All Items : Vintage Arts : Regional Art : Asian : Korean : Paintings : Pre 1980 item #1105040 (stock #0838)
1971 Oil Painting by Choi Young Rim. Frame: 30 x 24 inches, 76 x 61 cm; Painting: 20 x 15 inches, 51 x 38 cm.
All Items : Antiques : Regional Art : Asian : Korean : Paintings : Pre 1900 item #1393068 (stock #1377)
Fine 19th Century Korean Royal Court Artist Painting of Pheasants and Azaleas. Hwajodo (Bird and Flower Paintings) have a centuries-long tradition in Korea. Pheasants are an ancient symbol of happy marriage and family duties, and also represent royalty and the peace and order their reign should bring. The azaleas are a symbol of beauty. The maple tree is a symbol of contentment. So the entire composition represents a beautiful, peaceful and contented marriage. Mounted on a beautiful silk scroll. Ink and colors on paper. Scroll: 59 x 16.75 inches, 150 x 42.5 cm; Painting: 28.5 x 13, 72 x 33 cm.
All Items : Antiques : Regional Art : Asian : Korean : Paintings : Pre 1900 item #1079819 (stock #0780)
Korean Art and Antiques
19th Century Hwajodo Bird and Flower Screen Painting filled with beauty and symbolism. The geese, swallows, sparrows, chickens, and yellow sparrows are all paired here to symbolize love. The peonies are a symbol of love and prosperity. The rocks in each painting are a symbol of eternity. So peonies with rocks combine to grant wishes for eternal love. The yellow sparrows have special symbolism. The word for yellow sparrows is hwangjak, which sounds like hwanjak, meaning great pleasure and profound happiness. Geese mate for life and are a symbol of marital fidelity. The rooster and hen are ancient guardian figures. The swallow is a symbol of beauty and delight. This screen would have been displayed at a wedding, and then moved to the couple's home for them to cherish all of their lives. Colors on silk. Total Dimensions: 97 x 60.5 inches, 246.5 x 153.5 cm; Each Painting: 31.75 x 11.5 inches, 81 x 29 cm.
All Items : Antiques : Regional Art : Asian : Korean : Paintings : Pre 1900 item #1028153 (stock #0601)
A magnificent Korean landscape like this needs a contemplative and appreciative soul to take it all in, and you'll find him here in the humble hut atop the bottom cliff. The standard 17th century manual of painting stated, "Figures should be painted in such a way that people, looking at the picture, wish that they could change places with them." The monk in this painting has taken a walk away from the temple in the higher part of the mountains to enjoy solitude under a tent with an awe-inspiring view. A good Korean mountain painting is more than a beautiful landscape; it is also a profound philosophical and spiritual statement. Heaven, Earth, and Humanity are represented. Mountain paintings are the most important paintings for traditional Korean artists. Most Korean homes and places of business have one proudly displayed in a place of prominence. Ink on paper. Frame size: 34.75 x 18.75 inches, 88 x 47.5 cm; Painting size: 24 x 13 inches, 61 x 33 cm.
All Items : Antiques : Regional Art : Asian : Korean : Paintings : Pre 1900 item #1372094 (stock #1327)
Ohaedo fish paintings are an ancient Korean symbol of eternal vigilance, because fish never close their eyes. During the Joseon Period, it was popular to give fish paintings to children to instill in them this important life lesson. This is a splendid example of the ancient tradition of Ohaedo (Korean fish painting). Frame: 40.5 x 24 inches, 103 x 61 cm; Painting: 24.5 x 17.5 inches, 62 x 44.5 cm.
All Items : Vintage Arts : Regional Art : Asian : Korean : Paintings : Pre 1980 item #1368812 (stock #1317)
A Lovely Korean Village in a Winter Landscape by Kim Dae Won aka Chang San (1955 - ). 24 x 19 inches, 61 x 48 cm.
All Items : Antiques : Regional Art : Asian : Korean : Paintings : Pre 1900 item #1303928 (stock #1207)
Korean Art and Antiques
Antique Korean Dragon Painting Exploding with Life and Personality, Chasing the Magic Pearl of Immortality. Korean dragons are not at all stereotypical. Each one has a unique personality, and this fine and dynamic example is full of personality. When Koreans prayed to the mighty dragon for rain and blessings, this is the type of dragon to which they hoped to be praying, with a friendly face and open heart, ready to leap out of the painting and take action. Newly and Beautifully Framed and Silk-Mounted. Frame: 37 x 28 inches, 94 x 71 cm; Painting: 28 x 19.5 inches, 71 x 49.5 cm.
