Catalog: Antiques: Regional Art (183)

A Fine and Old Painting of Dokseong, Korea's Hermit Saint in a most beautiful landscape. This gorgeous painting has a phenomenal dark patina that could only have developed through years of ritual use and adds greatly to the contemplative beauty and serenity of this very special work of art. Dokseong is pictured in an inspiring remote mountain forest, a Daoist style landscape where he seeks solitude and self-cultivation. His attire is that of a Buddhist monk. He is revered by Buddhists and Shamans. Paintings of Dokseong are the most constant companions of Sansin (Mountain God) paintings in the Sansin-gak Shrine of Buddhist temples in Korea. Some temples even give Dokseong his own shrine, the Dokseong-gak. There is an old inscription at the bottom of the painting. Frame: 34.75 x 26 inches (88 x 66 cm), Painting: 29.75 x 21 inches (75.5 x 53.5 cm).

Nepalese Mask from the Humla Region with a beard, eyebrows, and scalp. 9 inches, 23 cm.

Tibetan Tiger Mask, 10x9x7 inches, 25.5x23x18 cm.

Black Lacquered Mother of Pearl Table. This is a low table used in ancestor worship rituals. The gorgeous peony flower is a symbol of abundance and wealth. The delightfully rendered dokkaebi goblins that adorn each leg are guardians that chase away evil spirits. The clouds are symbols of Heaven, and the plum blossoms are symbols of courage. As you can see in the photo, there is some loss to one of the dokkaebi goblins, but this table is in otherwise amazing and excellent condition. 25w x 13d x 11.75h inches, 63.5w x 33d x 30h cm.

Antique Korean Black Inkstone Box and Antique Inkstone. The poem on the lid is a beautiful work of calligraphy. It can be read in two directions as "Celebrated mountain object" and "Celebrated mountain extraordinary wisdom", meaning that this object will be used in the pursuit of wisdom. The inkstone has a banana leaf motif, referencing the 8th Century Chinese scholar and celebrated calligrapher, Huaisu who wrote on banana leaves when he ran out of paper. A rare and most interesting find. 9.5w x 6d x 2.75h inches, 24w x 15d x 7h cm.

17th Century White Tara Tibetan Thangka. The White Tara goddess symbolizes transcendent knowledge and purity. In ancient Tibet, it was believed that Tara was reincarnated in every virtuous and pious woman. She was born from the eye of Avalokitesvara, the Bodhisattva of compassion, and became his wife. Most of these thangka were photographed through glass frames, so there may be a little blurriness. This thankga was in an exhibition at the University of Texas Art Museum. Mineral pigments on silk. 12 x 10 inches, 30 x 25 cm.

Antique Onggi Grain Jar from Chuncheong Province with charming finger-paintings of stylized orchids (nancho) and dragon (yong kurim) and hand-pinched 'dragon lines' (yong tti) and rings (son tti). The potter creates his free-hand and whimsical 'paintings' by running his finger (or thumb) through the still-wet glaze. The orchids are a symbol of modesty and purity, and the dragon is an ancient guardian, protecting the grain in the jar that will provide important nutrition to the family as a staple of the Korean diet. 16w x 17h inches, 40.5w x 43h cm. Onggi are the most 'Korean' of Korean pots. All words related to onggi are of pure Korean origin, not based on Chinese characters. They are a beautiful form of Korean folk art.

Very Fine and Rare Silver Inlaid Iron Brazier (a source of heating and light), hexagonal shape, beautifully rendered and in excellent condition. Each protuberant side is decorated with a keyfret-bordered roundel enclosing six different works of art: a crane and sea turtle in beautifully stylized clouds and waves beneath a silvery moon (symbols of longevity); one of the Eight Buddhist Emblems of an oversized conch shell; a leafy floral design symbolizing abundance; a leafy branch of pomegranates whose many seeds symbolize fertility; another leafy floral branch; and a deer couple at rest beneath a wonderfully curving pine tree that encircles and protects this gorgeous, idyllic scene blessed with symbolism of a long, healthy, happy and peaceful life filled with love. Each roundel is surrounded by a cell diaper pattern with a keyfret border on each side of the brazier. The decorated waisted neck supports a flat everted hexagonal rim decorated with a floral vignette on a cell diaper ground and a keyfret border, all resting on a keyfret-bordered base with six bracket feet decorated with lotus flowers and scrolls. The lotus is a Buddhist symbol of purity, because it rises above the muck to the surface of the pond to show its face to the sun, symbolizing hope and redemption. Height: 6.5 inches, 16.5 cm; Width: 8 inches, 20 cm.

