Catalog (335)

18 x 18 inches, 46 x 46 cm. Lee Heyung Bok has been featured on the covers of Korean art publications Ceramic Art Monthly and Craft & Art Review.

Kang Jong Sook is an artist from Korea who has built a successful studio and school in New York. Mint Condition. h21"(53cm), w20"(51cm), d16"(41cm). We have more pieces by this vanguard Korean artist, so please let us know if you have any interest.

Kim Yik Yung Rare Early Porcelain Vessel from 1992. 24 x 12 x 12 inches, 61 x 30.5 x 30.5 cm. We have other works of porcelain art by Kim Yik Yung, so please let us know if you have any interest. Also spelled Kim Yikyung, Kim Yikyoung, Kim Ik Yung, Kim Ik Young, Kim Ikyung, Kim Ikyoung, Yik Yung Kim, Yikyung Kim, Yik Young Kim, Yikyoung Kim, Ik Yung Kim, Ikyung Kim, Yik Young Kim, Yikyoung Kim, Kim Ik Yeong, Kim Ikyeong, Ik Yeong Kim, Ikyeong Kim, Kim Yik Yeong, Kim Yikyeong, Yik Yeong Kim, Yikyeong Kim, Kim Yik-Yung, Yik-Yung Kim, Kim Yik-Young, Yik-Young Kim, Kim Ik-Yung, Ik-Yung Kim, Kim Yik-Young, Yik-Young Kim, Kim Ik-Yeong, Ik-Yeong Kim, Kim Yik-Yeong, Yik-Yeong Kim.

13 x 12.5 x 6 inches, 33 x 32 x 15 cm

Artist signed wood box is included. 19.25 x 11.5 x 7 inches, 49 x 29 x 18 cm.

Artist signed wood box is included. 16 x 10.5 x 6.75 inches, 41 x 27 x 17 cm.

Lee Seung O's innovative paper assemblage, 24 x 18 inches, 61 x 46 cm. Lee's work is in the permanent collection of many major museums, including the National Museum of Contemporary Art in Seoul, and he has an excellent auction record, with not a single work going unsold in the many major auctions that have listed his work over the last several years, including Christie's. It is said of Lee Seung O that he is an old spirit with a young mind. While so many young Korean artists are looking to the West for guidance, Lee has found inspiration in the soulful symbolism of traditional Korean folk art. His work is a most inventive and unrestrained interpretation of this tradition, true to the creative spirit of Korean folk art. He has created an entirely new technique of stacking colored paper and wetting the stacks so that they will be stuck together when they dry, then cutting the stacks into strips, and then assembling 'painting-like' compositions that use the edge of the stacks of paper, creating exciting works of great textural density. His work uses an everyday material to make us look at objects (and the world) from a different viewpoint and in an entirely new way, reminding us that innovation and beauty shouldn’t be forced or contrived and needn’t be sought in unknown regions, but can be rooted in tradition and found naturally.

Lee Seung O's innovative paper assemblage, 36 x 18.5 inches, 91 x 47 cm. Lee's work is in the permanent collection of many major museums, including the National Museum of Contemporary Art in Seoul, and he has an excellent auction record, with not a single work going unsold in the many major auctions that have listed his work over the last several years, including Christie's. It is said of Lee Seung O that he is an old spirit with a young mind. While so many young Korean artists are looking to the West for guidance, Lee has found inspiration in the soulful symbolism of traditional Korean folk art. His work is a most inventive and unrestrained interpretation of this tradition, true to the creative spirit of Korean folk art. He has created an entirely new technique of stacking colored paper and wetting the stacks so that they will be stuck together when they dry, then cutting the stacks into strips, and then assembling 'painting-like' compositions that use the edge of the stacks of paper, creating exciting works of great textural density. His work uses an everyday material to make us look at objects (and the world) from a different viewpoint and in an entirely new way, reminding us that innovation and beauty shouldn’t be forced or contrived and needn’t be sought in unknown regions, but can be rooted in tradition and found naturally.

Lee Seung O's innovative paper assemblage, 36 x 26 inches, 91 x 66 cm. Lee's work is in the permanent collection of many major museums, including the National Museum of Contemporary Art in Seoul, and he has an excellent auction record, with not a single work going unsold in the many major auctions that have listed his work over the last several years, including Christie's. It is said of Lee Seung O that he is an old spirit with a young mind. While so many young Korean artists are looking to the West for guidance, Lee has found inspiration in the soulful symbolism of traditional Korean folk art. His work is a most inventive and unrestrained interpretation of this tradition, true to the creative spirit of Korean folk art. He has created an entirely new technique of stacking colored paper and wetting the stacks so that they will be stuck together when they dry, then cutting the stacks into strips, and then assembling 'painting-like' compositions that use the edge of the stacks of paper, creating exciting works of great textural density. His work uses an everyday material to make us look at objects (and the world) from a different viewpoint and in an entirely new way, reminding us that innovation and beauty shouldn’t be forced or contrived and needn’t be sought in unknown regions, but can be rooted in tradition and found naturally.

