Catalog: Antiques: Regional Art (158)

Geese and Reeds Painting (Noando) mounted on luxurious gold silk by Yang Ki Hun aka Seokyeon (1843-1897) from Pyeongyang, signed Seokyeon. Yang Ki Hun's signature 'boneless' style (painting without outlines, using ink washes) beautifully captures light and shade. The literal meaning of 'noando' is reed and geese painting, but it is a play on words, as 'no' means both reed and old, and 'an' means both geese and comfort ('do' means painting). So 'noan' can mean 'reed and geese' or 'old comfort', and so a painting of geese and reeds symbolized a wish for a comfortable and peaceful old age. This particular painting has further meaning because it depicts two pair of geese. Geese were believed to mate for life, so this painting symbolizes eternal love, and the wish for a couple to grow old together in peace and comfort. Yang Ki Hun was a member of the Royal Academy of Painting in the 19th Century. He made a living by painting for the king and his court, and also by selling his paintings in Pyeongyang. Here are two great quotes from Yang Ki Hun's contemporary, the painter and calligrapher Chi Un Yeong (aka Paekryeon): "Yang Ki Hun's paintings stir up my jealousy because they seem completely freed from all ideas and restraints". And after Seokyeon (Yang Ki Hun) passed away, Chi Un Yeong wrote, "Seokyeon told me that when he stayed on Neungna Island for a few years some time ago, he often saw geese fly in and land on a reed field, so he was able to paint them in a realistic way. His words still linger vividly in my ears. I remember playing with him thirty years ago in the Taedong River, and it seems so far away and dream-like." Ink on paper. Silk Mounting: 67 x 16.5 inches, 170 x 42 cm; Painting: 48.75 x 12 inches, 124 x 30.5 cm. The third photo here shows the market price for Yang Ki Hun paintings, much more than the attractive price at which I am offering this painting.

Rare and Beautifully Embroidered Joseon Dynasty Korean Scholar's Rank Badge (Fusu) adorned with metallic thread throughout giving it a luxurious sheen. After 19 years in business, we have finally acquired a rare Korean rank badge (fusu) for the first time. This one belonged to a scholar aristocrat, as indicated by the cranes. It is rendered in a unique and lovely golden palette and is wonderfully designed with clouds (symbol of longevity), peonies (symbol of wealth or abundance), and rows of wan symbols (the wheel of life and symbol of universal peace and harmony). The wan is a symbol so ancient it actually predates Buddhism and originally represented the revolving sun. In Buddhism it represents the Heart of the Buddha, happiness, and resignation of spirit. 17.5 x 10.5 inches, 44.5 x 27 cm.

This is a truly one-of-a-kind masterpiece of exquisite beauty that rewards long and repeated viewing. We have never seen a silver Joseon Dynasty lady's dagger (eunjangdo) with engraving entirely in a floral motif like this. The details are stunningly rendered along every millimeter of this fine work of art. The beauty goes beyond the luxurious surface with a deeply thoughtful design that incorporates symbolism with an ancient history. It is engraved with akebia mountain root (symbol of good health), lotus blossom (symbol of rebirth, because the lotus rises above the muck of the pond to show its face to the Sun), azalea (symbol of beauty and the "city flower" chosen by many of Korea's cities), peony (symbol of abundance because of its copious petals), banana leaf (the huge leaves are considered auspicious), plum blossoms (symbol of courage because they bloom before winter is not quite finished), and Korea's mugunghhwa national flower, the rose of sharon. Orchids are an ancient Korean symbol of purity, modesty, and virtue. The rock symbolizes eternity, so the combination of orchids and rock have the meaning of eternal adherence to principle. The dragonfly here is a symbol of purity. The small band in the middle has a key fret thunder pattern. Eunjangdo were worn by women of rank as a chest pendant and a symbol of their social standing. This dagger also served as a tool to save women from personal humiliation or peril, not by attacking an assailant but by killing themselves, under the Confucian moral obligation of medieval Korea 'to remain faithful to one spouse'. The silver chopsticks were used to determine the safety of food, as they would turn color if poison was present. 6 inches, 15 cm.

