Korean Art and Antiques
All Items : Vintage Arts : Regional Art : Asian : Korean : Lacquer : Pre 1960 item #1265670 (stock #1152)
Korean Art and Antiques
SOLD
This spectacular and truly one-of-a kind telephone was not only crafted by what was Korea's premier lacquer and mother-of-pearl company in the mid 20th Century (Kimpo Chilgi Gongyaesa), this is the one-off deluxe telephone that they made for themselves to use in their own office, so they put everything into this phone, and there really is no other like it. The label, like the rest of the telephone , is in remarkable condition, so you can still read the company name and telephone number on the label. The phone actually works, and it spins on the stand like a lazy susan. This is a grand and beautiful piece of Korean history. 11.5w x 7.5h inches, 29w x 19 cm.
All Items : Antiques : Regional Art : Asian : Southeast Asian : Folk Art : Pre 1900 item #1263082 (stock #1143)
Korean Art and Antiques
$100.00
Beautifully Carved Indonesian Antique Inkline Carpenter's Tool for marking straight lines with ink. From the Irwin Hersey Collection of Indonesian Art. Irwin Hersey was the author of Indonesian Primitive Art. Catalog #ID288 from the Hersey Collection. 6 x 3.75 x 2.5 inches, 15.25 x 9.5 x 6.25 cm.
All Items : Antiques : Regional Art : Asian : Indian Subcontinent : Himalayas : Pre 1492 item #1259955 (stock #1140)
Korean Art and Antiques
SOLD
15th Century Gilded Tibetan Manuscript Cover. 28 x 11 inches.
All Items : Antiques : Regional Art : Asian : Korean : Furniture : Pre 1920 item #1255856 (stock #1134)
Korean Art and Antiques
SOLD
Early 20th Century Large Black-Lacquered Mother-of-Pearl Box, in fair condition with much loss of the mother-of-pearl. The brass hardware is old but is not original. 31.5 x 18.5 x 16.5 inches, 80 x 47 x 42 cm.
All Items : Antiques : Regional Art : Asian : Indian Subcontinent : Himalayas : Pre 1800 item #1255019 (stock #1132)
Korean Art and Antiques
SOLD
Rare Early 18th Century Bhutanese Thangka Painting of Padmasambhava (Guru Rinpoche), founder of Tibetan Buddhism. 26.5 x 21 inches, 67.25 x 53.25 cm.
All Items : Vintage Arts : Regional Art : Asian : Korean : Paintings : Pre 1980 item #1254622 (stock #1131)
Korean Art and Antiques
$200.00
Ode to Autumn, fan painting by one of Korea's most famous contemporary artists who worked in the traditional style, Lee Nam Ho aka Geum Chu (1908-2001), beautifully framed and newly silk mounted. The sparrow sings to the beautiful flower of autumn, the camellia, an ancient symbol of faithfulness in Korea. The bamboo on the right is a symbol of resilience and integrity. When faced with a strong wind, the bamboo bends but does not break, just as the person with determination and principle, even when pressed down, doesn't give up and resumes their upright posture. The rock is a symbol of eternity, so when it is with the bamboo and camellia, it is a poetic representation of eternal adherence to principle and undying faithfulness. Ink and colors on paper. Frame: 34.75 x 19 inches (88.25 x 48.25 cm), Painting: 22.5 x 11.5 inches (57 x 29 cm).
All Items : Antiques : Regional Art : Asian : Korean : Folk Art : Pre 1900 item #1253755 (stock #1127)
Korean Art and Antiques
SOLD
19th Century Korean Wood Spool (Silpae) for winding and unwinding thread for embroidery and sewing. The form and design of this spool makes it one of the most beautiful antique Korean spools we have ever seen. It is adorned with lovely carved plum blossoms, symbol of courage (because the plum blossom blooms early, when winter is not quite finished), and it is encircled with rieul (ㄹ) characters to symbolize eternal continuity. This is a great example of the love and care that went into the design of an everyday object that was dear to the lady of a 19th Korean home. It has a beautiful patina from many years of adoring use. 8 x 2.5 inches, 20 x 6.5 cm.