Lee Seung O's innovative paper assemblage, 36 x 28.75 inches, 91 x 73 cm. Lee's work is in the permanent collection of many major museums, including the National Museum of Contemporary Art in Seoul, and he has an excellent auction record, with not a single work going unsold in the many major auctions that have listed his work over the last several years, including Christie's. It is said of Lee Seung O that he is an old spirit with a young mind. While so many young Korean artists are looking to the West for guidance, Lee has found inspiration in the soulful symbolism of traditional Korean folk art. His work is a most inventive and unrestrained interpretation of this tradition, true to the creative spirit of Korean folk art. He has created an entirely new technique of stacking colored paper and wetting the stacks so that they will be stuck together when they dry, then cutting the stacks into strips, and then assembling 'painting-like' compositions that use the edge of the stacks of paper, creating exciting works of great textural density. His work uses an everyday material to make us look at objects (and the world) from a different viewpoint and in an entirely new way, reminding us that innovation and beauty shouldn’t be forced or contrived and needn’t be sought in unknown regions, but can be rooted in tradition and found naturally.

Buncheong Ceramic Wall Panel by Yoon Ja Eui. Artist signed wood box is included. 10.5 x 10.5 inches, 27 x 27 cm.

Buncheong Ceramic Wall Panel by Yoon Ja Eui. Artist signed wood box is included. 10.5 x 10.5 inches, 27 x 27 cm.

Buncheong Ceramic Wall Panel by Yoon Ja Eui. Artist signed wood box is included. 10.5 x 10.5 inches, 27 x 27 cm.

Buncheong Ceramic Wall Panel by Yoon Ja Eui. Artist signed wood box is included. 10.5 x 10.5 inches, 27 x 27 cm.

Buncheong Ceramic Wall Panel by Yoon Ja Eui. Artist signed wood box is included. 12 x 12 inches, 30 x 30 cm.

Korean Contemporary Buncheong Ceramic Art by Kim See Man. Buncheong is a unique and centuries-old style of ceramics characterized by a white slip surface that is usually decorated in a spontaneous and expressive manner. This has been imitated in Japan's mishima ware. Kim See Man's work has been exhibited at a long list of major museums, including the Asian Art Museum of San Francisco, Yale University Art Gallery, Freer/Sackler Gallery of Art, Indianapolis Museum of Art, Museum of Fine Arts in Boston, Harvard University Art Museum, Detroit Institute of Arts, Saint Louis Museum of Art, Newark Museum, American Craft Museum, Portland Art Museum, Society for Contemporary Crafts, Museum of Fine Arts in Houston, Seattle Asian Art Museum, Vancouver Art Museum, Royal Ontario Museum, and many others. Artist signed wood box is included. 10.75 x 8 x 7.5 inches, 27 x 20 x 19 cm.

Korean Contemporary Buncheong Ceramic Art by Kim See Man. Buncheong is a unique and centuries-old style of ceramics characterized by a white slip surface that is usually decorated in a spontaneous and expressive manner. This has been imitated in Japan's mishima ware. Kim See Man's work has been exhibited at a long list of major museums, including the Asian Art Museum of San Francisco, Yale University Art Gallery, Freer/Sackler Gallery of Art, Indianapolis Museum of Art, Museum of Fine Arts in Boston, Harvard University Art Museum, Detroit Institute of Arts, Saint Louis Museum of Art, Newark Museum, American Craft Museum, Portland Art Museum, Society for Contemporary Crafts, Museum of Fine Arts in Houston, Seattle Asian Art Museum, Vancouver Art Museum, Royal Ontario Museum, and many others. Artist signed wood box is included. 11.5 x 10 x 10 inches, 29 x 29 x 25 cm.

Korean Contemporary Buncheong Ceramic Art by Kim See Man. Buncheong is a unique and centuries-old style of ceramics characterized by a white slip surface that is usually decorated in a spontaneous and expressive manner. This has been imitated in Japan's mishima ware. Kim See Man's work has been exhibited at a long list of major museums, including the Asian Art Museum of San Francisco, Yale University Art Gallery, Freer/Sackler Gallery of Art, Indianapolis Museum of Art, Museum of Fine Arts in Boston, Harvard University Art Museum, Detroit Institute of Arts, Saint Louis Museum of Art, Newark Museum, American Craft Museum, Portland Art Museum, Society for Contemporary Crafts, Museum of Fine Arts in Houston, Seattle Asian Art Museum, Vancouver Art Museum, Royal Ontario Museum, and many others. Artist signed wood box is included. 16.5 x 13.5 x 8.25 inches, 42 x 34 x 21 cm.