All Items : Antiques : Regional Art : Asian : Korean : Paintings : Pre 1900 item #1347706 (stock #1278)
Antique Korean Munjado Painting of the Ancient Confucian Virtue of Trust. Munjado paintings are unique visual representations of the eight Confucian virtues, with the character for the word accompanied by creatively rendered images that symbolize that virtue. The character rendered here is 'shin', trust. On the right, the goose, symbol of fidelity because it mates for life, is carrying in its beak a message from the blue jay with a human head on the left. The goose is to deliver this message to King Mok to meet at the Jade Lake. The blue jay represents the Queen Mother of the West, Seowangmo. The mythical Queen Mother held a banquet every three thousand years where her guests would partake of the Magical Peaches of Immortality. The half-human half-bird sits atop a peach tree in bloom. The meaning here is that words in a message have meaning only when there is trust. A rare and beautiful work of Joseon era Korean folk art. 22.5 x 12.5 inches, 57 x 32 cm.
All Items : Antiques : Regional Art : Asian : Korean : Paintings : Pre 1910 item #1182949 (stock #1019)
Autumn Fragrance Painting by Bo Jeong. A delightful painting that evokes the mood and fragrance of Autumn with Fall flowers: chrysanthemums, pampas grass, and holly. Frame: 22.5 x 14.5 inches, 57 x 37 cm; Painting: 12 x 10 inches, 30.5 x 25.5 cm.
All Items : Vintage Arts : Regional Art : Asian : Korean : Paintings : Pre 1980 item #1311897 (stock #1222)
Korean Art and Antiques
Beautiful Landscape Screen Painting by Korean Artist Oh Neung Ju aka Songjae (1928-). 45 x 36 inches, 114 x 91.5 cm.
All Items : Antiques : Regional Art : Asian : Korean : Paintings : Pre 1900 item #1392019 (stock #1368)
Korean Art and Antiques
Very Rare Carving and Painting of Orchids and Calligraphy on Zelkova Wood by Royal Korean Court Artist Kim Gyu Jin (1868 - 1933). Kim taught painting and calligraphy to King Gojong. He was commissioned by King Sunjong to create wall paintings for the royal castle. Kim was a founding member of Korea's highly influential and prestigious Calligraphy and Painting Association (Seohwa Hyeophoe) in 1918. Kim Gyu Jin's works are in the collections of the world's biggest museums, including the Metropolitan Museum and the British Museum. This is the only example, outside of Korea, of a carving and painting on wood by the renowned master. This is a once-in-a-lifetime opportunity for a collector with a keen eye. The wood itself is gorgeous. It is a fine zelkova with a striking wavy grain. There is no question Kim Gyu Jin chose this particular piece of wood for its beauty. Orchids are an ancient Korean symbol of purity, modesty, and virtue. It is a favorite subject of painters over the centuries, and talented painters of orchids were and still are held in the highest regard. This painting on wood comes ready to hang, with the original metal floral hooks and a lovely knotted rope still attached on the back. 21 x 10 inches, 53 x 25 cm.
All Items : Vintage Arts : Regional Art : Asian : Korean : Paintings : Pre 1980 item #1279994 (stock #1183)
Korean Art and Antiques
Poem and Painting of Roses by Chang Woo Sung aka Weoljeon 1912-2005. There is a beautiful museum in Icheon, Korea dedicated to the art of Chang Woo Sung, the Woljeon Museum. This wonderful work of art is masterfully executed in the boneless technique of painting without outlines. This is a fine example of Woljeon's distinctive style and ability to make flora feel alive. You can actually feel the roses blooming and reaching out to you. Chang was an important, influential painter who modernized traditional Korean art, using brief yet powerful strokes and fresh, light colors. To our knowledge, this is the only example of Woljeon's painting that has been offered for sale in the United States, so this is a rare opportunity to own a great painting by one of the most revered masters of Korean painting. Watercolor on paper. Frame: 30.5 x 27 inches, 77.5 x 68.5 cm; Painting: 21 x 17.5 inches, 53.25 x 44.5 cm. A painting in the same style and size by Chang Soo Sung was estimated at $4000 - $6000 in the Christie's April 27, 1993, Sale of Korean Works of Art. The 5th photo here is of the Christie's painting, and the 6th photo is the description from the Christie's catalogue.
All Items : Vintage Arts : Regional Art : Asian : Korean : Paintings : Pre 1980 item #1368815 (stock #1319)
Chrysanthemum Fan Painting by Jeon Yeong Suk aka Yeo Cheong (1960 - ). The chrysanthemum's many petals is an ancient symbol of an abundant life or fertility. 21 x 6.5 inches, 53.5 x 16.5 cm. This, along with our Stock Numbers 1318 and 1320, is part of a set of three fan flower paintings by Jeon Yeong Suk.
All Items : Antiques : Regional Art : Asian : Korean : Paintings : Pre 1900 item #1182948 (stock #1018)
Colorful Antique Korean Folk Painting of Butterflies, the ancient Korean symbol of happiness. Frame: 22.5 x 22.5 inches, 57 x 57 cm; Painting: 12.5 x 12.5 inches, 31.75 x 31.75 cm.