All Items : Antiques : Regional Art : Asian : Korean : Paintings : Pre 1492 item #1250725 (stock #1162)
Korean Art and Antiques
SOLD
Very Rare Goryeo Dynasty Gan Chal Calligraphy by the famous scholar Jeong Yi Oh aka Gyo Eun, born 1347. Frame: 19 x 19 inches, 48.25 x 48.25 cm; Calligraphy: 12 x 12 inches, 30.5 x 30.5 cm.
All Items : Antiques : Regional Art : Asian : Korean : Metalwork : Pre 1900 item #1250197 (stock #1161)
Korean Art and Antiques
$400.00
Set of Three Brass Bowls, (right to left) one Goryeo Dynasty, one Joseon Dynasty, and one Early 20th Century. A fantastic set that spans a thousand years of Korean history. All three are beautiful examples of each time period, with wonderful forms and great patinas. Width and height, starting from the oldest (right to left): 6 x 4 inches (15.25 x 10 cm), 7 x 4 inches (17.75 x 10 cm), 5.5 x 4.5 inches (14 x 11.5 cm).
All Items : Artists : Ceramics : Pottery : Sculptural : Contemporary item #1248419 (stock #1122)
Korean Art and Antiques
$5000.00
This piece was just recently displayed at the Korea Society exhibition, Korean Contemporary Ceramics, the first exhibition on this subject in New York. Kang Jong Sook is easily the most ubiquitous Korean ceramic artist in America. She has been at the forefront of the contemporary ceramic art scene in New York for two decades now. Kang has had solo exhibitions at the Hammond Museum, Montclair State University Museum, Bratislava Museum, Dai Ichi Gallery, and Tong In Gallery, among others. She is a founding member of the biannual East & West Clay Works Exhibition. She is the owner of a successful ceramic studio and school. Height: 17 inches (43 cm), Width: 18 inches (45.75 cm).
All Items : Antiques : Regional Art : Asian : Korean : Metalwork : Pre 1900 item #1247933 (stock #1119)
Korean Art and Antiques
SOLD
Korean Sword with Insignia on the Blade. 26 inches (66cm) overall. Cracks in the scabbard but in otherwise good condition.
All Items : Antiques : Regional Art : Asian : Korean : Metalwork : Pre 1900 item #1247932 (stock #1118)
Korean Art and Antiques
SOLD
19th Century Korean Sword with missing scabbard. Condition is good but slightly shaky. Overall length is 35 inches (89cm), blade is 26 inches (66cm).
All Items : Artists : Paintings : Pre 2000 item #1241322 (stock #1114)
Korean Art and Antiques
$1,500.00
This is an important painting in Korean art history. It was featured as the very first illustration, Plate Number 1, in the catalogue of the historic Korean Cultural Service exhibition, Coloring Time, the first exhibition ever to cover the history of Korean art in America. This is Dragon in the Fog, painted in 1997 by Renowned Korean Artist Don Ahn aka Ahn Dong Kuk (1937 - 2013). Don Ahn was a pioneer of Korean art in America. In the 1950s he was the first to move permanently to the US and receive recognition here, beginning with the 1952 exhibition of his work at the Kilbride Bradley Gallery in Minneapolis, the very first exhibition of Korean contemporary art in America. His work is in the permanent collection of the Museum of Modern Art in New York, and other major museums. There was recently an exhibition of Don Ahn's work at the Walter Wickiser Gallery in New York's Chelsea art district. Acrylic on paper. 28.5 x 21 inches, 72.25 x 53.25 cm. See also preeminent art critic Holland Cotter's review of Don Ahn's work in the April 4, 1997 New York Times article, Of Asians Among the Abstractionists, where he describes Don's paintings as "Exuberant" and "Inspired by Zen brushwork".
All Items : Artists : Drawing : Pre 1970 item #1241319 (stock #1113)
Korean Art and Antiques
$500.00
My Body III, a rare charcoal created in 1965 by Renowned Korean Artist Don Ahn aka Ahn Dong Kuk (1937 - 2013). Don Ahn was a pioneer of Korean art in America. In the 1950s he was the first to move permanently to the US and receive recognition here, beginning with the 1952 exhibition of his work at the Kilbride Bradley Gallery in Minneapolis, the very first exhibition of Korean contemporary art in America. His work is in the permanent collection of the Museum of Modern Art in New York, and other major museums. There was recently an exhibition of Don Ahn's work at the Walter Wickiser Gallery in New York's Chelsea art district. 25 x 20 inches, 63.5 x 51 cm. See also preeminent art critic Holland Cotter's review of Don Ahn's work in the April 4, 1997 New York Times article, Of Asians Among the Abstractionists, where he describes Don's paintings as "Exuberant" and "Inspired by Zen brushwork".