Confirmed by the experts at Sotheby's in Hong Kong to be the only surviving painting by 13th Century Chinese Southern Song Artist Chen Jue 陳珏(款). Signature and two seals. Ink and colors on silk, framed. 19.5 x 12.75 inches, 49.5 x 32.5 cm.

Only Pair of Korean Enlightened Saints (Nahan) Paintings Ever Offered for Sale. Set in beautiful landscapes, the Nahan on the right has subdued a demon who is supplicating before him. 18th Century. Colors on paper. 30 x 13.5 inches, 76 x 34 cm each.

Rare 5th Century Korean Gaya Water Jar of Classic Form, Color, and Design. The decoration is incised into the clay between the carved bands before firing. Gaya was a confederation of small states independent from and influential on the the Silla Kingdom and its pottery, until Silla annexed Gaya in the 6th Century. The long neck keeps water from sloshing out while the jar is being carried. Height: 10 inches, 25.5 cm.

Fine, Rare Eight-Panel Painting by Revered Korean Artist Kim Eung Won aka Soho (1855-1921). Orchids are an ancient Korean symbol of purity, modesty, and virtue. The rock symbolizes eternity, so the combination of orchids and rock have the meaning of eternal adherence to principle. The orchid grows in remote places, but its fragrance spreads over the land, just as the scholar often works in isolation, but through their scholarly and ethical works their influence is felt throughout the land. Talented painters of orchids were and still are held in the highest regard. Though Daewongun (Prince Yi Ha Eung) is often cited as the greatest painter of orchids, most scholars now agree it was Kim Eung Won who was creating many of the paintings for which Prince Daewongun took credit and which Daewongun signed. Daewongun was, of course, a great painter of orchids, but most agree now that Kim Eung Won may deserve the title of greatest. His paintings sell for a fraction of the price of Daewongun's paintings, at least for now. That can be expected to change as the general public catches up with the scholarship on the subject. The last photo here is of the only other Kim Eung Won screen offered for sale. The "sale" price is more than double the price we are asking here. This is the only Kim Eung Won eight-panel painting we have ever offered in our 18 years in business. It is unlikely we will ever find another. Ink on paper. 54 x 14 inches, 137.5 x 35.5 cm unmounted. (A much smaller and single Daewongun painting sold at Christie's for $12,500 on March 18, 2014).

Rare and Grand Joseon Dynasty 19th Century Eight-Panel Chaekgeori Still-Life Screen painting on All-Original Mounting. Chaekgeori literally translates to "books and things," and the things are scholar's accoutrements. It is rare to find such an old and important screen on its original silk and wood mounting. They are usually remounted. In fact, the only other 19th century examples you will ever see are all in museums. So this is a once-in-a-lifetime acquisition opportunity for a serious connoisseur of fine art and Korean culture. This genre of painting is uniquely Korean and was created by King Jeongjo in 1791. The shelves of the painting are adorned with books and objects collected from other countries, illuminating the ideas of the erudite and cosmopolitan scholar. The spatial illusion of reverse perspective used in early examples of chaekgeori is masterfully rendered here. This screen inspired the pursuit of knowledge and reverence for cultural values in the many ritual ceremonies it was used in over the decades. 141 x 60 inches, 358 x 152 cm.

This exemplary work of 19th Century Korean folk art is sculpted in and painted on wood and metal and features the two most revered mythical creatures in Korea: The Yellow Dragon and The Blue Dragon. This creative composition has a patron couple who seem to have the dragons' tails coming out of them. The Dragon brings rain, blessings, and life. The Yellow Dragon writhes dynamically and shows its face at the top of this piece, while The Blue Dragon offers a foundation to the composition and makes its presence known with a single all-seeing eye protruding through the bottom. In ancient Korean cosmology, The Yellow Dragon rules from the center of the sky. Korean emperors chose from ancient times the symbol of The Yellow Dragon to represent the royal family. The Blue Dragon is the color of the sky and the sea and symbolizes the power of both. Farmers prayed to the Dragon for rain and fishermen prayed to him for a good catch, while fishermen's wives asked the Dragon to bring their husbands home safely. The Yellow Dragon and The Blue Dragon have been paired for millennia, with a wonderful example on the 7th century tomb of King Muyeol (reign 654-661). This tradition was continued by the 19th century owner of this sublime example with a string in the back for hanging and displaying in order to repel evil spirits while bringing blessings to the home. 20.25 x 14.25 inches, 51.5 x 36 cm.