Rare Antique Korean Doll Couple with exact details in the costumes of that era (late 19th Century). These were used in rituals. This is an exceptional example, with very personal features, such as the woman's swollen cheek bones and pursed lips, and the man's introspective eyes, that go well with their bent postures from many years of living a full life. It is rare to find dolls from this era that are so artistically and beautifully rendered with so much heart-warming emotion. It is equally rare to find a man with an original walking stick. 8.5 inches, 21.5 cm.

Mongolian Priest Mask from Humia, Nepal, collected by Eric Chazot, 9.5 inches, 24 cm.

17th Century Tibetan Amitabha Thangka, 46.5 x 25.5 inches, 118 x 65 cm. Most of these thangka were photographed through glass frames, so there may be a little blurriness. This thankga was in an exhibition at the University of Texas Art Museum.

17th Century Tibetan Padmasambhava Thangka, 24.25 x 18 inches, 61.5 x 45.5 cm. Most of these thangka were photographed through glass frames, so there may be a little blurriness. This thankga was in an exhibition at the University of Texas Art Museum.

Rare Early 18th Century Bhutanese Thangka Painting of Padmasambhava (Guru Rinpoche), founder of Tibetan Buddhism. 26.5 x 21 inches, 67.25 x 53.25 cm.

17th Century Vajravarahi Tibetan Thangka. Fine Antique Tibetan Thangka of the Sakti of Samvara, Vajravarahi (Tibetan: Hod-zer Chan-ma), Goddess of War and Victory, with a necklace of skulls, a staff of skulls, a skull bowl, and a crown of skulls. She is dancing on a lifeless body surrounded by a mandorla of flames. Most of these thangka were photographed through glass frames, so there may be a little blurriness. This thankga was in an exhibition at the University of Texas Art Museum. Mineral pigments and traces of gold on silk. 17 x 13 inches, 43 x 33 cm.

Joseon Dynasty Ton-kwe (Korean Coin Chest). Coin chests are highly prized by collectors, as their purpose required that they be the largest, heaviest, and most well constructed piece of furniture in the home of an aristocrat. Paper money did not exist in Yi Dynasty Korea, and the coins were of very small denominations. They had to be strung together in large quantities to have any worth, so a strong money box was obviously a necessity. This is a very heavy and likely the most impressive authentic antique Korean coin chest you will ever see for sale. This massive and handsome coin chest must have belonged to a very wealthy family. 19.5 x 56 x 29 inches, 49.5 x 142 x 74 cm.

Rare Antique Korean Spirit Shrine Painting (Kam Mo Yo Je Do). Spirit House Paintings are in the collections of several major museums. This painting would have been placed in a place of reverence in the home, and on the anniversary of an ancestor's death, a slip of paper with the ancestor's name would be placed on the blank space in the open doorway of the shrine in the painting and a ritual would have been performed in front of the painting. Kammo means 'to adore with deep emotion' and Yoje means 'to respectfully address the spirits as if they were at the ceremony', and Do means 'painting'. Ink on paper. Frame: 37.5 x 27 inches, 95 x 68.5 cm; Painting: 31 x 21 inches, 79 x 53.5 cm.

Rare Antique Onggi Medicinal Pot and Cover from Gyeonggi Province, with a beautiful deep, dark brown color. This pot is formed from two halves, a bottom half and a top half, that are put together to form this striking and unusual shape, with a ridged seam around the circumference of the pot. The clay is rich in iron and the glaze is made from clay mixed with wood ash and a little raw lead. The result is a rich dark chocolate brown. Height: 8 inches, 20.5 cm; Circumference: 26.5 inches, 67.25 cm. Onggi are the most 'Korean' of Korean pots. All words related to onggi are of pure Korean origin, not based on Chinese characters. They are a beautiful form of Korean folk art.

Calligraphy by the Joseon Dynasty's Last Prime Minister, Lee Wan Yong aka Ildang (1858 - 1926). He was prime minister of Korea in 1906 - 1910. Lee is Korea's most infamous traitor, the "Benedict Arnold of Korea", for signing the Japan-Korea Annexation Treaty in 1910. Connoisseurs begrudgingly acknowledge his great talents as a calligrapher, but the disdain with which he is regarded keeps the demand, and thus the prices of his work very low. Mounted on sky blue silk. Scroll: 74.5 x 17.5 inches, 189 x 44.5 cm; Calligraphy: 51.5 x 12.75 inches, 131 x 32.5 cm.