Catalog: Antiques: Regional Art: Asian (176)

Nepalese Mask of a Humla Aesthete with a Thorja Topknot. 11 inches, 28 cm. From the collection of Irwin Hersey, renowned author on Asian and primitive art, and publisher of the Primitive Art Newsletter in the 1970s. Irwin Hersey was an advisor to museums and prominent collectors, and vetted pieces for many of the international tribal art fairs and Asian art fairs.

19th Century Tibetan Thangka of Vajrapani and Mahakala from a renowned and published collection. 44 x 33 inches, 112 x 84 cm.

Fine and Rare Korean 19th Century Guardian Painting in Gold Leaf and Mineral Pigments on Silk in Excellent Condition with Vivid Colors. This would have hung on the door of a home to protect the household. This is the finest example of a door guardian painting we have ever seen. Frame: 22 x 10 inches, 56 x 25.5 cm; Painting: 19.5 x 7.5 inches, 50 x 19 cm.

Rare and Fine 19th Century Korean Chaekjang Book Chest. You may never see another like this for under $10,000! 33w x 26.5h x 12d inches, 84w x 67.5h x 30.5d cm.

Fine Old Balinese Barong Mask. Best known antique example on the market. With handles and movable jaw. From a published and renowned collection. Barong, King of the Spirits, protects families from the evil Queen Rangda of the mythical Leyak child-eating witches. 17.5 x 11 x 9 inches, 44.5 x 28 x 23 cm.

Fine, Rare Joseon Dynasty Silver Inlaid Box with ancient Longevity Symbols of Deer, Cranes, key fret pattern, floral and tortoise shell pattern. Double Happiness symbol on the lid. Beautiful Condition. 5.25 x 3.5 x 3.5 inches, 13.5 x 9 x9 cm.

Nepalese Terai Region Maiden Mask, 10.25 inches, 26 cm. From the collection of Irwin Hersey, renowned author on Asian and primitive art, and publisher of the Primitive Art Newsletter in the 1970s. Irwin Hersey was an advisor to museums and prominent collectors, and vetted pieces for many of the international tribal art fairs and Asian art fairs.

The only authentic 19th Century Korean shaman paintings offered for sale. Sublimely rendered here is the spirit of divine response, Kameung Sillyeong. There are many 20th century reproductions of these types of paintings. Authentic Joseon Dynasty examples like this exist only in museums. And even in museums, a pair like this is very rare. You can discern them by the material and quality, such as fine hand-woven silk and mineral pigments that give warmth and depth and are vivid but not garish like modern chemical paints. The originals like this are valued not only for their superior artistry, but also for the connection they provide to the culture and spirituality of ancient authentic Korean shamanism. Much of modern Korean art and culture is rooted in shamanism. Its influence pervades Korean society, whether or not one is aware of it. This is art that is by and for the people and not art for art’s sake. Within the broad realm of Korean folk art, shaman art expresses the deepest desires of the Korean people. Shaman paintings are a fundamental part of shaman rituals to protect the home, heal the sick, divine the future, communicate with the deceased, bless and protect the crop, wedding, family, and newborn baby, and provide the people with a sense of well-being and purpose. While the court ordained official theology and commissioned art supportive of it, the commoners, from a life really lived, created and through the centuries have held onto a most syncretic belief system that borrows from Buddhism, Confucianism, Daoism, ancient animism, and elsewhere, and that engenders a strong connection to nature and its energy. Korean shamanism encourages a healthy defiance against official dogma, and an open-mindedness and sincerity that guides the creators and commissioners of these powerful works of art. That is why these wonderful creations by and for the people speak so directly to persons of all persuasions even today. Frame: 40 x 26 inches, 102 x 66 cm. Painting: 34.5 x 20.5 inches, 88 x 52 cm.

Very Rare 13th Century Celadon Bowl with Elaborate Gold Painting. Gold-painted celadons were produced during a short period of time in the late 13th Century in Korea, so they are very rare. Black and white slip inlay is used for the design of the Willow Trees (ancient symbol of peace and contentment), Duck Family (symbol of blissful family life), Pampas Grass (symbol of autumn), Bullocho (mythical longevity plant), Lotus Blossoms (symbol of purity and rebirth), Chrysanthemums (symbol of well-being and abundance), and Orchids (symbol of modesty). Real gold paint is used throughout, for the bullocho, the pampas flowers, the irises, the ducks, the three rings that circle the interior of the bowl at the top to create a band for the inlaid floral scroll, and the two rings at the bottom of the bowl interior that create a solar center for the gold chrysanthemum. The exterior of the bowl is as elaborately inlaid as the interior, with gorgeous floral scrolls and sprays throughout, and a ring of stylized lotus blossoms at the bottom. Old gold lacquer repair like you see here is considered desirable by serious collectors and adds value along with character and history to a very rare, true masterpiece of celadon. As a philosophy, "golden repair" treats breakage and repair as part of the history of an object, rather than something to disguise. Pieces were even sometimes deliberately broken in order to apply this aesthetic to them. 7.5w x 2.75h inches, 19w x 7h cm.

