Catalog (343)

Orchids and Rocks Painting by Kim Eung Won aka Soho (1855-1921), beautifully framed. Orchids are an ancient Korean symbol of purity, modesty, and virtue. The rock symbolizes eternity, so the combination of orchids and rock have the meaning of eternal adherence to principle. The orchid grows in remote places, but its fragrance spreads over the land, just as the scholar often works in isolation, but through their scholarly and ethical works their influence is felt throughout the land. Talented painters of orchids were and still are held in the highest regard. Though Daewongun (Prince Yi Ha Eung) is often cited as the greatest painter of orchids, most scholars now agree it was Kim Eung Won who was creating many of the paintings for which Prince Daewongun took credit and which Daewongun signed. Daewongun was, of course, a great painter of orchids, but most agree now that Kim Eung Won may deserve the title of greatest. His paintings sell for a fraction of the price of Daewongun's paintings, at least for now. That can be expected to change as the general public catches up with the scholarship on the subject. The last photo here is from a sale at another gallery where the prices on similar paintings by Kim Eung Won are several times higher than the price we are asking here for this fine painting. Ink on paper. Frame: 61.5 x 21 inches, 156 x 53 cm. Painting: 52 x 12.75 inches, 132 32.5 cm. (A much smaller Daewongun painting sold at Christie's for $12,500 on March 18, 2014).

This is the only calligraphy by Kim Eung Won aka Soho (1855-1921) offered for sale anywhere. His skill was so revered that the prince Daewongun paid Kim Eung Won to paint many of the works for which the prince took credit. Ink on paper. Frame: 48 x 19 inches, 122 x 48 cm. Calligraphy: 37.5 x 13 inches (95 x 33 cm).

Rare Pair of Orchids and Rocks Paintings by Kim Eung Won aka Soho (1855-1921), beautifully framed. Orchids are an ancient Korean symbol of purity, modesty, and virtue. The rock symbolizes eternity, so the combination of orchids and rock have the meaning of eternal adherence to principle. The orchid grows in remote places, but its fragrance spreads over the land, just as the scholar often works in isolation, but through their scholarly and ethical works their influence is felt throughout the land. Talented painters of orchids were and still are held in the highest regard. Though Daewongun (Prince Yi Ha Eung) is often cited as the greatest painter of orchids, most scholars now agree it was Kim Eung Won who was creating many of the paintings for which Prince Daewongun took credit and which Daewongun signed. Daewongun was, of course, a great painter of orchids, but most agree now that Kim Eung Won may deserve the title of greatest. His paintings sell for a fraction of the price of Daewongun's paintings, at least for now. That can be expected to change as the general public catches up with the scholarship on the subject. The last photo here is from a sale at another gallery where the prices on similar paintings by Kim Eung Won are several times higher than the price we are asking here for this fine and rare pair. Ink on paper. Each Frame: 61.5 x 18.5 inches, 156 x 47 cm. Each Painting: 48 x 12 inches, 122 x 30.5 cm. (A much smaller single Daewongun painting sold at Christie's for $12,500 on March 18, 2014).

Very Rare Painted Wood 19th Century Korean Funerary Figure (Kkokdu). These are so rare that is has been twenty years since we last had one for sale. We recently acquired a pair, this one and Stock #1588. Kkokdu were guardian figures that were believed to accompany the deceased in the afterlife. They were burned after the funeral, so very few have survived. There are a couple of kkokdu museums in Korea that have acquired just about all of the remaining kkokdu. So don't miss this once-in-a-lifetime opportunity to own a vital piece of Korean Joseon Era culture. Height: 10.25 inches, 26 cm.

A Superior Example of a Rare 19th Century Korean Hwajodo Bird and Flower Painting filled with ancient symbolism. This is, without a doubt, the most beautiful hwajodo we have ever had. These paintings were never signed, but this anonymous artist possessed superior skill and artistry. The pair of cranes symbolize eternal love, because cranes were believed to mate for life. The peonies symbolize love and prosperity. The rocks symbolize eternity. So the two combine to grant the wish for eternal prosperous love. That theme is reinforced here by the mythical bullocho longevity plants. The exquisitely rendered pine tree here is a symbol of longevity and wisdom. And finally, the clouds are also a longevity symbol. So the entire composition represents a beautiful and eternal marriage guided by wisdom and love and filled with prosperity. Frame: 32 x 14 inches, 81 x 35.5 cm. Painting: 21 x 9 inches, 53.5 x 23 cm.

