Catalog: Antiques: Regional Art: Asian (179)

Phurba from Sikkim, 12.5 inches, 31.5 cm.

17 x 9 x 7 inches, 43 x 23 x 18 cm. Rare 18th Century Korean Animal Hide Box. There is a similar 18th Century example in the Tenri University Sankokan Museum, illustrated in the book The Korean Relics in Japan Volume 4, page 339.

17 x 9.25 x 6 inches, 43 x 23.5 x 15 cm. Rare 18th Century Korean Animal Hide and Wood Box. There is a similar 18th Century example in the Tenri University Sankokan Museum, illustrated in the book The Korean Relics in Japan Volume 4, page 339.

18th Century Mongolian Thangka of a Guardian Deity General on a White Horse. 27 x 19.25 inches, 68.5 x 49 cm.

Only Pair of Korean Enlightened Saints (Nahan) Paintings Ever Offered for Sale. Set in beautiful landscapes, the Nahan on the right has subdued a demon who is supplicating before him. 18th Century. Colors on paper. 30 x 13.5 inches, 76 x 34 cm each.

17th Century Tibetan Thangka of Avalokitesvara with original silk mount and silk cover from a renowned and published collection. Mount: 46 x 28 inches (117 x 71 cm), Painting: 28 x 20 inches (71 x 51 cm).

18th Century Tibetan Rudra Chakrin, King of Shambhala Thangka, 43.5 x 25.5 inches, 91.5 x 66 cm. Most of these thangka were photographed through glass frames, so there may be a little blurriness. This thankga was in an exhibition at the University of Texas Art Museum.

Black Lacquered Mother of Pearl Table. This is a low table used in ancestor worship rituals. The gorgeous peony flower is a symbol of abundance and wealth. The delightfully rendered dokkaebi goblins that adorn each leg are guardians that chase away evil spirits. The clouds are symbols of Heaven, and the plum blossoms are symbols of courage. As you can see in the photo, there is some loss to one of the dokkaebi goblins, but this table is in otherwise amazing and excellent condition. 25w x 13d x 11.75h inches, 63.5w x 33d x 30h cm.

This pair of pillow ends is the oldest Korean embroidery we have ever offered. They are about 200 years old, from the early 19th Century. Please look especially at the close-up photos to appreciate the very fine technique employed in the details of this marvelous and rare pair. The peonies are a symbol of love and prosperity, and the butterflies are a symbol of happiness. Only very old fabric has such warm colors, and only the old embroiderers would have had the dedication and work ethic required to render such a masterpiece of early Korean embroidery. Each pillow end is 6 inches (15cm) wide.

Blue and White Porcelain Memorial Tablet for Park Gi Il from Miryang, Korea, dated May 1830. It declares a long genealogy in the royal Min clan. This epitaph was written upon the passing of Park Gi Il of Miryang in May 1830. It memorializes him and lists his ancestors' names. An important piece of history and a rare and beautiful work of calligraphy painted with blue cobalt on white porcelain. 7.5 x 6 inches, 19 x 15 cm. framed

Beautiful and Rare 19th Century Korean Elm Wood Document Box from Gyeongsangnam-do, with a patina and grain of gorgeous color and texture and lovely floral metalwork with plum blossoms (a symbol of courage because the plum blossoms early, before winter is quite finished) and chrysanthemum (a symbol of plenty or fertility because of its many petals). For a similar example, see page 69 of Traditional Korean Furniture by Man Sill Pai and Edward Reynolds Wright. 13 x 13 x 7.5 inches, 33 x 33 x 19 cm.

Pair of 19th Century Korean Hunting Paintings. Unique to Korea, hunting paintings always depict hunters in Mongolian attire. Koreans had great admiration for Mongolian archery and equestrian skills. Ink and colors on paper. Frame: 46 x 22 inches (171 x 56 cm), 34 x 16 inches (86 x 41 cm).

19th Century Korean Sword with missing scabbard. Condition is good but slightly shaky. Overall length is 35 inches (89cm), blade is 26 inches (66cm).