Orchids and Rocks Painting by Kim Eung Won aka Soho (1855-1921). Orchids are an ancient Korean symbol of purity, modesty, and virtue. The rock symbolizes eternity, so the combination of orchids and rock have the meaning of eternal adherence to principle. The orchid grows in remote places, but its fragrance spreads over the land, just as the scholar often works in isolation, but through their scholarly and ethical works their influence is felt throughout the land. Talented painters of orchids were and still are held in the highest regard. Though Daewongun (Prince Yi Ha Eung) is often cited as the greatest painter of orchids, most scholars now agree it was Kim Eung Won who was creating many of the paintings for which Prince Daewongun took credit and which Daewongun signed. Daewongun was, of course, a great painter of orchids, but most agree now that Kim Eung Won may deserve the title of greatest. His paintings sell for a fraction of the price of Daewongun's paintings, at least for now. That can be expected to change as the general public catches up with the scholarship on the subject. The second photo here is from a sale at another gallery where the prices on much smaller and simpler paintings by Kim Eung Won are double the price we are asking here for this larger and finer painting. Ink on paper. 54 x 14 inches, 137.5 x 35.5 cm unmounted. (A much smaller Daewongun painting sold at Christie's for $12,500 on March 18, 2014).

Large (Six Feet Tall) and Powerful Joseon Dynasty Dragon Painting mounted on Gold Silk. Unlike the stereotyped dragon paintings we see in other countries, each Korean dragon painting has a unique personality. This large and regal example is a dynamic rendering of Korea's dragon god who brings both rain and good fortune. His face is full of life and his body writhes with energy as he flies through clouds cleverly and beautifully rendered in the shape of waves of the sea (because he brings rain). Rain gives life and growth to all living things, so the dragon is a symbol of creation, growth, and fertility. Therefore, the dragon god was the most important deity in the old agrarian Korean society. When Koreans prayed to the mighty dragon for rain and blessings, they were hoping for a dragon as powerful as this one to answer their prayers. Ink and colors on paper and mounted on silk. Mounting: 70 x 26 inches, 178 x 66 cm; Painting: 52 x 21 inches, 132 x 53.5 cm.

This pair of painted portraits depicts the newlywed Justice Minister Choi Seok-min (1858-1915) and his wife. The level of photo-like realism in these paintings is astounding. 19th Century portraits of women are exceedingly scarce. This is the only example we have ever seen offered for sale. The documentation pictured here is included with this pair of portraits. Each painting is 49 x 18 inches, 124.5 x 45.5 cm.

A Rare Tour-de-Force Masterpiece Ten-Panel Painting by the Renowned 19th Century Korean Royal Court Artist Yang Ki Hun aka Sukyeon (1843-1898). This is the first Yang Ki Hun screen painting offered for sale outside of Korea in many years, and it is arguably the best of them. We have here the most renowned of the 19th Century Korean royal court painters demonstrating his mastery and artistry in all of the most revered scholar's motifs. The few other screens of his we have seen in the market over the years were limited to one motif for the entire screen. Each of the ten paintings in this screen is a different motif, but the master brings unity to the entire composition as well with a consistent visual flow that naturally leads the eye from one masterpiece painting to the next. These paintings are unmounted and ready to be framed or mounted onto a screen or rolled up, stored and conserved for their artistic, historical, and cultural value. Each painting is 48.5 x 11.5 inches (123.5 x 29 cm). Ink on paper. The fourth photo here shows the market price for individual Yang Ki Hun paintings and should give you an idea of how very attractive the price is on this set of ten paintings.