Burmese Bronze Buddha with Movable Left Hand. 16.5 inches, 42 cm.

Unique Burmese Gilded Bronze Buddha with Human Face and an Inscription that winds around the circumference. 10 inches, 25.5 cm.

Nepalese Magar Tribe Mask with a Vagina and an Inscription in the forehead, and a Penis Nose. 9.5 inches, 24 cm. From the collection of Irwin Hersey, renowned author on Asian and primitive art, and publisher of the Primitive Art Newsletter in the 1970s. Irwin Hersey was an advisor to museums and prominent collectors, and vetted pieces for many of the international tribal art fairs and Asian art fairs.

19th Century Tibetan Thangka of Yama and Consort with original silk mount and silk cover from a renowned and published collection. Mount: 36 x 26 inches (91 x 66 cm), Painting: 24.5 x 18 inches (62 x 46 cm).

Rare and Fine Painting on Silk of Dokseong, The Hermit Saint, from the renowned Charles J. Chu Collection. Sold on June 25, 2010 in Skinner's Asian Works of Art auction (Sale 2512, Lot 445). We sold the last Dokseong painting we had to the Art Institute of Chicago. This is a rare opportunity to acquire a beautiful and important painting with an impeccable provenance. Dokseong is portrayed here in a heavenly landscape filled with ancient symbolism, as he sits under the pine tree (symbol of longevity) with a stack of books, beside peonies (symbol of wealth, in this case, a wealth of knowledge and natural beauty), in front of waterfalls and a river (symbols of eternal life), atop a rocky plateau with freshly blooming orchids (orchids are an ancient Korean symbol of purity, modesty, and virtue; rocks symbolizes eternity; so the combination of orchids and rocks have the meaning of eternal adherence to principle). His robe is adorned with clouds (symbol of longevity) and chrysanthemums (symbol of abundance). The chrysanthemums are echoed in the bookshelves. The melons and pomegranates atop the books are fruits with many seeds, so they symbolize plenty. In this case, they represent nature's abundance. Frame: 42 x 33 inches (107 x 84 cm), Painting: 36.5 x 27.25 inches (93 x 69 cm).

Rare and Grand Joseon Dynasty 19th Century Eight-Panel Chaekgeori Still-Life Screen painting on All-Original Mounting. Chaekgeori literally translates to "books and things," and the things are scholar's accoutrements. It is rare to find such an old and important screen on its original silk and wood mounting. They are usually remounted. In fact, the only other 19th century examples you will ever see are all in museums. So this is a once-in-a-lifetime acquisition opportunity for a serious connoisseur of fine art and Korean culture. This genre of painting is uniquely Korean and was created by King Jeongjo in 1791. The shelves of the painting are adorned with books and objects collected from other countries, illuminating the ideas of the erudite and cosmopolitan scholar. The spatial illusion of reverse perspective used in early examples of chaekgeori is masterfully rendered here. This screen inspired the pursuit of knowledge and reverence for cultural values in the many ritual ceremonies it was used in over the decades. 141 x 60 inches, 358 x 152 cm.

Fine, Rare Eight-Panel Painting by Revered Korean Artist Kim Eung Won aka Soho (1855-1921). Similar to the Kim Eung Won screen in the royal Changdeok Palace. Orchids are an ancient Korean symbol of purity, modesty, and virtue. The rock symbolizes eternity, so the combination of orchids and rock have the meaning of eternal adherence to principle. The orchid grows in remote places, but its fragrance spreads over the land, just as the scholar often works in isolation, but through their scholarly and ethical works their influence is felt throughout the land. Talented painters of orchids were and still are held in the highest regard. Though Daewongun (Prince Yi Ha Eung) is often cited as the greatest painter of orchids, most scholars now agree it was Kim Eung Won who was creating many of the paintings for which Prince Daewongun took credit and which Daewongun signed. Daewongun was, of course, a great painter of orchids, but most agree now that Kim Eung Won may deserve the title of greatest. His paintings sell for a fraction of the price of Daewongun's paintings, at least for now. That can be expected to change as the general public catches up with the scholarship on the subject. The last photo here is of the only other Kim Eung Won screen offered for sale. The "sale" price is more than double the price we are asking here. This is the only Kim Eung Won eight-panel painting we have ever offered in our 18 years in business. Ink on paper. 54 x 14 inches, 137.5 x 35.5 cm unmounted. (A much smaller and single Daewongun painting sold at Christie's for $12,500 on March 18, 2014).

17th Century Tibetan Thangka of Avalokitesvara with original silk mount and silk cover from a renowned and published collection. Mount: 46 x 28 inches (117 x 71 cm), Painting: 28 x 20 inches (71 x 51 cm).

Rare Large Joseon Dynasty 19th Century Korean Medicine Chest, Yakjang. Reproductions of Joseon Dynasty medicine chests are popular. Now you have a rare opportunity to acquire an authentic one that was used in a genuine historical and cultural context by a traditional Korean doctor in the 19th century. 42.75w x 38.75h x 15.5d inches, 108.5w x 98.5h x 39.5d cm.