Catalog: Antiques: Regional Art: Asian (179)

The Only Antique Korean Quiver and Arrows Set Ever Offered for Sale. Metal quiver and wood arrows with pointed metal tips. This type of lid locking mechanism appears only on Korean quivers. Quiver length: 29 inches (74 cm).

This pair of painted portraits depicts the newlywed Justice Minister Choi Seok-min (1858-1915) and his wife. The level of photo-like realism in these paintings is astounding. 19th Century portraits of women are exceedingly scarce. This is the only example we have ever seen offered for sale. The documentation pictured here is included with this pair of portraits. Each painting is 49 x 18 inches, 124.5 x 45.5 cm.

Pair of 19th Century Korean Hunting Paintings. Unique to Korea, hunting paintings always depict hunters in Mongolian attire. Koreans had great admiration for Mongolian archery and equestrian skills. Ink and colors on paper. Frame: 46 x 22 inches (171 x 56 cm), 34 x 16 inches (86 x 41 cm).

A Rare Tour-de-Force Masterpiece Ten-Panel Painting by the Renowned 19th Century Korean Royal Court Artist Yang Ki Hun aka Sukyeon (1843-1898). This is the first Yang Ki Hun screen painting offered for sale outside of Korea in many years, and it is arguably the best of them. We have here the most renowned of the 19th Century Korean royal court painters demonstrating his mastery and artistry in all of the most revered scholar's motifs. The few other screens of his we have seen in the market over the years were limited to one motif for the entire screen. Each of the ten paintings in this screen is a different motif, but the master brings unity to the entire composition as well with a consistent visual flow that naturally leads the eye from one masterpiece painting to the next. These paintings are unmounted and ready to be framed or mounted onto a screen or rolled up, stored and conserved for their artistic, historical, and cultural value. Each painting is 48.5 x 11.5 inches (123.5 x 29 cm). Ink on paper. The fourth photo here shows the market price for individual Yang Ki Hun paintings and should give you an idea of how very attractive the price is on this set of ten paintings.

This seven feet tall Antique Korean Trident is the only Joseon Dynasty Trident ever offered for sale. The few existing examples are all in museums in Korea. Only Korea has this type of trident with the small round iron cymbals under the fork for scaring off tigers and other wild animals. The shape of the fork is also uniquely Korean. The Chinese trident has much rounder corners. 82 inches (208 cm) tall, 8.5 inches (21.5 cm) wide.

This is the only ancient Korean mace ever offered for sale. The few existing examples are all in museums in Korea. It is from the Early Joseon Dynasty, 16th Century or earlier. Only Korea has this type of straight mace with a perfectly round head. And the head is made from iron insets just like the scales on Korean royal armor. 22 inches (46 cm) long, 3.5 inches (9 cm) wide.

17th Century Tibetan Amitabha Thangka, 46.5 x 25.5 inches, 118 x 65 cm. Most of these thangka were photographed through glass frames, so there may be a little blurriness. This thankga was in an exhibition at the University of Texas Art Museum.

One-Of-A-Kind 18th Century Korean Staff Sword, Changpogeom, a style of sword unique to Korea, with seven gold inlay dots on each side representing the Seven Star Spirit (Chilseong), an ancient Daoist deity that controls fortune. Antique Changpogeom are rare. It's a staff with a fighting blade inside. And a Chilseong Changpogeom (Seven Star Staff Sword) is so rare that this may be the only surviving example. It is a large weapon, 43 inches (110cm) with a a 32 inch (81cm) blade, and the blade is a very high quality fighting blade. This is truly a museum quality sword.

This gorgeous Ichung-nong (Korean Two Unit Stacked Chest) is a rare early piece (mid 19th Century) that has aged to a warm rich hue that is nothing short of a heartwarming and rare treasure to behold. It is a beautiful effect that could never be even closely duplicated with new wood. The finishing process involved singing the wood with a hot iron to both darken it and draw out the resin, and then using straw to rub pinesoot into the grain to further darken it and simultaneously seal the pores and prevent drying, and finishing it with a light pineseed oil finish. A further air of mystery and dignity is given by the very long aging process itself. It is constructed of pine and a rare strain of paulownia with maple door and drawer panels, a rare and luxurious touch on a Korean chest, evidence that this piece was owned by a wealthy family. Furthermore, 'nong' chests were owned by upper-class families who would have observed the distinction between 'nong', which were intended for long-term storage, and the 'chang' type of chests which were for short-term storage. Much of the ironwork is in the shape of stylized floral motifs. The drawers are adorned with lovely Heavenly Peach drawer pulls of iron. The fruit of the mythical Heavenly Peach tree ripens only once every three thousand years and is eaten by the immortals when they gather for their feast at Yao Lake at the the abode of Sohwangmo, the Queen Mother of the West. A further nice historical and cultural touch on an already wonderful, one-of-a-kind piece. 54h x 35w x 14d inches, 137h x 89w x 35.5d cm.

17th Century White Tara Tibetan Thangka. The White Tara goddess symbolizes transcendent knowledge and purity. In ancient Tibet, it was believed that Tara was reincarnated in every virtuous and pious woman. She was born from the eye of Avalokitesvara, the Bodhisattva of compassion, and became his wife. Most of these thangka were photographed through glass frames, so there may be a little blurriness. This thankga was in an exhibition at the University of Texas Art Museum. Mineral pigments on silk. 12 x 10 inches, 30 x 25 cm.

