Catalog (335)

Burmese Bronze Buddha with Movable Left Hand. 16.5 inches, 42 cm.

Old Greenland Inuit Figure. The second photo shows the superb face rendered on the attachment. From the collection of Irwin Hersey, renowned author on primitive art, and publisher of the Primitive Art Newsletter in the 1970s. Irwin Hersey was an advisor to museums and prominent collectors, and vetted pieces for many of the international tribal art fairs and Asian art fairs. 7 inches, 18 cm.

This piece was just recently displayed at the Korea Society exhibition, Korean Contemporary Ceramics, the first exhibition on this subject in New York. Kang Jong Sook is easily the most ubiquitous Korean ceramic artist in America. She has been at the forefront of the contemporary ceramic art scene in New York for two decades now. Kang has had solo exhibitions at the Hammond Museum, Montclair State University Museum, Bratislava Museum, Dai Ichi Gallery, and Tong In Gallery, among others. She is a founding member of the biannual East & West Clay Works Exhibition. She is the owner of a successful ceramic studio and school. Height: 17 inches (43 cm), Width: 18 inches (45.75 cm).

19th Century Tibetan Thangka of Yama and Consort with original silk mount and silk cover from a renowned and published collection. Mount: 36 x 26 inches (91 x 66 cm), Painting: 24.5 x 18 inches (62 x 46 cm).

Rare and Fine Painting on Silk of Dokseong, The Hermit Saint, from the renowned Charles J. Chu Collection. Sold on June 25, 2010 in Skinner's Asian Works of Art auction (Sale 2512, Lot 445). We sold the last Dokseong painting we had to the Art Institute of Chicago. This is a rare opportunity to acquire a beautiful and important painting with an impeccable provenance. Dokseong is portrayed here in a heavenly landscape filled with ancient symbolism, as he sits under the pine tree (symbol of longevity) with a stack of books, beside peonies (symbol of wealth, in this case, a wealth of knowledge and natural beauty), in front of waterfalls and a river (symbols of eternal life), atop a rocky plateau with freshly blooming orchids (orchids are an ancient Korean symbol of purity, modesty, and virtue; rocks symbolizes eternity; so the combination of orchids and rocks have the meaning of eternal adherence to principle). His robe is adorned with clouds (symbol of longevity) and chrysanthemums (symbol of abundance). The chrysanthemums are echoed in the bookshelves. The melons and pomegranates atop the books are fruits with many seeds, so they symbolize plenty. In this case, they represent nature's abundance. Frame: 42 x 33 inches (107 x 84 cm), Painting: 36.5 x 27.25 inches (93 x 69 cm).

Very Fine and Rare Goryeo Dynasty Inlaid Celadon Cosmetic Box, 12th to 13th Century. The last photo here is a similar example that was in Christie's September 22, 2005 Sale of Japanese and Korean Art. We are sure you will agree that the Christie's example is not as refined, detailed, and beautifully designed as the piece that we offer here, with its inlaid lotus, geese, willow tree, and reeds. The condition is also excellent. On the side, you can see two small spaces where the potter's fingers covered the glaze. This is original to the piece so it is not a condition issue. It is in pretty much its original condition. The Christie's example was estimated at $10,000 to $15,000, 10 years ago. Dimensions: 4.75 inches wide, 3 inches high (50% larger than the Christie's example, which was 3.25 inches wide). 12 cm wide and 7.5 cm high.

Rare and Ancient Celtic Stone Janus from the Published and Renowned Collection of Irwin Hersey, renowned author on primitive art, and publisher of the Primitive Art Newsletter in the 1970s. Irwin Hersey was an advisor to museums and prominent collectors, and vetted pieces for many of the international tribal art fairs. 4.5 inches wide, 3 inches high.

You rarely see 19th Century Korean tiger paintings offered for sale anymore, especially in excellent condition like this one. The last time we had one was 15 years ago, and it will probably be at least that long until have another one to offer. When they do come up in auctions now, they sell for five figures. That's because there is nothing anywhere like Joseon Era Korean tiger folk paintings. Tigers in Korean paintings are not ferocious. They are humorous and full of personality. And each one is unique, like this fellow here with his quizzical and lovable face as he is being addressed by the magpies. This was a favorite symbol of the common folks and represented the people speaking truth to power. The pine tree is a symbol of longevity and wisdom. The azaleas symbolize beauty. This painting is very "Korean." It is painted in ink and colors on traditional and old hanji paper. Korean tiger folk paintings are never signed. Frame: 45 x 29 inches (114 x 74 cm), Painting: 38 x 22 inches (97 x 56 cm).

Very Large Antique Wooden Joseon Dynasty Korean Wedding Goose inscribed with the year 1892. A similar but slightly smaller one recently sold at auction in Korea for $22,520 plus commission, for a total of $25,000! A photo of that auction result is the last photo here in this post. This is a grand piece of Korean folk art. This wooden goose was a gift from a Korean groom to a bride nearly 200 years ago, and is the largest and most beautifully rendered example we have ever seen. Because geese mate for life, the goose was a symbol of the groom's lifelong commitment to his bride. 28h x 35d x 13w inches, 71h x 89d x 33w cm.

