Catalog: Antiques: Regional Art: Asian: Korean: Paintings (26)

Rare Antique Korean Spirit Shrine Painting (Kam Mo Yo Je Do). Spirit House Paintings are in the collections of several major museums. This painting would have been placed in a place of reverence in the home, and on the anniversary of an ancestor's death, a slip of paper with the ancestor's name would be placed on the blank space in the open doorway of the shrine in the painting and a ritual would have been performed in front of the painting. Kammo means 'to adore with deep emotion' and Yoje means 'to respectfully address the spirits as if they were at the ceremony', and Do means 'painting'. Ink on paper. Frame: 37.5 x 27 inches, 95 x 68.5 cm; Painting: 31 x 21 inches, 79 x 53.5 cm.

A Fine and Old Painting of Dokseong, Korea's Hermit Saint in a most beautiful landscape. This gorgeous painting has a phenomenal dark patina that could only have developed through years of ritual use and adds greatly to the contemplative beauty and serenity of this very special work of art. Dokseong is pictured in an inspiring remote mountain forest, a Daoist style landscape where he seeks solitude and self-cultivation. His attire is that of a Buddhist monk. He is revered by Buddhists and Shamans. Paintings of Dokseong are the most constant companions of Sansin (Mountain God) paintings in the Sansin-gak Shrine of Buddhist temples in Korea. Some temples even give Dokseong his own shrine, the Dokseong-gak. There is an old inscription at the bottom of the painting. Frame: 34.75 x 26 inches (88 x 66 cm), Painting: 29.75 x 21 inches (75.5 x 53.5 cm).

Rare Old Korean Map with Beautiful Topographic Detail of Korea's many mountain ranges. The list of kings at the bottom ends with Sukjong, whose reign ended in 1720. It also has a list of distances from various places to the capital, and mileage charts of distances between various locations. Map: 42 x 24 inches, 106.5 x 61 cm; Frame: 59 x 30.25 inches, 150 x 77 cm.

Very Rare Goryeo Dynasty Gan Chal Calligraphy by the famous scholar Jeong Yi Oh aka Gyo Eun, born 1347. Frame: 19 x 19 inches, 48.25 x 48.25 cm; Calligraphy: 12 x 12 inches, 30.5 x 30.5 cm.

Calligraphy by the Joseon Dynasty's Last Prime Minister, Lee Wan Yong aka Ildang (1858 - 1926). He was prime minister of Korea in 1906 - 1910. Lee is Korea's most infamous traitor, the "Benedict Arnold of Korea", for signing the Japan-Korea Annexation Treaty in 1910. Connoisseurs begrudgingly acknowledge his great talents as a calligrapher, but the disdain with which he is regarded keeps the demand, and thus the prices of his work very low. Mounted on sky blue silk. Scroll: 74.5 x 17.5 inches, 189 x 44.5 cm; Calligraphy: 51.5 x 12.75 inches, 131 x 32.5 cm.

Very Rare Calligraphy by Kang Se Hwang aka Pyo Am (1713-1791), artist, calligrapher, art scholar and critic, and one of the most important figures and the most influential scholar-painter of 18th Century Korea. Calligraphy by Kang Se Hwang is so rare that the only other example that we know of in America is a very similar work in the Los Angeles County Museum of Art, illustrated on pages 172-173 of the recently published, Pathways to Korean Culture: Paintings of the Joseon Dynasty by Burglind Jungmann. The left and right margins bear the signed and sealed authentication of the most renowned expert on Korean calligraphy, Kim Sun Won aka Mae San, celebrated calligrapher and host of the television show Jin Pum Myung Pum, the Korean equivalent of the Antiques Road Show. Mae San's authentications are highly valued and can be found on pieces in museum collections throughout Korea. 25 x 11 inches, 63.5 x 28 cm.

A fine example of a Joseon Dynasty Korean tiger hunting painting, that makes use of the best quality pigments and finest silk, and is rendered with the highest level of artistry and skill, likely by a painter from the royal court. A similar painting recently sold at auction in Korea for $5500. Unique to Korea, almost all Korean hunting paintings depict hunters in Mongolian costume. In spite of the Mongols' brutal occupation of Korea in the 13th Century, Koreans maintained great admiration for Mongolian hunting and equestrian skills. This painting is one of a pair. The other painting is on this website (Stock #1186). Scroll: 50 x 17 inches (127 x 43 cm); Painting: 27 x 13 inches (68.5 x 33 cm).