Rare Antique Onggi Medicinal Pot and Cover from Gyeonggi Province, with a beautiful deep, dark brown color. This pot is formed from two halves, a bottom half and a top half, that are put together to form this striking and unusual shape, with a ridged seam around the circumference of the pot. The clay is rich in iron and the glaze is made from clay mixed with wood ash and a little raw lead. The result is a rich dark chocolate brown. Height: 8 inches, 20.5 cm; Circumference: 26.5 inches, 67.25 cm. Onggi are the most 'Korean' of Korean pots. All words related to onggi are of pure Korean origin, not based on Chinese characters. They are a beautiful form of Korean folk art.

Very Rare Calligraphy by Kang Se Hwang aka Pyo Am (1713-1791), artist, calligrapher, art scholar and critic, and one of the most important figures and the most influential scholar-painter of 18th Century Korea. Calligraphy by Kang Se Hwang is so rare that the only other example that we know of in America is a very similar work in the Los Angeles County Museum of Art, illustrated on pages 172-173 of the recently published, Pathways to Korean Culture: Paintings of the Joseon Dynasty by Burglind Jungmann. The left and right margins bear the signed and sealed authentication of the most renowned expert on Korean calligraphy, Kim Sun Won aka Mae San, celebrated calligrapher and host of the television show Jin Pum Myung Pum, the Korean equivalent of the Antiques Road Show. Mae San's authentications are highly valued and can be found on pieces in museum collections throughout Korea. 25 x 11 inches, 63.5 x 28 cm.

Large 19th Century Korean Sharkskin Jang Geom Sword with Silver Overlay. The scabbard is covered in sharkskin and lacquered black over that. The handle is very interesting and is covered in sharkskin underneath the heavy leather wrapping, and over the sharkskin there is a thick brass foil that is hammered to look like sharkskin. This is a unique technique. The end fitting is missing. The crossguard is shaky because there are a few washers missing from the sword. The blade goes all the way in the scabbard tightly but is off-center by about half an inch. 61.5 inches, 155 cm.

Calligraphy by the Joseon Dynasty's Last Prime Minister, Lee Wan Yong aka Ildang (1858 - 1926). He was prime minister of Korea in 1906 - 1910. Lee is Korea's most infamous traitor, the "Benedict Arnold of Korea", for signing the Japan-Korea Annexation Treaty in 1910. Connoisseurs begrudgingly acknowledge his great talents as a calligrapher, but the disdain with which he is regarded keeps the demand, and thus the prices of his work very low. Mounted on sky blue silk. Scroll: 74.5 x 17.5 inches, 189 x 44.5 cm; Calligraphy: 51.5 x 12.75 inches, 131 x 32.5 cm.

Joseon Dynasty Ton-kwe (Korean Coin Chest). Coin chests are highly prized by collectors, as their purpose required that they be the largest, heaviest, and most well constructed piece of furniture in the home of an aristocrat. Paper money did not exist in Yi Dynasty Korea, and the coins were of very small denominations. They had to be strung together in large quantities to have any worth, so a strong money box was obviously a necessity. This is a very heavy and likely the most impressive authentic antique Korean coin chest you will ever see for sale. This massive and handsome coin chest must have belonged to a very wealthy family. 19.5 x 56 x 29 inches, 49.5 x 142 x 74 cm.

Very Fine and Rare Silver Inlaid Iron Brazier (a source of heating and light), hexagonal shape, beautifully rendered and in excellent condition. Each protuberant side is decorated with a keyfret-bordered roundel enclosing six different works of art: a crane and sea turtle in beautifully stylized clouds and waves beneath a silvery moon (symbols of longevity); one of the Eight Buddhist Emblems of an oversized conch shell; a leafy floral design symbolizing abundance; a leafy branch of pomegranates whose many seeds symbolize fertility; another leafy floral branch; and a deer couple at rest beneath a wonderfully curving pine tree that encircles and protects this gorgeous, idyllic scene blessed with symbolism of a long, healthy, happy and peaceful life filled with love. Each roundel is surrounded by a cell diaper pattern with a keyfret border on each side of the brazier. The decorated waisted neck supports a flat everted hexagonal rim decorated with a floral vignette on a cell diaper ground and a keyfret border, all resting on a keyfret-bordered base with six bracket feet decorated with lotus flowers and scrolls. The lotus is a Buddhist symbol of purity, because it rises above the muck to the surface of the pond to show its face to the sun, symbolizing hope and redemption. Height: 6.5 inches, 16.5 cm; Width: 8 inches, 20 cm.

Rare Antique Korean Doll Couple with exact details in the costumes of that era (late 19th Century). These were used in rituals. This is an exceptional example, with very personal features, such as the woman's swollen cheek bones and pursed lips, and the man's introspective eyes, that go well with their bent postures from many years of living a full life. It is rare to find dolls from this era that are so artistically and beautifully rendered with so much heart-warming emotion. It is equally rare to find a man with an original walking stick. 8.5 inches, 21.5 cm.

Nepalese Mask from the Humla Region with a beard, eyebrows, and scalp. 9 inches, 23 cm.