Fine, Rare Eight-Panel Painting by Revered Korean Artist Kim Eung Won aka Soho (1855-1921). Similar to the Kim Eung Won screen in the royal Changdeok Palace. Orchids are an ancient Korean symbol of purity, modesty, and virtue. The rock symbolizes eternity, so the combination of orchids and rock have the meaning of eternal adherence to principle. The orchid grows in remote places, but its fragrance spreads over the land, just as the scholar often works in isolation, but through their scholarly and ethical works their influence is felt throughout the land. Talented painters of orchids were and still are held in the highest regard. Though Daewongun (Prince Yi Ha Eung) is often cited as the greatest painter of orchids, most scholars now agree it was Kim Eung Won who was creating many of the paintings for which Prince Daewongun took credit and which Daewongun signed. Daewongun was, of course, a great painter of orchids, but most agree now that Kim Eung Won may deserve the title of greatest. His paintings sell for a fraction of the price of Daewongun's paintings, at least for now. That can be expected to change as the general public catches up with the scholarship on the subject. The last photo here is of the only other Kim Eung Won screen offered for sale. The "sale" price is more than double the price we are asking here. This is the only Kim Eung Won eight-panel painting we have ever offered in our 18 years in business. Ink on paper. 54 x 14 inches, 137.5 x 35.5 cm unmounted. (A much smaller and single Daewongun painting sold at Christie's for $12,500 on March 18, 2014).

17th Century Tibetan Thangka of Avalokitesvara with original silk mount and silk cover from a renowned and published collection. Mount: 46 x 28 inches (117 x 71 cm), Painting: 28 x 20 inches (71 x 51 cm).

Rare Large Joseon Dynasty 19th Century Korean Medicine Chest, Yakjang. Reproductions of Joseon Dynasty medicine chests are popular. Now you have a rare opportunity to acquire an authentic one that was used in a genuine historical and cultural context by a traditional Korean doctor in the 19th century. 42.75w x 38.75h x 15.5d inches, 108.5w x 98.5h x 39.5d cm.

Rare and Outstanding early 19th Century Korean Porcelain Jar with Dynamic Underglaze Painting of Copper Red and Iron Brown and an Incredible Thick Dripping Blue Glaze. Unquestionably one of the best and most creative Korean porcelains you will ever see. There really is no other like it, from the design to the copper-red and iron-brown brushwork, from the potting to the glaze, it is truly one-of-a-kind. It has all of the best characteristics of Korean ceramics, whimsical yet technically accomplished, with unaffected sincerity, earthy soulfulness, absence of artifice, and effortless reverence for and affinity with nature. The dripping blue glaze on the surface, and the peach tones that come through the white porcelain glaze, make it all the more special. It will always reward repeated viewing and touching. 10 inches tall x 10 inches wide, 25.5 x 25.5 cm.

Only Pair of Korean Enlightened Saints (Nahan) Paintings Ever Offered for Sale. Set in beautiful landscapes, the Nahan on the right has subdued a demon who is supplicating before him. 18th Century. Colors on paper. 30 x 13.5 inches, 76 x 34 cm each.

Rare and Grand Joseon Dynasty 19th Century Eight-Panel Chaekgeori Still-Life Screen painting on All-Original Mounting. Chaekgeori literally translates to "books and things," and the things are scholar's accoutrements. It is rare to find such an old and important screen on its original silk and wood mounting. They are usually remounted. In fact, the only other 19th century examples you will ever see are all in museums. So this is a once-in-a-lifetime acquisition opportunity for a serious connoisseur of fine art and Korean culture. This genre of painting is uniquely Korean and was created by King Jeongjo in 1791. The shelves of the painting are adorned with books and objects collected from other countries, illuminating the ideas of the erudite and cosmopolitan scholar. The spatial illusion of reverse perspective used in early examples of chaekgeori is masterfully rendered here. This screen inspired the pursuit of knowledge and reverence for cultural values in the many ritual ceremonies it was used in over the decades. 141 x 60 inches, 358 x 152 cm.

Prominently displayed on the wall of the Sejong Room of Korea's Presidential Residence (The Blue House) is a painting by Lim Ok Sang (born 1950). The painting here from 2019 is large at 50 x 49 inches (127 x 124.5 cm), and the beautiful frame chosen by the artist is 56.5 x 55.5 inches (143.5 x 141 cm). Two similar examples of paintings in ink and soil can be seen in the catalogue of Lim Ok Sang's retrospective exhibition currently at the National Museum of Modern and Contemporary Art in Seoul. Lim Ok Sang (born 1950) graduated from École d’art d’Angoulême, Angoulême in France and taught for ten years at Jeonju University. He has had numerous solo exhibitions in Korea and America, and has been featured in many international shows, including the Venice Biennale. His work is in the collections of the Korea National Museum, Seoul Museum of Art, Samsung Museum, the Denver Art Museum, and other major museums. Lim Ok Sang is celebrated as one of the leading artists of the Minjung movement in Korea. He was one of the founders of the important critical journal, Reality and Utterance, that coincided with the beginning of the Minjung movement. Lim is an artist adept at poignant expression of the nature of mortality, the vulnerability and plight of the individual and humanity. The emphasis of his work has been not only to speak out against injustice and the forces of destruction, but to make one aware of the value of life and the importance of preserving and caring for the environment in which we live.

Chinese Song Dynasty Guanyin Wood Sculpture. 41.5 inches, 105 cm.

Rare, Museum Quality 19th Century Medicine Chest (Yakjang) with Paulownia Doors. This is the finest work of Korean antique furniture we have ever offered, and likely the only example of this type anywhere outside of Korea. Antique medicine chests with doors are extremely rare even in Korea, and this is probably the best known condition among the very few left. Each drawer has the name of the medicine inscribed on it. Perfectly proportioned at 100 x 75 x 33 cm, 39.5 x 29.5 x 13 inches.