All Items : Antiques : Regional Art : Asian : Korean : Furniture : Pre 1900 item #585356 (stock #0077)
Joseon Dynasty Ton-kwe (Korean Coin Chest). Coin chests are highly prized by collectors, as their purpose required that they be the largest, heaviest, and most well constructed piece of furniture in the home of an aristocrat. Paper money did not exist in Yi Dynasty Korea, and the coins were of very small denominations. They had to be strung together in large quantities to have any worth, so a strong money box was obviously a necessity. This is a very heavy and likely the most impressive authentic antique Korean coin chest you will ever see for sale. This massive and handsome coin chest must have belonged to a very wealthy family. 19.5 x 56 x 29 inches, 49.5 x 142 x 74 cm.
Yoon Kwang Cho had an acclaimed solo exhibition that started at the Philadelphia Museum and traveled to other major museums in America. He is widely recognized as the world's foremost practitioner of Korean Buncheong Art. This is an exemplary piece by one of Korea's most famous, most exhibited, and most collected ceramic artists. His work is in the permanent collections of many major museums around the world. He was selected by Korea's National Museum of Contemporary Art as Artist of The Year in 2004. 8.5 inches (21.5cm)h x 4.5 inches (11cm)w x 3.5 inches (9cm)d.
All Items : Antiques : Regional Art : Asian : Korean : Sculpture : Pre 1900 item #651901 (stock #0114)
Rare Antique Korean Funerary Figure (Kkokdu) with much of its original pigment still intact. From a renowned and published New York collection. One of the finer examples we have seen. 11.5 inches, 29.5 cm.
All Items : Antiques : Regional Art : Asian : Korean : Ceramics : Pre AD 1000 item #653565 (stock #R157)
5th Century Korean Silla Kingdom Jar in a striking form on a classic cut out foot. It has a wonderful patina. A similar example is in the permanent collection at Cornell University. A great piece with an impeccable provenance. 9.5 inches (24cm) height, 27 inches (68.5cm) circumference.
also spelled Pahk Young Sook, Young Sook Park, Young Sook Pahk, Youngsook Park, Youngsook Pahk, Park Young-Sook, Pahk Young-Sook, Young-Sook Park, Young-Sook Pahk
Lee Heyung Bok has been featured on the covers of Korean art publications Ceramic Art Monthly and Craft & Art Review.
Kang Jong Sook Korean Contemporary Ceramic Sculpture
Kang Jong Sook Korean Contemporary Ceramic Sculpture
Lim Moo Keun Korean Contemporary Ceramic Sculpture
Ahn Jong Kyun Korean Contemporary Porcelain Vase
Seo Kuk Jin Korean Contemporary Marbleware Bottle
Korean Contemporary Marbleware Bottle by Seo Kuk Jin
Large Buncheong Vase by Yoon Ja Eui 20h x 13w 13.5d inches, 50h x 33w x 34d cm.
All Items : Antiques : Regional Art : Asian : Korean : Textiles : Pre 1920 item #801498 (stock #0158)
Lovely Framed Bojagi Korean Patchwork Wrapping Cloth (Chogakbo). Since they are made from scraps of cloth, no two bojagi are alike. The versatile bojagi could be used for wrapping objects, covering them, or carrying them. A fine and framed example of a uniquely Korean folk art object. Frame: 25 x 24 inches (63.5 x 61 cm), Bojagi: 18.5 x 17.5 inches (47 x 44.5 cm).
All Items : Antiques : Regional Art : Asian : Korean : Furniture : Pre 1900 item #805592 (stock #0234)
This fine, gorgeous Duiju (Korean Rice Chest), with its stunning, large zelkova front panel and frame of thick, sturdy pine to hold the weight of the rice, is a twin in size, quality, and construction of the Duiju in Korea's Onyang Museum (cf. Korean Furniture and Culture, page 60). 35w x 34.5h x 23d inches, 89w x 88h x 59d cm.
All Items : Antiques : Regional Art : Asian : Korean : Furniture : Pre 1900 item #805720 (stock #0237)
This gorgeous Ichung-nong (Korean Two Unit Stacked Chest) is a rare early piece (mid 19th Century) that has aged to a warm rich hue that is nothing short of a heartwarming and rare treasure to behold. It is a beautiful effect that could never be even closely duplicated with new wood. The finishing process involved singing the wood with a hot iron to both darken it and draw out the resin, and then using straw to rub pinesoot into the grain to further darken it and simultaneously seal the pores and prevent drying, and finishing it with a light pineseed oil finish. A further air of mystery and dignity is given by the very long aging process itself. It is constructed of pine and a rare strain of paulownia with maple door and drawer panels, a rare and luxurious touch on a Korean chest, evidence that this piece was owned by a wealthy family. Furthermore, 'nong' chests were owned by upper-class families who would have observed the distinction between 'nong', which were intended for long-term storage, and the 'chang' type of chests which were for short-term storage. Much of the ironwork is in the shape of stylized floral motifs. The drawers are adorned with lovely Heavenly Peach drawer pulls of iron. The fruit of the mythical Heavenly Peach tree ripens only once every three thousand years and is eaten by the immortals when they gather for their feast at Yao Lake at the the abode of Sohwangmo, the Queen Mother of the West. A further nice historical and cultural touch on an already wonderful, one-of-a-kind piece. 54h x 35w x 14d inches, 137h x 89w x 35.5d cm.
16h x 14w inches, 40.5 x 30.5 cm. Lee Heyung Bok has been featured on the covers of Korean art publications Ceramic Art Monthly and Craft & Art Review.
15 x 15 inches, 38 x 38 cm. Lee Heyung Bok has been featured on the covers of Korean art publications Ceramic Art Monthly and Craft & Art Review.