All Items : Artists : Prints : Pre 1970 item #1241215 (stock #1112)
Korean Art and Antiques
$500.00
Rare Artist's Proof Lithograph, Cosmogony No. 7 (Formation of living form) created in 1965 by Renowned Korean Artist Don Ahn aka Ahn Dong Kuk (1937 - 2013). Don Ahn was a pioneer of Korean art in America. In the 1950s he was the first to move permanently to the US and receive recognition here, beginning with the 1952 exhibition of his work at the Kilbride Bradley Gallery in Minneapolis, the very first exhibition of Korean contemporary art in America. His work is in the permanent collection of the Museum of Modern Art in New York, and other major museums. There was recently an exhibition of Don Ahn's work at the Walter Wickiser Gallery in New York's Chelsea art district. 25 x 20 inches, 63.5 x 51 cm. See also preeminent art critic Holland Cotter's review of Don Ahn's work in the April 4, 1997 New York Times article, Of Asians Among the Abstractionists, where he describes Don's paintings as "Exuberant" and "Inspired by Zen brushwork".
All Items : Antiques : Regional Art : Asian : Chinese : Sculpture : Pre 1492 item #1238198 (stock #1111)
Korean Art and Antiques
$67,500.00
Chinese Song Dynasty Guanyin Wood Sculpture. 41.5 inches, 105 cm.
All Items : Artists : Mixed Media : Contemporary item #1228691 (stock #1106)
Korean Art and Antiques
SOLD
Lee Seung O's innovative paper assemblage, 36 x 26 inches, 91 x 66 cm. Lee's work is in the permanent collection of many major museums, including the National Museum of Contemporary Art in Seoul, and he has an excellent auction record, with not a single work going unsold in the many major auctions that have listed his work over the last several years, including Christie's. It is said of Lee Seung O that he is an old spirit with a young mind. While so many young Korean artists are looking to the West for guidance, Lee has found inspiration in the soulful symbolism of traditional Korean folk art. His work is a most inventive and unrestrained interpretation of this tradition, true to the creative spirit of Korean folk art. He has created an entirely new technique of stacking colored paper and wetting the stacks so that they will be stuck together when they dry, then cutting the stacks into strips, and then assembling 'painting-like' compositions that use the edge of the stacks of paper, creating exciting works of great textural density. His work uses an everyday material to make us look at objects (and the world) from a different viewpoint and in an entirely new way, reminding us that innovation and beauty shouldn’t be forced or contrived and needn’t be sought in unknown regions, but can be rooted in tradition and found naturally.
All Items : Artists : Mixed Media : Contemporary item #1228675 (stock #1103)
Korean Art and Antiques
SOLD
Lee Seung O's innovative paper assemblage, 32 x 24 inches, 81 x 61 cm. Lee's work is in the permanent collection of many major museums, including the National Museum of Contemporary Art in Seoul, and he has an excellent auction record, with not a single work going unsold in the many major auctions that have listed his work over the last several years, including Christie's. It is said of Lee Seung O that he is an old spirit with a young mind. While so many young Korean artists are looking to the West for guidance, Lee has found inspiration in the soulful symbolism of traditional Korean folk art. His work is a most inventive and unrestrained interpretation of this tradition, true to the creative spirit of Korean folk art. He has created an entirely new technique of stacking colored paper and wetting the stacks so that they will be stuck together when they dry, then cutting the stacks into strips, and then assembling 'painting-like' compositions that use the edge of the stacks of paper, creating exciting works of great textural density. His work uses an everyday material to make us look at objects (and the world) from a different viewpoint and in an entirely new way, reminding us that innovation and beauty shouldn’t be forced or contrived and needn’t be sought in unknown regions, but can be rooted in tradition and found naturally.