong Kuk (1937-2013). Acrylic on paper. Frame: 29 x 15.5 inches, 74 x 39 cm. Painting: 25.5 x 12.5 inches, 65 x 32 cm. We encourage you to research Don Ahn's sales record and market prices on sites such as Artsy, so you can appreciate what a great opportunity this is to purchase an original work of art by the master at a price well below the actual market value. Don Ahn was a pioneer of Korean art in America. In the 1950s he was the first to move permanently to the US and receive recognition here, beginning with the 1952 exhibition of his work at the Kilbride Bradley Gallery in Minneapolis, the very first exhibition of Korean contemporary art in America. His work is in the permanent collection of the Museum of Modern Art in New York, and other major museums. There was recently an exhibition of Don Ahn's work at the Walter Wickiser Gallery in New York's Chelsea art district. See also preeminent art critic Holland Cotter's review of Don Ahn's work in the April 4, 1997 New York Times article, Of Asians Among the Abstractionists, where he describes Don's paintings as "Exuberant" and "Inspired by Zen brushwork".

2005 Painting by Renowned Korean Artist Don Ahn aka Ahn Dong Kuk (1937-2013). Acrylic on paper. Frame: 26 x 22 inches, 66 x 56 cm. Painting: 22.5 x 18.5 inches, 57 x 47 cm. We encourage you to research Don Ahn's sales record and market prices on sites such as Artsy, so you can appreciate what a great opportunity this is to purchase an original work of art by the master at a price well below the actual value. Don Ahn was a pioneer of Korean art in America. In the 1950s he was the first to move permanently to the US and receive recognition here, beginning with the 1952 exhibition of his work at the Kilbride Bradley Gallery in Minneapolis, the very first exhibition of Korean contemporary art in America. His work is in the permanent collection of the Museum of Modern Art in New York, and other major museums. There was recently an exhibition of Don Ahn's work at the Walter Wickiser Gallery in New York's Chelsea art district. See also preeminent art critic Holland Cotter's review of Don Ahn's work in the April 4, 1997 New York Times article, Of Asians Among the Abstractionists, where he describes Don's paintings as "Exuberant" and "Inspired by Zen brushwork".

Rare Early Ink Painting by Renowned Korean Artist Don Ahn aka Ahn Dong Kuk (1937-2013) painted in 1963. Ink on paper. Frame: 53 x 31.5 inches, 135 x 80 cm. Painting: 48.5 x 27 inches, 123 x 69 cm. We encourage you to research Don Ahn's sales record and market prices on sites such as Artsy, so you can appreciate what a great opportunity this is to purchase an original work of art by the master at a price well below the actual value. Don Ahn was a pioneer of Korean art in America. In the 1950s he was the first to move permanently to the US and receive recognition here, beginning with the 1952 exhibition of his work at the Kilbride Bradley Gallery in Minneapolis, the very first exhibition of Korean contemporary art in America. His work is in the permanent collection of the Museum of Modern Art in New York, and other major museums. There was recently an exhibition of Don Ahn's work at the Walter Wickiser Gallery in New York's Chelsea art district. See also preeminent art critic Holland Cotter's review of Don Ahn's work in the April 4, 1997 New York Times article, Of Asians Among the Abstractionists, where he describes Don's paintings as "Exuberant" and "Inspired by Zen brushwork".