Rare and Important Work of Calligraphy by the man designated in every textbook in the East and West as the Pioneering Father of 20th Century Art in Korea, An Jung Sik (also spelled Ahn Jung Sik), 1861-1919 (pen name Simjeon), calligrapher, scholar, royal court painter (he painted the portraits of the last two kings of Korea), and co-founder of KOrea's first modern art school. Paintings by An Jung Sik are by law not allowed to leave Korea, so they are rare in the West. His works of calligraphy are even more rare. So it is with pride that we offer what may be the only An Jung Sik calligraphy ever offered for sale outside of Korea. Calligraphy is regarded as the highest art form throughout East Asia. An Jung Sik studied calligraphy in China and Korea, and helped establish the Seoul Calligraphy and Fine Arts School in 1911, and co-founded, along with O Se Chang, the Association of Painting and Calligraphy Artists in 1918. Kim Eun Ho, Yi Sang Beom, and Jang Seung Eop are just a few of his students who went on to fame as some of Korea's greatest artists. An Jung Sik himself studied under the man widely regarded as one of the most important 19th Century Korean artists, Jang Seung Eop (pen name Owon). This is a large piece at 61 x 22 inches, 155 x 56 cm. An Jung Sik's calligraphy is currently prominently featured in the Los Angeles County Museum of Art's exhibition on Korean calligraphy, Beyond Line: The Art of Korean Writing.

Calligraphy by Korea's Most Famous Calligrapher, O Se Chang aka Wichang (1864 - 1953). Not only is O Se Chang the most renowned calligrapher in Korean history, his books on calligraphy have become the definitive texts on the subject. He is famous for his works in seal script, as in this example here. 53 x 12 inches, 134 x 30 cm, unmounted. O Se Chang's calligraphy is currently prominently featured in the Los Angeles County Museum of Art's exhibition on Korean calligraphy, Beyond Line: The Art of Korean Writing, including his work on loan from the National Museum of Korea.

Fine 19th Century Korean Royal Court Painting of Children at Play. This genre of Korean paintings always displays children playing in imaginary Chinese court costumes, and is called Baekdongja-do in Korean. From the ground-breaking Auspicious Spirits, Korean Folk Paintings exhibition catalogue: "Depicting the children as court nobility expressed an auspicious desire that one's own children achieve success in life." This exceptional example was displayed in the room of a wife in the Korean royal court to inspire her to become pregnant and to have healthy, playful, and successful children. It was also displayed on the first birthday of each child. Ink and colors on silk. 40 x 14.5 inches, 101.5 x 37 cm.

Rare and Fine Painting on Silk of Dokseong, The Hermit Saint, from the renowned Charles J. Chu Collection. Sold on June 25, 2010 in Skinner's Asian Works of Art auction (Sale 2512, Lot 445). We sold the last Dokseong painting we had to the Art Institute of Chicago. This is a rare opportunity to acquire a beautiful and important painting with an impeccable provenance. Dokseong is portrayed here in a heavenly landscape filled with ancient symbolism, as he sits under the pine tree (symbol of longevity) with a stack of books, beside peonies (symbol of wealth, in this case, a wealth of knowledge and natural beauty), in front of waterfalls and a river (symbols of eternal life), atop a rocky plateau with freshly blooming orchids (orchids are an ancient Korean symbol of purity, modesty, and virtue; rocks symbolizes eternity; so the combination of orchids and rocks have the meaning of eternal adherence to principle). His robe is adorned with clouds (symbol of longevity) and chrysanthemums (symbol of abundance). The chrysanthemums are echoed in the bookshelves. The melons and pomegranates atop the books are fruits with many seeds, so they symbolize plenty. In this case, they represent nature's abundance. Frame: 42 x 33 inches (107 x 84 cm), Painting: 36.5 x 27.25 inches (93 x 69 cm).

We have been trying since we opened 18 years ago to acquire a Kim Gyu Jin painting, but they are all either stored in museums or firmly entrenched in private collections. His works are in the collections of the world's biggest museums, including the Metropolitan Museum and the British Museum. There is just one other one on the market, as shown in the last photo here. It is also an orchids painting and it is being offered by a retiring gallery owner for a price reduced from $9000.00 to a "sale" price of $6500.00. So it is with great pride that we offer for the first time a painting by Korean Joseon Dynasty Royal Court artist Kim Gyu Jin. This painting is a fine example of the range of Kim Gyu Jin's brushwork, from dynamic sweeping strokes to quietly rendered details. Kim Gyu Jin aka Haegang (1868-1933) had a tremendous influence on Korean art through his paintings, the art organization he founded (Seohwa Hyeophoe Calligraphy and Painting Association), and his textbooks that became canon in art studies. He taught painting and calligraphy to King Gojong and to the crown prince and he was commissioned by King Sukjong to paint the murals at Changdok Palace. Orchids are an ancient Korean symbol of purity, modesty, and virtue. The rock symbolizes eternity, so the combination of orchids and rock have the meaning of eternal adherence to principle. The orchid grows in remote places, but its fragrance spreads over the land, just as the scholar often works in isolation, but through their scholarly and ethical works their influence is felt throughout the land. Talented painters of orchids were and still are held in the highest regard, and Kim Gyu Jin is unanimously regarded as one of the best. Ink on paper. Scroll Mounting: 79 x 20.5 inches (201 x 52 cm), 54 x 13.5 inches (137 x 34 cm).