19th Century Korean Hat Box made entirely of Exotic Paulownia (Odong-namu) Wood. Paulownia is very desirable for collectors because of its beautiful wide grain, light weight, and fire and bug-resistant qualities. The paulownia used for this rare hat box is especially fine. (hat not included) 12 x 12 x 12 (height) inches, 31 x 31 x 31 cm.

You rarely see 19th Century Korean tiger paintings offered for sale anymore, especially in excellent condition like this one. The last time we had one was 15 years ago, and it will probably be at least that long until have another one to offer. When they do come up in auctions now, they sell for five figures. That's because there is nothing anywhere like Joseon Era Korean tiger folk paintings. Tigers in Korean paintings are not ferocious. They are humorous and full of personality. And each one is unique, like this fellow here with his quizzical and lovable face as he is being addressed by the magpies. This was a favorite symbol of the common folks and represented the people speaking truth to power. The pine tree is a symbol of longevity and wisdom. The azaleas symbolize beauty. This painting is very "Korean." It is painted in ink and colors on traditional and old hanji paper. Korean tiger folk paintings are never signed. Frame: 45 x 29 inches (114 x 74 cm), Painting: 38 x 22 inches (97 x 56 cm).

Rare 19th Century Korean Hyangsang Small Desk and Table with Drawer. Hyangsang were altar stands for the family home altar. Hyangsang (aka Hyangnosang or Hyangtak) are so scarce that this is the only one we have ever been able to acquire in our twenty years in business. 16w x 15.5h x 11.5d inches, 41w x 39h a 29d cm.

Large 19th Century Korean Sharkskin Jang Geom Sword with Silver Overlay. The scabbard is covered in sharkskin and lacquered black over that. The handle is very interesting and is covered in sharkskin underneath the heavy leather wrapping, and over the sharkskin there is a thick brass foil that is hammered to look like sharkskin. This is a unique technique. The end fitting is missing. The crossguard is shaky because there are a few washers missing from the sword. The blade goes all the way in the scabbard tightly but is off-center by about half an inch. 61.5 inches, 155 cm.

Geese and Reeds Painting (Noando) on fine silk mounted on luxurious gold silk by Yang Ki Hun aka Seokyeon (1843-1897) from Pyeongyang, signed Seokyeon. Yang Ki Hun's signature 'boneless' style (painting without outlines, using ink washes) beautifully captures light and shade. The literal meaning of 'noando' is reed and geese painting, but it is a play on words, as 'no' means both reed and old, and 'an' means both geese and comfort ('do' means painting). So 'noan' can mean 'reed and geese' or 'old comfort', and so a painting of geese and reeds symbolized a wish for a comfortable and peaceful old age. This particular painting has further meaning because it depicts two pair of geese. Geese were believed to mate for life, so this painting symbolizes eternal love, and the wish for a couple to grow old together in peace and comfort. Yang Ki Hun was a member of the Royal Academy of Painting in the 19th Century. He made a living by painting for the king and his court, and also by selling his paintings in Pyeongyang. Here are two great quotes from Yang Ki Hun's contemporary, the painter and calligrapher Chi Un Yeong (aka Paekryeon): "Yang Ki Hun's paintings stir up my jealousy because they seem completely freed from all ideas and restraints". And after Seokyeon (Yang Ki Hun) passed away, Chi Un Yeong wrote, "Seokyeon told me that when he stayed on Neungna Island for a few years some time ago, he often saw geese fly in and land on a reed field, so he was able to paint them in a realistic way. His words still linger vividly in my ears. I remember playing with him thirty years ago in the Taedong River, and it seems so far away and dream-like." Ink on paper. Silk Mounting: 76 x 19.5 inches, 193 x 49.5 cm; Painting: 44 x 14 inches, 112 x 35.5 cm. The fifth photo here shows the market price for Yang Ki Hun paintings, which is much higher than the attractive price at which we are offering this fine painting.