We have been trying since we opened 18 years ago to acquire a Kim Gyu Jin painting, but they are all either stored in museums or firmly entrenched in private collections. His works are in the collections of the world's biggest museums, including the Metropolitan Museum and the British Museum. There is just one other one on the market, as shown in the last photo here. It is also an orchids painting and it is being offered by a retiring gallery owner for a price reduced from $9000.00 to a "sale" price of $6500.00. So it is with great pride that we offer for the first time a painting by Korean Joseon Dynasty Royal Court artist Kim Gyu Jin. This painting is a fine example of the range of Kim Gyu Jin's brushwork, from dynamic sweeping strokes to quietly rendered details. Kim Gyu Jin aka Haegang (1868-1933) had a tremendous influence on Korean art through his paintings, the art organization he founded (Seohwa Hyeophoe Calligraphy and Painting Association), and his textbooks that became canon in art studies. He taught painting and calligraphy to King Gojong and to the crown prince and he was commissioned by King Sukjong to paint the murals at Changdok Palace. Orchids are an ancient Korean symbol of purity, modesty, and virtue. The rock symbolizes eternity, so the combination of orchids and rock have the meaning of eternal adherence to principle. The orchid grows in remote places, but its fragrance spreads over the land, just as the scholar often works in isolation, but through their scholarly and ethical works their influence is felt throughout the land. Talented painters of orchids were and still are held in the highest regard, and Kim Gyu Jin is unanimously regarded as one of the best. Ink on paper. Scroll Mounting: 79 x 20.5 inches (201 x 52 cm), 54 x 13.5 inches (137 x 34 cm).

Rare and Fine Painting on Silk of Dokseong, The Hermit Saint, from the renowned Charles J. Chu Collection. Sold on June 25, 2010 in Skinner's Asian Works of Art auction (Sale 2512, Lot 445). We sold the last Dokseong painting we had to the Art Institute of Chicago. This is a rare opportunity to acquire a beautiful and important painting with an impeccable provenance. Dokseong is portrayed here in a heavenly landscape filled with ancient symbolism, as he sits under the pine tree (symbol of longevity) with a stack of books, beside peonies (symbol of wealth, in this case, a wealth of knowledge and natural beauty), in front of waterfalls and a river (symbols of eternal life), atop a rocky plateau with freshly blooming orchids (orchids are an ancient Korean symbol of purity, modesty, and virtue; rocks symbolizes eternity; so the combination of orchids and rocks have the meaning of eternal adherence to principle). His robe is adorned with clouds (symbol of longevity) and chrysanthemums (symbol of abundance). The chrysanthemums are echoed in the bookshelves. The melons and pomegranates atop the books are fruits with many seeds, so they symbolize plenty. In this case, they represent nature's abundance. Frame: 42 x 33 inches (107 x 84 cm), Painting: 36.5 x 27.25 inches (93 x 69 cm).

Rare Red Lacquered Inkstone Box of Drawers adorned with ancient symbolism: bullocho (mythical longevity plant) lock plates, bat (symbol of happiness) drawer pulls, and swallowtail (symbol of beauty) braces. The inkstone box was a Korean scholar's most treasured item. He handled it every day, when he would take out the contents to write and paint. The lid opens to reveal the compartment for the inkstone. The drawers hold the brush, ink, and paper. Together these, with the inkstone, are the "scholar's four friends." An inkstone box in royal red lacquer is exceedingly scarce. 11.5 D x 9.75 H x 8.25 W.

The Only Antique Korean Quiver and Arrows Set Ever Offered for Sale. Metal quiver and wood arrows with pointed metal tips. This type of lid locking mechanism appears only on Korean quivers. Quiver length: 29 inches (74 cm).

This seven feet tall Antique Korean Trident is the only Joseon Dynasty Trident ever offered for sale. The few existing examples are all in museums in Korea. Only Korea has this type of trident with the small round iron cymbals under the fork for scaring off tigers and other wild animals. The shape of the fork is also uniquely Korean. The Chinese trident has much rounder corners. 82 inches (208 cm) tall, 8.5 inches (21.5 cm) wide.