19th Century Korean Painting of a Fine Muscular Tiger. There is nothing anywhere like Joseon Era Korean tiger folk paintings. Tigers in Korean paintings are not ferocious. They are humorous and full of personality. And each one is unique, like this fellow here with his quizzical and lovable face as he is being addressed by the magpies. This was a favorite symbol of the common folks and represented the people speaking truth to power. The pine tree is a symbol of longevity and wisdom. This painting is very "Korean." It is painted in ink and colors on traditional old hanji paper. Korean tiger folk paintings are never signed. Frame: 23.5 x 19 inches, 60 x 48 cm. Painting: 16 x 11.5 inches, 41 x 29 cm.

Black Lacquered Mother of Pearl Table. This is a low table used in ancestor worship rituals. The gorgeous peony flower is a symbol of abundance and wealth. The delightfully rendered dokkaebi goblins that adorn each leg are guardians that chase away evil spirits. The clouds are symbols of Heaven, and the plum blossoms are symbols of courage. As you can see in the photo, there is some loss to one of the dokkaebi goblins, but this table is in otherwise amazing and excellent condition. 25w x 13d x 11.75h inches, 63.5w x 33d x 30h cm.

Blue and White Porcelain Memorial Tablet for Park Gi Il from Miryang, Korea, dated May 1830. It declares a long genealogy in the royal Min clan. This epitaph was written upon the passing of Park Gi Il of Miryang in May 1830. It memorializes him and lists his ancestors' names. An important piece of history and a rare and beautiful work of calligraphy painted with blue cobalt on white porcelain. 7.5 x 6 inches, 19 x 15 cm. framed

Scarce Early Primitive Korean Tiger Painting. This is the only 18th to early 19th Century example we have ever seen offered for sale. There is nothing anywhere like Joseon Era Korean tiger folk paintings. Tigers in Korean paintings are not ferocious. They are humorous and full of personality. And each one is unique, like this fellow here with his quizzical and lovable face as he is being addressed by the magpies. This was a favorite symbol of the common folks and represented the people speaking truth to power. The pine tree is a symbol of longevity and wisdom. This painting is very "Korean." It is painted in ink on traditional old hanji paper. Korean tiger folk paintings are never signed. Frame: 23.5 x 19 inches, 60 x 48 cm. Painting: 17.5 x 13.5 inches, 44.5 x 34 cm.

Rare 18th Century Burmese Wood Doll with Leather Skirt, Articulated Arms, and Painted Leather Hat Acquired by Irwin Hersey from Ohly's of London in 1976. 10 inches, 25.5 inches. From the collection of Irwin Hersey, renowned author on Asian and primitive art, and publisher of the Primitive Art Newsletter in the 1970s. Irwin Hersey was an advisor to museums and prominent collectors, and vetted pieces for many of the international tribal art fairs and Asian art fairs.

Phurba from Sikkim, 12.5 inches, 31.5 cm.

16.5 x 8.5 x 5.25 inches, 42 x 21.5 x 13.5 cm. Rare 18th Century Korean Animal Hide Box. There is a similar 18th Century example in the Tenri University Sankokan Museum, illustrated in the book The Korean Relics in Japan Volume 4, page 339.

17 x 9 x 7 inches, 43 x 23 x 18 cm. Rare 18th Century Korean Animal Hide Box. There is a similar 18th Century example in the Tenri University Sankokan Museum, illustrated in the book The Korean Relics in Japan Volume 4, page 339.

18th Century Tibetan Rudra Chakrin, King of Shambhala Thangka, 43.5 x 25.5 inches, 91.5 x 66 cm. Most of these thangka were photographed through glass frames, so there may be a little blurriness. This thankga was in an exhibition at the University of Texas Art Museum.

Rare 18th Century Chinese Helmet with Original Dragon Embroidery Intact. Height: 17 inches, 43 cm.

One-Of-A-Kind 18th Century Korean Staff Sword, Changpogeom, a style of sword unique to Korea, with seven gold inlay dots on each side representing the Seven Star Spirit (Chilseong), an ancient Daoist deity that controls fortune. Antique Changpogeom are rare. It's a staff with a fighting blade inside. And a Chilseong Changpogeom (Seven Star Staff Sword) is so rare that this may be the only surviving example. It is a large weapon, 43 inches (110cm) with a a 32 inch (81cm) blade, and the blade is a very high quality fighting blade. This is truly a museum quality sword.

18th Century Mongolian Thangka of a Guardian Deity General on a White Horse. 27 x 19.25 inches, 68.5 x 49 cm.

Rare Early 18th Century Bhutanese Thangka Painting of Padmasambhava (Guru Rinpoche), founder of Tibetan Buddhism. 26.5 x 21 inches, 67.25 x 53.25 cm.