A Rare Tour-de-Force Masterpiece Ten-Panel Painting by the Renowned 19th Century Korean Royal Court Artist Yang Ki Hun aka Sukyeon (1843-1898). This is the first Yang Ki Hun screen painting offered for sale outside of Korea in many years, and it is arguably the best of them. We have here the most renowned of the 19th Century Korean royal court painters demonstrating his mastery and artistry in all of the most revered scholar's motifs. The few other screens of his we have seen in the market over the years were limited to one motif for the entire screen. Each of the ten paintings in this screen is a different motif, but the master brings unity to the entire composition as well with a consistent visual flow that naturally leads the eye from one masterpiece painting to the next. These paintings are unmounted and ready to be framed or mounted onto a screen or rolled up, stored and conserved for their artistic, historical, and cultural value. Each painting is 48.5 x 11.5 inches (123.5 x 29 cm). Ink on paper. The fourth photo here shows the market price for individual Yang Ki Hun paintings and should give you an idea of how very attractive the price is on this set of ten paintings.

This pair of painted portraits depicts the newlywed Justice Minister Choi Seok-min (1858-1915) and his wife. The level of photo-like realism in these paintings is astounding. 19th Century portraits of women are exceedingly scarce. This is the only example we have ever seen offered for sale. The documentation pictured here is included with this pair of portraits. Each painting is 49 x 18 inches, 124.5 x 45.5 cm.

Orchids and Rocks Painting by Kim Eung Won aka Soho (1855-1921). Orchids are an ancient Korean symbol of purity, modesty, and virtue. The rock symbolizes eternity, so the combination of orchids and rock have the meaning of eternal adherence to principle. The orchid grows in remote places, but its fragrance spreads over the land, just as the scholar often works in isolation, but through their scholarly and ethical works their influence is felt throughout the land. Talented painters of orchids were and still are held in the highest regard. Though Daewongun (Prince Yi Ha Eung) is often cited as the greatest painter of orchids, most scholars now agree it was Kim Eung Won who was creating many of the paintings for which Prince Daewongun took credit and which Daewongun signed. Daewongun was, of course, a great painter of orchids, but most agree now that Kim Eung Won may deserve the title of greatest. His paintings sell for a fraction of the price of Daewongun's paintings, at least for now. That can be expected to change as the general public catches up with the scholarship on the subject. The second photo here is from a sale at another gallery where the prices on much smaller and simpler paintings by Kim Eung Won are double the price we are asking here for this larger and finer painting. Ink on paper. 54 x 14 inches, 137.5 x 35.5 cm unmounted. (A much smaller Daewongun painting sold at Christie's for $12,500 on March 18, 2014).

Rare and Grand Joseon Dynasty 19th Century Eight-Panel Chaekgeori Still-Life Screen painting on All-Original Mounting. Chaekgeori literally translates to "books and things," and the things are scholar's accoutrements. It is rare to find such an old and important screen on its original silk and wood mounting. They are usually remounted. In fact, the only other 19th century examples you will ever see are all in museums. So this is a once-in-a-lifetime acquisition opportunity for a serious connoisseur of fine art and Korean culture. This genre of painting is uniquely Korean and was created by King Jeongjo in 1791. The shelves of the painting are adorned with books and objects collected from other countries, illuminating the ideas of the erudite and cosmopolitan scholar. The spatial illusion of reverse perspective used in early examples of chaekgeori is masterfully rendered here. This screen inspired the pursuit of knowledge and reverence for cultural values in the many ritual ceremonies it was used in over the decades. 141 x 60 inches, 358 x 152 cm.

Fine, Rare Eight-Panel Painting by Revered Korean Artist Kim Eung Won aka Soho (1855-1921). Similar to the Kim Eung Won screen in the royal Changdeok Palace. Orchids are an ancient Korean symbol of purity, modesty, and virtue. The rock symbolizes eternity, so the combination of orchids and rock have the meaning of eternal adherence to principle. The orchid grows in remote places, but its fragrance spreads over the land, just as the scholar often works in isolation, but through their scholarly and ethical works their influence is felt throughout the land. Talented painters of orchids were and still are held in the highest regard. Though Daewongun (Prince Yi Ha Eung) is often cited as the greatest painter of orchids, most scholars now agree it was Kim Eung Won who was creating many of the paintings for which Prince Daewongun took credit and which Daewongun signed. Daewongun was, of course, a great painter of orchids, but most agree now that Kim Eung Won may deserve the title of greatest. His paintings sell for a fraction of the price of Daewongun's paintings, at least for now. That can be expected to change as the general public catches up with the scholarship on the subject. The last photo here is of the only other Kim Eung Won screen offered for sale. The "sale" price is more than double the price we are asking here. This is the only Kim Eung Won eight-panel painting we have ever offered in our 18 years in business. Ink on paper. 54 x 14 inches, 137.5 x 35.5 cm unmounted. (A much smaller and single Daewongun painting sold at Christie's for $12,500 on March 18, 2014).

Only Pair of Korean Enlightened Saints (Nahan) Paintings Ever Offered for Sale. Set in beautiful landscapes, the Nahan on the right has subdued a demon who is supplicating before him. 18th Century. Colors on paper. 30 x 13.5 inches, 76 x 34 cm each.