All Items : Vintage Arts : Regional Art : Asian : Korean : Paintings : Pre 1980 item #1393335 (stock #1380)
Korean Art and Antiques
Crane Couple Painting and Poem by Korean Buddhist Monk Su An Sunim (born 1940). The crane is a an ancient symbol of longevity and immortality. Because cranes were believed to stay with one mate for their lifetime, it is also a symbol of faithful love. When the crane is paired like this, the meanings of immortality and fidelity combine to mean eternal love. The flying-white brushwork and ink washes here display Su An Sunim's mastery of zen art at its best. The recent exhibition of Su An Sunim's work at the Zen Buddhist Temple in New York City was the most highly-attended exhibition ever presented by the Korean Art Society. At that exhibition, Su An Sunim's works of similar size and quality sold for multiples of the prices we are asking here. 27 x 14 inches, 69 x 35 cm.
All Items : Vintage Arts : Regional Art : Asian : Korean : Paintings : Pre 1980 item #1254622 (stock #1131)
Korean Art and Antiques
Ode to Autumn, fan painting by one of Korea's most famous contemporary artists who worked in the traditional style, Lee Nam Ho aka Geum Chu (1908-2001), beautifully framed and newly silk mounted. The sparrow sings to the beautiful flower of autumn, the camellia, an ancient symbol of faithfulness in Korea. The bamboo on the right is a symbol of resilience and integrity. When faced with a strong wind, the bamboo bends but does not break, just as the person with determination and principle, even when pressed down, doesn't give up and resumes their upright posture. The rock is a symbol of eternity, so when it is with the bamboo and camellia, it is a poetic representation of eternal adherence to principle and undying faithfulness. Ink and colors on paper. Frame: 34.75 x 19 inches (88.25 x 48.25 cm), Painting: 22.5 x 11.5 inches (57 x 29 cm).
All Items : Antiques : Regional Art : Asian : Korean : Paintings : Pre 1900 item #1393029 (stock #1374)
Orchids are an ancient Korean symbol of purity, modesty, and virtue. The rock symbolizes eternity, so the combination of orchids and rock have the meaning of eternal adherence to principle. Talented painters of orchids were and still are held in the highest regard. Though Daewongun (Prince Yi Ha Eung) is often cited as the greatest painter of orchids, most scholars now agree that it was Kim Eung Won aka Soho (1855-1921) who was painting many of the paintings for which Daewongun took credit and which Daewongun signed. Daewongun was, of course, a great painter of orchids, but most agree now that Kim Eung Won may deserve the title of greatest. His paintings sell for a fraction of the price of Daewongun's paintings, at least for now. That can be expected to change as the general public catches up with the scholarship on the subject. Ink on paper. Frame: 60.75 x 18.5 inches, 154 x 47 cm; Painting: 49 x 13 inches, 124.5 x 33 cm. (A much smaller Daewongun painting recently sold at Christie's for $12,500 on March 18, 2014).
All Items : Antiques : Regional Art : Asian : Korean : Paintings : Pre 1900 item #1300937 (stock #1201)
Geese and Reeds Painting (Noando) by Yang Ki Hun aka Seokyeon (1843-1897) from Pyeongyang. Yang Ki Hun's signature 'boneless' style (painting without outlines, using ink washes) beautifully captures light and shade. The literal meaning of 'noando' is reed and geese painting, but it is a play on words, as 'no' means both reed and old, and 'an' means both geese and comfort ('do' means painting). So 'noan' can mean 'reed and geese' or 'old comfort', and so a painting of geese and reeds symbolized a wish for a comfortable and peaceful old age. Yang Ki Hun was a member of the Royal Academy of Painting in the late 19th Century, toward the end of the Joseon Dynasty. He made a living by painting for the king and his court, and also by selling his paintings in Pyeongyang. He was the most well-known of the provincial painters who, because of the increase in the economic power of the provinces in the late 19th Century, and the accompanying demand for paintings, were able to make or supplement income by selling their paintings locally. Here are two great quotes from Yang Ki Hun's contemporary, the painter and calligrapher Chi Un Yeong (aka Paekryeon): "Yang Ki Hun's paintings stir up my jealousy because they seem completely freed from all ideas and restraints". And after Seokyeon (Yang Ki Hun) passed away, Chi Un Yeong wrote, "Seokyeon told me that when he stayed on Neungna Island for a few years some time ago, he often saw geese fly in and land on a reed field, so he was able to paint them in a realistic way. His words still linger vividly in my ears. I remember playing with him thirty years ago in the Taedong River, and it seems so far away and dream-like." Ink on silk. Silk Mounting: 85.5 x 17.75 inches, 217 x 45 cm; Painting: 52 x 12 inches, 132 x 30.5 cm.